Yonder Come The Blues
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Author | : Paul Oliver |
Publisher | : Cambridge University Press |
Total Pages | : 380 |
Release | : 2001-02-22 |
Genre | : Music |
ISBN | : 9780521787772 |
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
Author | : Richard Middleton |
Publisher | : Routledge |
Total Pages | : 343 |
Release | : 2013-09-05 |
Genre | : Music |
ISBN | : 1136092749 |
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
Author | : Dick Weissman |
Publisher | : Psychology Press |
Total Pages | : 222 |
Release | : 2005 |
Genre | : Blues (Music) |
ISBN | : 9780415970686 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Edward M. Komara |
Publisher | : Psychology Press |
Total Pages | : 1274 |
Release | : 2006 |
Genre | : Blues |
ISBN | : 0415926998 |
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Author | : Edward Komara |
Publisher | : Routledge |
Total Pages | : 1274 |
Release | : 2004-07-01 |
Genre | : Music |
ISBN | : 1135958319 |
The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.
Author | : Nicholas Pagan |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 164 |
Release | : 1993 |
Genre | : Drama |
ISBN | : 9780838635162 |
This work is both a meditation on the theory of literary biography and an examination of the relationship between Tennessee Williams and the texts attributed to him.
Author | : A. Yemisi Jimoh |
Publisher | : Univ. of Tennessee Press |
Total Pages | : 300 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 9781572331723 |
Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Edward Komara |
Publisher | : Routledge |
Total Pages | : 1279 |
Release | : 2004-07 |
Genre | : Art |
ISBN | : 1135958327 |
The first full-length authoritative Encyclopedia on the Blues as a musical form. A to Z in format, this work covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues.
Author | : Edward M. Komara |
Publisher | : Taylor & Francis US |
Total Pages | : 746 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780415927017 |
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Stephen A. King |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 316 |
Release | : 2011-06-01 |
Genre | : Music |
ISBN | : 1617030112 |
In I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta, Stephen A. King reveals the strategies used by blues promoters and organizers in Mississippi, both African American and white, local and state, to attract the attention of tourists. In the process, he reveals how promotional materials portray the Delta’s blues culture and its musicians. Those involved in selling the blues in Mississippi work to promote the music while often conveniently forgetting the state’s historical record of racial and economic injustice. King’s research includes numerous interviews with blues musicians and promoters, chambers of commerce, local and regional tourism entities, and members of the Mississippi Blues Commission. This book is the first critical account of Mississippi’s blues tourism industry. From the late 1970s until 2000, Mississippi’s blues tourism industry was fragmented, decentralized, and localized, as each community competed for tourist dollars. By 2003–2004, with the creation of the Mississippi Blues Commission, the promotion of the blues became more centralized as state government played an increasing role in promoting Mississippi’s blues heritage. Blues tourism has the potential to generate new revenue in one of the poorest states in the country, repair the state’s public image, and serve as a vehicle for racial reconciliation.