Ye Ye Girls Of 60s French Pop
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Author | : Jean-Emmanuel Deluxe |
Publisher | : Feral House |
Total Pages | : 557 |
Release | : 2013-11-18 |
Genre | : Music |
ISBN | : 1936239728 |
Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.
Author | : Andrew Birkin |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Photography |
ISBN | : 9783836549974 |
"This album contains, in chronological order, 160 photographs taken between 1963 and 1979 by Andrew Birkin of his sister Jane Birken, Serge Gainsbourg, and their relatives."--Preliminary page.
Author | : Sarah J. Robinson |
Publisher | : WaterBrook |
Total Pages | : 257 |
Release | : 2021-05-11 |
Genre | : Religion |
ISBN | : 0593193539 |
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Author | : Bob Stanley |
Publisher | : |
Total Pages | : 0 |
Release | : 2023-09-21 |
Genre | : Popular music |
ISBN | : 9780571375196 |
'Stanley is both a fine writer and an impassioned celebrant of pop in all its mongrel, misfit glory.' STUART MACONIE, THE TIMES There have been many books on pop music but none have attempted to chart its entire story, from the dawn of the charts in the fifties to pop's digital switchover in the year 2000, from Billy Fury and Roxy Music to TLC and Britney via Led Zeppelin and Donna Summer. Audacious and addictive, Yeah Yeah Yeah is a landmark work that will remind you while you fell in love with it in the first place.
Author | : Guy Peellaert |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Comics & Graphic Novels |
ISBN | : 9781606995303 |
A Pop Art classic from the 1960s, The Adventures of Jodelle (written by Pierre Bartier) is a very early adult graphic novel from the legendary French comics publisher Eric Losfeld. The Adventures of Jodelle is a satirical spy adventure set in an Asterix-style anachronistic Cesarepoch fantasy Rome featuring both billboards and vampires. It melds the bold compositional skills of a top pop-art-era draftsman with a unique sensitivity to the comics medium, and was published in English in 1967 by Grove Press, whose epic editor-in-chief Richard Seaver also provided the translation.
Author | : Richard Rodgers |
Publisher | : Hal Leonard Corporation |
Total Pages | : 212 |
Release | : 1960 |
Genre | : Music |
ISBN | : 9780881880502 |
(Vocal Score). Vocal score with 15 songs from one of musical theatre's masterpieces. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * The Sound of Music * and more!
Author | : Naomi Klein |
Publisher | : Macmillan |
Total Pages | : 520 |
Release | : 2000-01-15 |
Genre | : Business & Economics |
ISBN | : 9780312203436 |
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
Author | : Annie Ernaux |
Publisher | : Seven Stories Press |
Total Pages | : 174 |
Release | : 2017-11-21 |
Genre | : Biography & Autobiography |
ISBN | : 160980788X |
WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE One of the New York Times’s 100 Best Books of the 21st Century Shortlisted for the 2019 Man Booker International Prize Considered by many to be the iconic French memoirist's defining work and a breakout bestseller when published in France in 2008 The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from 6 decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns." Co-winner of the 2018 French-American Foundation Translation Prize in Nonfiction Winner of the 2017 Marguerite Yourcenar Prize for her entire body of work Winner of the 2016 Strega European Prize
Author | : David Hackett Fischer |
Publisher | : Oxford University Press |
Total Pages | : 981 |
Release | : 1991-03-14 |
Genre | : History |
ISBN | : 019974369X |
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Author | : Richard J. Watts |
Publisher | : Cambridge University Press |
Total Pages | : 391 |
Release | : 2019-01-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107112710 |
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.