Zofloya Or The Moor
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Zofloya; Or, the Moor
Author | : Charlotte Dacre |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781019417263 |
This gothic novel follows the story of Victoria, a young woman who falls under the spell of the seductive and mysterious Zofloya, who introduces her to a life of deceit, betrayal and murder. As Victoria becomes more deeply enmeshed in his world, she discovers the terrible secrets that he has been keeping from her and must struggle to escape his grasp before it's too late. A gripping tale of passion and obsession that will keep you on the edge of your seat. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Zofloya; Or, the Moor
Author | : Charlotte Dacre |
Publisher | : |
Total Pages | : 0 |
Release | : 1928 |
Genre | : Private presses |
ISBN | : |
Zofloya
Author | : Charlotte Dacre |
Publisher | : Broadview Press |
Total Pages | : 308 |
Release | : 1997-06-10 |
Genre | : Fiction |
ISBN | : 9781551111469 |
The protagonist of Charlotte Dacre’s best known novel, Zofloya, or the Moor (1806) is unique in women’s Gothic and Romantic literature, and has more in common with the heroines of Sade or M.G. Lewis than with those of Ann Radcliffe, Charlotte Smith or Jane Austen. No heroine of Radcliffe or Austen could exult, as Victoria does in this novel, that “there is certainly a pleasure … in the infliction of prolonged torment.” The sexual desires and ambition of Dacre’s protagonist, Victoria, drive her to seduce, torture and murder. Victoria is inspired to greater criminal and illicit acts by a seductive Lucifer, disguised as a Moor, before she too is plunged into an abyss by her demon lover. The text’s unusual evocations of the female body and feminine subject are of particular interest in the context of the history of sexuality and of the body; after embarking on a series of violent crimes, Victoria’s body actually begins to grow stronger and decidedly more masculine. Among the documents included as appendices to this volume are a selection of Dacre’s poetry and excerpts from Bienville’s Nymphomania, a medical treatise of the time aimed at a lay audience that focuses largely on the dangerous powers of women’s imagination; inspired by improper novels, it is alleged that women may plunge into madness, violence and death—much as does the protagonist of Zofloya herself.
The Gothic Other
Author | : Ruth Bienstock Anolik |
Publisher | : McFarland |
Total Pages | : 321 |
Release | : 2014-09-26 |
Genre | : Literary Criticism |
ISBN | : 0786427108 |
Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors. The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
The Dark Angel: Gothic Elements in Shelley's Works
Author | : John V. Murphy |
Publisher | : Bucknell University Press |
Total Pages | : 212 |
Release | : 1975 |
Genre | : Literary Criticism |
ISBN | : 9780838714072 |
By establishing a relationship between Shelley's works and the Gothic tradition, this study offers a new way of approaching the center of Shelley's thought. Consideration of Shelley's application of the Gothic mode as an agency for psychological analysis is preceded by a brief introduction to Gothic sensibility.
Empire and the Gothic
Author | : A. Smith |
Publisher | : Springer |
Total Pages | : 262 |
Release | : 2002-12-12 |
Genre | : Literary Criticism |
ISBN | : 1403919348 |
This innovative volume considers the relationship between the Gothic and theories of Post-Colonialism. Contributors explore how writers such as Salman Rushdie, Arunhati Roy and Ruth Prawer Jhabvala use the Gothic for postcolonial ends. Post-Colonial theory is applied to earlier Gothic narratives in order to re-examine the ostensibly colonialist writings of William Beckford, Charlotte Dacre, H. Rider Haggard and Bram Stoker. Contributors include Gayatri Chakravorty Spivak, David Punter and Neil Cornwell.
TransGothic in Literature and Culture
Author | : Jolene Zigarovich |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2017-09-08 |
Genre | : Literary Criticism |
ISBN | : 1315517728 |
This book contributes to an emerging field of study and provides new perspectives on the ways in which Gothic literature, visual media, and other cultural forms explicitly engage gender, sexuality, form, and genre. The collection is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of subject areas and methodologies. It is concerned with several questions, including: How can we discuss Gothic as a genre that crosses over boundaries constructed by a culture to define and contain gender and sexuality? How do transgender bodies specifically mark or disrupt this boundary crossing? In what ways does the Gothic open up a plural narrative space for transgenre explorations, encounters, and experimentation? With this, the volume’s chapters explore expected categories such as transgenders, transbodies, and transembodiments, but also broader concepts that move through and beyond the limits of gender identity and sexuality, such as transhistories, transpolitics, transmodalities, and transgenres. Illuminating such areas as the appropriation of the trans body in Gothic literature and film, the function of trans rhetorics in memoir, textual markers of transgenderism, and the Gothic’s transgeneric qualities, the chapters offer innovative, but not limited, ways to interpret the Gothic. In addition, the book intersects with but also troubles non-trans feminist and queer readings of the Gothic. Together, these diverse approaches engage the Gothic as a definitively trans subject, and offer new and exciting connections and insights into Gothic, Media, Film, Narrative, and Gender and Sexuality Studies.