World War I And The Visual Arts
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| Author | : Robert Cozzolino |
| Publisher | : Princeton University Press |
| Total Pages | : 320 |
| Release | : 2016-11 |
| Genre | : Art |
| ISBN | : 0691172692 |
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
| Author | : Jennifer Farrell |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 51 |
| Release | : 2017-11-02 |
| Genre | : History |
| ISBN | : 1588396568 |
Published on the occasion of the centenary of World War I, this Bulletin, which accompanies the related exhibition “World War I and the Visual Arts,” on view at The Met until January 7, 2018, explores the myriad and often contradictory ways in which artists responded to the world’s first modern war. Drawn primarily from The Met’s collection of works on paper and supplemented with loans from private collections, both presentations move chronologically from the initial mobilization in early August 1914 to the tumultuous decade that followed the armistice of November 1918. Ranging from expressions of bellicose enthusiasm to sentiments of regret, grief, and anger, the selected works—from prints, photographs, and drawings to propaganda posters, postcards, and commemorative medals—powerfully evoke the conflicting emotions of this complex period. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
| Author | : David M. Lubin |
| Publisher | : Oxford University Press |
| Total Pages | : 380 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 0190218614 |
War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.
| Author | : Ephraim Durnst |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 2020-02-03 |
| Genre | : |
| ISBN | : |
A collection of full-color artwork from World War One that illustrates the immense destruction and human turmoil of The Great War. World War One raged from 1914 through 1918. Before the advent of modern video and photography, artists documented it using a variety of mediums for newspapers and magazines from the era. Using their imagination and technical skill, these talented illustrators and painters created something beautiful out of something terrible that gives a candid look at one humanity's greatest conflicts. The Art of World War 1 collects more than 100 brilliant pieces from the WW1-era depicting French, British, German, American troops, and more involved in the struggle. Stunning color illustrations from artists like Francois Flameng, Charles Hoffbauer, G. Koch, Georges Scott, Willy Stöwer, and more fill the pages with intimate scenes and epic shots of destruction. Included are prints featuring air combat, soldiers charging, tanks, boats, and the aftermath of battle. Using pens, pencils, paints, and brushes, they captured the action and emotion of The Great War in a way that film could not. In many cases, these brave individuals traveled to the front lines and sketched, drew, and painted what they saw. More than 100 years after its creation, their art is more vivid and impactful today than ever before.
| Author | : Shearer West |
| Publisher | : Manchester University Press |
| Total Pages | : 264 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780719052798 |
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
| Author | : Michael Mackenzie |
| Publisher | : German Visual Culture |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art and society |
| ISBN | : 9783034317238 |
Otto Dix fought in the First World War for four years before becoming one of the most important artists of the Weimar era. This book takes Dix's very public, monumental works out of the isolation of the artist's studio and returns them to a context of public memorials, mass media depictions, and the communal search for meaning in the war.
| Author | : Gordon Hughes |
| Publisher | : Getty Publications |
| Total Pages | : 212 |
| Release | : 2014-11-25 |
| Genre | : Art |
| ISBN | : 1606064312 |
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
| Author | : Arthur D. Efland |
| Publisher | : Teachers College Press |
| Total Pages | : 454 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 0807776378 |
Arthur Efland puts current debate and concerns in a well-researched historical perspective. He examines the institutional settings of art education throughout Western history, the social forces that have shaped it, and the evolution and impact of alternate streams of influence on present practice.A History of Art Education is the first book to treat the visual arts in relation to developments in general education. Particular emphasis is placed on the 19th and 20th centuries and on the social context that has affected our concept of art today. This book will be useful as a main text in history of art education courses, as a supplemental text in courses in art education methods and history of education, and as a valuable resource for students, professors, and researchers. “The book should become a standard reference tool for art educators at all levels of the field.” —The Journal of Aesthetics and Art Criticism “Efland has filled a gap in historical research on art education and made an important contribution to scholarship in the field.” —Studies in Art Education
| Author | : Ann-Marie Einhaus |
| Publisher | : Edinburgh University Press |
| Total Pages | : 480 |
| Release | : 2017-05-24 |
| Genre | : History |
| ISBN | : 1474425720 |
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
| Author | : Emma Chambers |
| Publisher | : Tate |
| Total Pages | : 0 |
| Release | : 2018-09-25 |
| Genre | : History |
| ISBN | : 9781849765671 |
Examines the memorialisation and the social and aesthetic impact of the First World War through the visual arts in Britain, Germany and France
