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| Author | : James M. McPherson |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 366 |
| Release | : 2000-09-01 |
| Genre | : History |
| ISBN | : 9781570033896 |
Co-edited by the author of the Pulitzer Prize-winning Battle Cry of Freedom, a collection of essays by fourteen distinguished historians discusses the ongoing effort to chronicle the Civil War and trends in Civil War scholarship. History Alt. UP.
| Author | : Stephen Cushman |
| Publisher | : LSU Press |
| Total Pages | : 309 |
| Release | : 2019-03-06 |
| Genre | : History |
| ISBN | : 080717100X |
Civil War Writing is a collection of new essays that focus on the most significant writing about the American Civil War by participants who lived through it, whether as civilians or combatants, southerners or northerners, women or men, blacks or whites. Collectively, as contributors show, these writings have sustained their influence over generations and include histories, memoirs, journals, novels, and one literary falsehood posing as an autobiographical narrative. Several of the works, such as William Tecumseh Sherman’s memoirs or Mary Chesnut’s diary, are familiar to scholars, but other accounts, including Charlotte Forten’s diary and Loreta Velasquez’s memoir, offer new material to even the most omnivorous Civil War reader. In all cases, a deeper look at these writings reveals why they continue to resonate with audiences more than 150 years after the end of the conflict. As supporting evidence for historical and biographical narratives and as deliberately designed communications, the writings discussed in this collection demonstrate considerable value. Whether exploring the differences among drafts and editions, listening closely to fluctuations in tone or voice, or tracing responses in private correspondence or published reviews, the essayists examine how authors wrote to different audiences and out of different motives, creating a complex literary record that offers rich potential for continuing evaluation of the country’s greatest national trauma. Overall, the essays in Civil War Writing underscore how participants employed various literary forms to record, describe, and explain aspects and episodes of a conflict that assumed proportions none of them imagined possible at the outset.
| Author | : Elizabeth Young |
| Publisher | : University of Chicago Press |
| Total Pages | : 414 |
| Release | : 1999-12-15 |
| Genre | : History |
| ISBN | : 9780226960876 |
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation. Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts. Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.
| Author | : Lyde Cullen Sizer |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 367 |
| Release | : 2003-06-19 |
| Genre | : History |
| ISBN | : 0807860980 |
This volume explores the lives and works of nine Northern women who wrote during the Civil War period, examining the ways in which, through their writing, they engaged in the national debates of the time. Lyde Sizer shows that from the 1850 publication of Uncle Tom's Cabin through Reconstruction, these women, as well as a larger mosaic of lesser-known writers, used their mainstream writings publicly to make sense of war, womanhood, Union, slavery, republicanism, heroism, and death. Among the authors discussed are Lydia Maria Child, Harriet Beecher Stowe, Sara Willis Parton (Fanny Fern), Frances Ellen Watkins Harper, Mrs. E. D. E. N. Southworth, Mary Abigail Dodge (Gail Hamilton), Louisa May Alcott, Rebecca Harding Davis, and Elizabeth Stuart Phelps. Although direct political or partisan power was denied to women, these writers actively participated in discussions of national issues through their sentimental novels, short stories, essays, poetry, and letters to the editor. Sizer pays close attention to how these mostly middle-class women attempted to create a "rhetoric of unity," giving common purpose to women despite differences in class, race, and politics. This theme of unity was ultimately deployed to establish a white middle-class standard of womanhood, meant to exclude as well as include.
| Author | : William B. Styple |
| Publisher | : |
| Total Pages | : 394 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : |
"The 'Sunday Mercury's' correspondents wrote of contemporary events, scenes, and personalities. They did not write from hindsight, nor are they prone to exaggerate their personal roles. The practice of the old soldier over-emphasizing his actions and placing himself on center stage has resulted in wags referring to Henry Kyd Douglas' 'I Rode With Stonewall" as 'Stonewall Rides With Me.' Generals, such as Robert E. Lee and U.S. Grant, made it a practice to read enemy newspapers. It has been said that General Lee, because of the skill of the Confederate spy network in the Maryland counties fronting Chesapeake Bay and the Potomic River, true, insofar as it applies to the 'Sunday Mercury, ' the information reaching Lee from this source would be a spymaster's dream" from the foreward by Edwin C. Bearss.
| Author | : James M. McPherson |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 370 |
| Release | : 2021-04-16 |
| Genre | : History |
| ISBN | : 1643362216 |
Studies diverse topics on the writing of Civil War history No event has transformed the United States more fundamentally—or been studied more exhaustively—than the Civil War. In Writing the Civil War, fourteen distinguished historians present a wide-ranging examination of the vast effort to chronicle the conflict—an undertaking that began with the remembrances of Civil War veterans and has become an increasingly prolific field of scholarship. Covering topics from battlefield operations to the impact of race and gender, this volume is an informative guide through the labyrinth of Civil War literature. The contributors provide authoritative and interpretive evaluations of the study and explication of the struggle that has been called the American Iliad. The first four essays consider military history: Joseph Thomas Glatthaar writes on battlefield tactics, Gary W. Gallagher on Union strategy, Emory M. Thomas on Confederate strategy, and Reid Mitchell on soldiers. In essays that focus on political concerns, Mark E. Neely, Jr. links the military and political with his examination of presidential leadership, while Michael F. Holt surveys the study of Union politics, and George C. Rable examines the work on Confederate politics. Michael Les Benedict bridges political and societal concerns in his discussion of constitutional questions; Phillip Shaw Paludan and james L. roark confront the broad themes of economics and society in the North and South; and Drew Gilpin Faust and Peter Kolchin evaluate the importance of gender, slavery, and race relations. Writing the Civil War demonstrates the richness and diversity of Civil War scholarship and identifies topics yet to be explored. Noting a surprising dearth of scholarship in several area, the essays point to new directions in the quest to understand the complexities of the most momentous event in American history.
| Author | : Stephen Cushman |
| Publisher | : LSU Press |
| Total Pages | : 289 |
| Release | : 2019-03-06 |
| Genre | : History |
| ISBN | : 0807171018 |
Civil War Writing is a collection of new essays that focus on the most significant writing about the American Civil War by participants who lived through it, whether as civilians or combatants, southerners or northerners, women or men, blacks or whites. Collectively, as contributors show, these writings have sustained their influence over generations and include histories, memoirs, journals, novels, and one literary falsehood posing as an autobiographical narrative. Several of the works, such as William Tecumseh Sherman’s memoirs or Mary Chesnut’s diary, are familiar to scholars, but other accounts, including Charlotte Forten’s diary and Loreta Velasquez’s memoir, offer new material to even the most omnivorous Civil War reader. In all cases, a deeper look at these writings reveals why they continue to resonate with audiences more than 150 years after the end of the conflict. As supporting evidence for historical and biographical narratives and as deliberately designed communications, the writings discussed in this collection demonstrate considerable value. Whether exploring the differences among drafts and editions, listening closely to fluctuations in tone or voice, or tracing responses in private correspondence or published reviews, the essayists examine how authors wrote to different audiences and out of different motives, creating a complex literary record that offers rich potential for continuing evaluation of the country’s greatest national trauma. Overall, the essays in Civil War Writing underscore how participants employed various literary forms to record, describe, and explain aspects and episodes of a conflict that assumed proportions none of them imagined possible at the outset.
| Author | : Lauren Donovan Ginsberg |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 634 |
| Release | : 2018-12-17 |
| Genre | : Literary Criticism |
| ISBN | : 3110584743 |
The fall of Nero and the civil wars of 69 CE ushered in an era scarred by the recent conflicts; Flavian literature also inherited a rich tradition of narrating nefas from its predecessors who had confronted and commemorated the traumas of Pharsalus and Actium. Despite the present surge of scholarly interest in both Flavian literary studies and Roman civil war literature, however, the Flavian contribution to Rome’s literature of bellum ciuile remains understudied. This volume shines a spotlight on these neglected voices. In the wake of 69 CE, writing civil war became an inescapable project for Flavian Rome: from Statius’s fraternas acies and Silius’s suicidal Saguntines to the internecine narratives detailed in Josephus’s Bellum Iudaicum and woven into Frontinus’s exempla, Flavian authors’ preoccupation with civil war transcends genre and subject matter. This book provides an important new chapter in the study of Roman civil war literature by investigating the multi-faceted Flavian response to this persistent and prominent theme.
| Author | : James H. Meredith |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 211 |
| Release | : 2018-05-25 |
| Genre | : History |
| ISBN | : |
This intriguing study examines the truth behind the myths and misconceptions that defined the American Civil War, as portrayed through the popular literary works of the time. The Civil War Era: A Historical Exploration of Literature examines the tremendous change the American Civil War brought to society as reflected in the literature of the time. It delves into the cultural, historical, and literary contexts of the era, looking beyond common conceptions and instead reflecting on the era's complexities and contradictions. The book profiles key American literature related to the war, both on and off the battlefield, including Stephen Crane's The Red Badge of Courage, Ambrose Bierce's "Chickamauga," Louisa May Alcott's Hospital Sketches, the Civil War poems of Walt Whitman and Herman Melville, and Lincoln's "Gettysburg Address." This book serves to demonstrate how profoundly the actions on the Civil War battlefield shaped American politics, society, and the arts.
| Author | : Ethan S. Rafuse |
| Publisher | : Routledge |
| Total Pages | : 653 |
| Release | : 2017-11-28 |
| Genre | : History |
| ISBN | : 1351147781 |
The largest and most destructive military conflict between the Napoleonic Wars and the First World War, the American Civil War has inspired some of the best and most intriguing scholarship in the field of United States history. This volume offers some of the most important work on the war to appear in the past few decades and offers compelling information and insights into subjects ranging from the organization of armies, historiography, the use of intelligence and the challenges faced by civil and military leaders in the course of America‘s bloodiest war.
