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| Author | : Karen M. Offen |
| Publisher | : Springer |
| Total Pages | : 576 |
| Release | : 1991-08-23 |
| Genre | : Social Science |
| ISBN | : 1349215120 |
Five essays address such themes as the relationship between feminist history and women's history, the use of the concept of "experience", the development of the history of gender, demographic history and women's history and the importance of post-structuralism to women's history.
| Author | : Elizabeth Anne Payne |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 250 |
| Release | : 2011-09-13 |
| Genre | : Social Science |
| ISBN | : 1617031747 |
Contributions by Laura F. Edwards, Crystal Feimster, Glenda E. Gilmore, Jacquelyn Dowd Hall, Darlene Clark Hine, Mary Kelley, Markeeva Morgan, Anne Firor Scott, Laurel Thatcher Ulrich, and Deborah Gray White Anne Firor Scott's The Southern Lady: From Pedestal to Politics, 1830-1930 stirred a keen interest among historians in both the approach and message of her book. Using women's diaries, letters, and other personal documents, Scott brought to life southern women as wives and mothers, as members of their communities and churches, and as sometimes sassy but rarely passive agents. She brilliantly demonstrated that the familiar dichotomies of the personal versus the public, the private versus the civic, which had dominated traditional scholarship about men, could not be made to fit women's lives. In doing so, she helped to open up vast terrains of women's experiences for historical scholarship. This volume, based on papers presented at the University of Mississippi's annual Chancellor Porter L. Fortune Symposium in Southern History, brings together essays by scholars at the forefront of contemporary scholarship on American women's history. Each regards The Southern Lady as having shaped her historical perspective and inspired her choice of topics in important ways. These essays together demonstrate that the power of imagination and scholarly courage manifested in Scott's and other early American women historians' work has blossomed into a gracious plentitude.
| Author | : Margaret J. M. Ezell |
| Publisher | : JHU Press |
| Total Pages | : 220 |
| Release | : 1996-11-08 |
| Genre | : Literary Criticism |
| ISBN | : 9780801855085 |
Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history. By championing the recovery of "lost" women writers and insisting on reevaluating the past, women's studies and feminist theory have effected dramatic changes in the ways English literary history is written and taught. In Writing Women's Literary History, Margaret Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. According to Ezell, by relying not only on past male scholarship but also on inherited notions of "tradition," some feminist historicists replicate the evolutionary, narrative model of history that originally marginalized women who wrote before 1700. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history.
| Author | : Linda K. Kerber |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 492 |
| Release | : 2000-11-09 |
| Genre | : Social Science |
| ISBN | : 0807866865 |
This outstanding collection of fifteen original essays represents innovative work by some of the most influential scholars in the field of women's history. Covering a broad sweep of history from colonial to contemporary times and ranging over the fields of legal, social, political, and cultural history, this book, according to its editors, 'intrudes into regions of the American historical narrative from which women have been excluded or in which gender relations were not thought to play a part.' The book is dedicated to pioneering women's historian Gerda Lerner, whose work inspired so many of the contributors, and it includes a bibliography of her works. The contributors include: Linda K. Kerber on women and the obligations of citizenship Kathryn Kish Sklar on two political cultures in the Progressive Era Linda Gordon on women, maternalism, and welfare in the twentieth century Alice Kessler-Harris on the Social Security Amendments of 1939 Nancy F. Cott on marriage and the public order in the late nineteenth century Nell Irvin Painter on 'soul murder' as a legacy of slavery Judith Walzer Leavitt on Typhoid Mary and early twentieth-century public health Estelle B. Freedman on women's institutions and the career of Miriam Van Waters William H. Chafe on how the personal translates into the political in the careers of Eleanor Roosevelt and Allard Lowenstein Jane Sherron De Hart on women, politics, and power in the contemporary United States Barbara Sicherman on reading Little Women Joyce Antler on the Emma Lazarus Federation's efforts to promulgate women's history Amy Swerdlow on Left-feminist peace politics in the cold war Ruth Rosen on the origins of contemporary American feminism among daughters of the fifties Darlene Clark Hine on the making of Black Women in America: An Historical Encyclopedia
| Author | : Robin Mitchell |
| Publisher | : University of Georgia Press |
| Total Pages | : 209 |
| Release | : 2020-02-15 |
| Genre | : History |
| ISBN | : 0820354333 |
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
| Author | : Laura Lee Downs |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 256 |
| Release | : 2010-03-01 |
| Genre | : History |
| ISBN | : 9780340975169 |
How has feminist scholarship changed history? Writing Gender History explores the evolution of historical writing about women and gender from the 1930s until the early twenty-first century. With chapters on the history of Europe, the USA, colonial India and Africa, the discussion moves from women's history to gender history, and then to poststructuralist challenges to that history. This revised edition includes an exciting new chapter looking at recent scholarship on race, gender and sexuality in colonial and transnational history, and on the history of the body. Highly accessibly but also encouraging new debate, this book provides students with a comprehensive understanding of gender history, as well as its possible future.
| Author | : Lisa Kasmer |
| Publisher | : Fairleigh Dickinson |
| Total Pages | : 199 |
| Release | : 2012-01-16 |
| Genre | : History |
| ISBN | : 1611474965 |
Novel Histories: British Women Writing History, 1760–1830 argues that British women’s history and historical fiction in the late eighteenth and early nineteenth centuries changed not only the shape but also the political significance of women’s writing. At a time when women’s participation in the republic of letters was both celebrated and reviled, these authors took cues from developments that revolutionized British history writing to push the limits of narrated history to respond to contemporary national politics. Through an examination of the conventions of historical and literary genres; historiography during the period; and the gendering of civic and literary roles, this study shows not only a social, political, and literary lineage among women’s history writing and fiction but also among women’s writing and the writing of history.
| Author | : Patricia Phillippy |
| Publisher | : Cambridge University Press |
| Total Pages | : 463 |
| Release | : 2018-01-18 |
| Genre | : History |
| ISBN | : 1107137063 |
This book contains expansive, multifaceted narrative of British women's literary and textual production from the Reformation to the Restoration.
| Author | : Karen Offen |
| Publisher | : Routledge |
| Total Pages | : 162 |
| Release | : 2020-06-04 |
| Genre | : History |
| ISBN | : 0429671377 |
This book considers the promise of women's and gender history for revolutionizing our understanding of the past while also acknowledging the current national political, financial, and other contextual realities that can (and do) constrain or promote the possibilities for researching and writing women's history. The editors assert that the promise of women's and gender history is a cutting edge field of research, "a revolutionary development in the politics of historical scholarship," essential for understanding the human past. Further, they argue for the inseparability of women's history and gendered analytical approaches. The contributors to the volume address questions including: what have been the achievements of women's and gender history over the past two decades? To what extent has it succeeded in making women's history an integral part of historical study rather than an optional specialist area? What impact has the study of manhood, masculinities, and men's gendered power had on our understanding of women's lives? What is the relationship between gender studies and new critical histories of colonialism and empire, contact zones, cross-cultural encounters, and racialization? How is new work on cultural geography and spatial categories impacting on our historical understandings of bodily difference? This book was originally published as a special issue of the Women’s History Review.
| Author | : Mia E. Bay |
| Publisher | : UNC Press Books |
| Total Pages | : 321 |
| Release | : 2015-04-13 |
| Genre | : Social Science |
| ISBN | : 1469620928 |
Despite recent advances in the study of black thought, black women intellectuals remain often neglected. This collection of essays by fifteen scholars of history and literature establishes black women's places in intellectual history by engaging the work of writers, educators, activists, religious leaders, and social reformers in the United States, Africa, and the Caribbean. Dedicated to recovering the contributions of thinkers marginalized by both their race and their gender, these essays uncover the work of unconventional intellectuals, both formally educated and self-taught, and explore the broad community of ideas in which their work participated. The end result is a field-defining and innovative volume that addresses topics ranging from religion and slavery to the politicized and gendered reappraisal of the black female body in contemporary culture. Contributors are Mia E. Bay, Judith Byfield, Alexandra Cornelius, Thadious Davis, Corinne T. Field, Arlette Frund, Kaiama L. Glover, Farah J. Griffin, Martha S. Jones, Natasha Lightfoot, Sherie Randolph, Barbara D. Savage, Jon Sensbach, Maboula Soumahoro, and Cheryl Wall.
