World Television
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Author | : Joseph D. Straubhaar |
Publisher | : SAGE |
Total Pages | : 313 |
Release | : 2007-05-18 |
Genre | : Language Arts & Disciplines |
ISBN | : 1452239657 |
World Television: From Global to Local, a new assessment of the interdependence of television across cultures and nations brings together the most current research and theories on the subject. By examining recent developments in the world system of television as well as several theories of culture, industry, genre, and audience, author Joseph D. Straubhaar offers new insights into the topic. He argues that television is being simultaneously globalized, regionalized, nationalized, and even localized, with audiences engaging it at multiple levels of identity and interest; therefore the book looks at all these levels of operation. Key Features Draws upon both international communication and cultural studies perspectives: Presents a new model is presented that attempts to move beyond the current controversies about imperialism and globalization. Looks at historical patterns: Historical patterns across cultures and countries help compare where television has been and where it is going. Takes a contemporary focus: Uses of technology, flows and patterns of program development, genres of television, the interaction of producers and audiences, and patterns of audience choice among emerging alternatives are examined. Explores how the audience for these evolving forms of television is structured: The effects of these forces or patterns of television have on both cultural formations and individual identities are identified. Intended Audience This is an excellent text for advanced undergraduate and graduate courses in Globalizatiion and Culture, Global Media, Television Studies, Television Criticism, and International Media.
Author | : Peter Dunnett |
Publisher | : Routledge |
Total Pages | : 259 |
Release | : 2010-12-31 |
Genre | : Television |
ISBN | : 0415615194 |
First published in 1990, The World Television Industry uses economic analysis to examine recent changes in the television industry. It uses the theory of public good and a model of industrial organization to identify the major forces determining the nature of the television product in the late twentieth century. The forces of supply and demand for an unusual product - often requiring a 'double' sale, to a consumer and to an advertiser - are examined, as are alternative methods of financing. The all-pervading role of government is discussed at length.
Author | : Royce J. Ammon |
Publisher | : McFarland |
Total Pages | : 212 |
Release | : 2001-08-31 |
Genre | : Social Science |
ISBN | : 9780786450022 |
In 1995, United Nations Secretary-General Boutros Boutros-Ghali said of the Cable News Network, “CNN is the sixteenth member of the [15 member United Nations] Security Council.” Scholars as well as diplomats have recognized the existence of a link between communications and diplomacy, but up until now the implications of this relationship have been left unexplored. This work examines the historic interconnectedness between communications and diplomacy, how communications have historically determined the practice of diplomacy, and how global television in particular can determine diplomatic outcomes under certain conditions. This work also examines the ways in which today’s broadcasting will shape foreign policy processes in the future and the future impact of global television in world politics.
Author | : Michael G. Elasmar |
Publisher | : Routledge |
Total Pages | : 224 |
Release | : 2014-04-08 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135635064 |
For several decades, cultural imperialism has been the dominant paradigm for conceptualizing, labeling, predicting, and explaining the effects of international television. It has been used as an unchallenged premise for numerous essays on the topic of imported television influence, despite the fact that the assumption of strong cultural influence is not necessarily reflected in the body of research that exists within this field of study. In The Impact of International Television: A Paradigm Shift, editor Michael G. Elasmar and his contributors challenge the dominant paradigm of cultural imperialism, and offer an alternative paradigm with which to evaluate international or crossborder message influence. In this volume, Elasmar has collected original research from leading scholars working in the area of crossborder media influence, and contributes his own meta-analysis to examine what research findings actually show on the influences of crossborder messages. The contributions included here illustrate points, such as: the contentions of cultural imperialism and the context in which its assumptions emerged and developed; the complexities of the relationship between exposure to foreign television and its subsequent effects on local audience members; the applicability of quantitative methods to a topic commonly tackled using argumentation, critical theory, and other qualitative approaches; and the difficulty of achieving strong and homogenous effects. In bringing together the work of independent researchers, The Impact of International Television: A Paradigm Shift bridges over 40 years of research efforts focused on imported television influence, the results of which, as a whole, challenge the de facto strong and homogenous effects assumed by those who support the paradigm of cultural imperialism. The volume sets a theory-driven agenda of research and offers an alternative paradigm for the new generation of researchers interested in international media effects. As such, the volume is intended for scholars, researchers, and students in international and intercultural communication, cross-cultural communication, mass communication, media effects, media and society, and related areas. It will also be of great interest to academics in international relations, cross-cultural and social psychology, intergroup and international relations, international public opinion, and peace studies.
Author | : Naomi Sakr |
Publisher | : Bloomsbury Publishing |
Total Pages | : 255 |
Release | : 2017-03-30 |
Genre | : Social Science |
ISBN | : 1786720930 |
Who analyses children's screen content and media use in Arab countries, and with what results? Children, defined internationally as under-18s, account for some 40 per cent of Arab populations and the proportion of under-fives is correspondingly large. Yet studies of children's media and child audiences in the region are as scarce as truly popular locally produced media content aimed at children. At the very time when conflict and uncertainty in key Arab countries have made local development and diversification of children's media more remote, it has become more urgent to gain a better understanding of how the next generation's identities and worldviews are formed. This interdisciplinary book is the first in English to probe both the state of Arab screen media for children and the practices of Arabic-speaking children in producing, as well as consuming, screen content. It responds to the gap in research by bringing together a holistic investigation of institutions and leading players, children's media experiences and some iconic media texts.With children's media increasingly linked to merchandising, which favours US-based global players and globalizing forces, this volume provides a timely insight into tensions between differing concepts of childhood and desirable media messages.
Author | : Denise D Bielby |
Publisher | : NYU Press |
Total Pages | : 277 |
Release | : 2008-08-17 |
Genre | : Performing Arts |
ISBN | : 0814786340 |
A reporter for the Los Angeles Times once noted that “I Love Lucy is said to be on the air somewhere in the world 24 hours a day.” That Lucy’s madcap antics can be watched anywhere at any time is thanks to television syndication, a booming global marketplace that imports and exports TV shows. Programs from different countries are packaged, bought, and sold all over the world, under the watch of an industry that is extraordinarily lucrative for major studios and production companies. In Global TV, Denise D. Bielb and C. Lee Harrington seek to understand the machinery of this marketplace, its origins and history, its inner workings, and its product management. In so doing, they are led to explore the cultural significance of this global trade, and to ask how it is so remarkably successful despite the inherent cultural differences between shows and local audiences. How do culture-specific genres like American soap operas and Latin telenovelas so easily cross borders and adapt to new cultural surroundings? Why is The Nanny, whose gum-chewing star is from Queens, New York, a smash in Italy? Importantly, Bielby and Harrington also ask which kinds of shows fail. What is lost in translation? Considering such factors as censorship and other such state-specific policies, what are the inevitable constraints of crossing over? Highly experienced in the field, Bielby and Harrington provide a unique and richly textured look at global television through a cultural lens, one that has an undeniable and complex effect on what shows succeed and which do not on an international scale.
Author | : Bill Cotter |
Publisher | : |
Total Pages | : 682 |
Release | : 1997-09-22 |
Genre | : Juvenile Nonfiction |
ISBN | : |
This first-ever history of Disney television is perfectly timed to coincide with the return of "The Wonderful World of Disney" to Sunday night prime time on ABC.From the much-beloved Disneyland and That Darn Cat to recent hits like Ellen and Home Improvement, Disney televisions a cultural institution that has added joy and laughter to the lives of millions of Americans from the 1950s to today. The Wonderful World of Disney Television is a fascinating, comprehensive history of all the Disney television shows ever produced, from the ones we loved to watch as children to today's top-rated programming. Rich with photographs, little-known details, anecdotes, and vital statistics, this fascinating collection fully describes each of the Walt Disney television shows, including complete schedules of aired episodes, seasonal highlights, production details, behind-the-scenes stories, full cast and crew listings, and plot synopses -- and shares important moments in Disney's television history such as how Walt got into television in the first place!A treasure trove of nostalgia, coinciding perfectly with the primetime return of The Wonderful
Author | : Horace Newcomb |
Publisher | : Routledge |
Total Pages | : 2732 |
Release | : 2014-02-03 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135194793 |
The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.
Author | : Mark Long |
Publisher | : Book Publishing Company (TN) |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Direct broadcast satellite television |
ISBN | : 9781570670695 |
This best-selling book provides everything you'll need to know about selecting, installing, operating, and maintaining your home satellite system. DBS, digital video compression, HDTV, and other innovations coming your way are also presented in a down-to-earth style that is accessible to everyone.
Author | : Janet McCabe |
Publisher | : Bloomsbury Publishing |
Total Pages | : 264 |
Release | : 2012-12-18 |
Genre | : Language Arts & Disciplines |
ISBN | : 0857732994 |
Premiering in 2006,Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera),is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela,Yo soy Betty,la fea, back in 1999. The tale of the ugly duckling has since taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty,la fea/Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to,and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience,as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers,writers,story editors and directors,including the creator of Yo soy Betty, la fea, Fernando Gaitan