Wrecked Lives Or Men Who Have Failed
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Author | : Terrence L. Craig |
Publisher | : BRILL |
Total Pages | : 190 |
Release | : 2016-05-18 |
Genre | : Religion |
ISBN | : 9004319999 |
This book is a survey of the life writings by and about Canadian missionaries at home and abroad, over the last one hundred and thirty years. A general missionary history of Canada appears first, to introduce separate chapters on the forms and themes of this body of literature. The critical problems presented by writing that has resisted modern and post-modern developments are discussed. Partial and fictional life writing, as well as marginal forms, are also explored. The book concludes with general statements about the whole of this literature and its effects. The first attempt at a comprehensive bibliography of Canadian missionary life writing is appended.
Author | : Juliette Atkinson |
Publisher | : OUP Oxford |
Total Pages | : 336 |
Release | : 2010-08-26 |
Genre | : Literary Criticism |
ISBN | : 0191591432 |
In 1939, Virginia Woolf called for a more inclusive form of biography, which would include 'the failures as well as the successes, the humble as well as the illustrious'. She did so in part as a reaction against Victorian biography, deemed to have been overly preoccupied with 'Great Men'. Yet a significant number of Victorians had already broken ranks to write the lives of humble, unsuccessful, or neglected men and women. Victorian Biography Reconsidered seeks to uncover and assess this trend. The book begins with an overview of Victorian biography followed by a reflection on how the bagginess of nineteenth-century hero-worship enabled new subjects to emerge. Biographies of 'hidden' lives are then scrutinized through chapters on the lives of humble naturalists, failed destinies, minor women writers, neglected Romantic poets rescued by Victorian biographers, and, finally, the Dictionary of National Biography. In its conclusion, the book briefly discusses how Virginia Woolf absorbed earlier biographical trends before redirecting the representation of 'hidden' lives. Victorian Biography Reconsidered argues that, often paradoxically, nineteenth-century biographers regarded the public sphere with intense wariness. At a time of instability for men of letters, biographers embraced the role of mediators in a manner that asserted their own cultural authority. Frequently, they showed little interest in vouchsafing immortality for their unknown or forgotten subjects, but strove instead to provoke amongst their readers a feeling of gratitude for the hidden labour that sustained the nation and an appreciation for the writers who had brought it to their attention.
Author | : |
Publisher | : |
Total Pages | : 528 |
Release | : 1880 |
Genre | : Art |
ISBN | : |
Author | : A. Kelly |
Publisher | : Springer |
Total Pages | : 251 |
Release | : 2016-04-30 |
Genre | : Literary Criticism |
ISBN | : 113708264X |
Ann Kelly's provocative book breaks the mold of Swift studies. Twentieth century Swift scholars have tended to assess Jonathan Swift as a pillar of the eighteenth-century 'republic of letter', a conservative, even reactionary voice upholding classical values against the welling tide of popularization in literature. Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self-mythologized figure. A fascinating look at print culture, the commodification of the author, and the history of popular culture, this book should provoke lots of discussion.
Author | : Hilary Fraser |
Publisher | : Routledge |
Total Pages | : 413 |
Release | : 2017-07-12 |
Genre | : Literary Criticism |
ISBN | : 1315505355 |
Hilary Fraser provides a comprehensive and thorough survey of English prose in the nineteenth century which draws from a wide variety of fields including art, literary theory and criticisim, biography, letters, journals, sermons, and travel reportage. Through these works the cultural, social, literary and political life of the twentieth century - a period of great intellectual activity - can be charted, discussed and assessed. For the first time, an inclusive critical survey of nineteenth-century non-fiction is presented, that traces the century's ideological and cultural upheavals as they are registered in the literary textures of some of its most widely read and influential writings.The book explores the relations between writers who are generally perceived as occupying different discursive spheres, for example between John Stuart Mill, Florence Nightingale and Mrs Beeton; between Cardinal Newman, Elizabeth Gaskell and Hannah Cullwick; and between Charles Darwin, David Livingstone and Henry Mayhew. The establishment and development of different genres and their interactions over the century are clearly mapped. The genre of the periodical essay, a distinctively modern and flexible form catering to the mass readership, is the subject of the introduction, and then more specialist fields are discussed, covering scientific writing, travel and exploration literature, social reportage, biography, autobiography, journals, letters, religious and philosophical prose, political writing and history.
Author | : Mordecai Cubitt Cooke |
Publisher | : BoD – Books on Demand |
Total Pages | : 482 |
Release | : 2024-04-24 |
Genre | : Fiction |
ISBN | : 3385426642 |
Reprint of the original, first published in 1882.
Author | : |
Publisher | : |
Total Pages | : 206 |
Release | : 1919 |
Genre | : Literature |
ISBN | : |
Author | : James Whitehead |
Publisher | : Oxford University Press |
Total Pages | : 437 |
Release | : 2017-07-21 |
Genre | : Literary Criticism |
ISBN | : 0191081892 |
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Author | : Margaret E. Hayes |
Publisher | : |
Total Pages | : 272 |
Release | : 1884 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 836 |
Release | : 1880 |
Genre | : Art |
ISBN | : |