Words And Things
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Author | : Ernest Gellner |
Publisher | : Psychology Press |
Total Pages | : 396 |
Release | : 2005 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780415345484 |
First published in 1959, this classic challenge to the prevailing philosophical orthodoxy of the day, remains the most devastating attack on a conventional wisdom in philosophy to this day.
Author | : John Langshaw Austin |
Publisher | : Oxford University Press |
Total Pages | : 181 |
Release | : 1975 |
Genre | : Language and languages |
ISBN | : 019824553X |
This work sets out Austin's conclusions in the field to which he directed his main efforts for at least the last ten years of his life. Starting from an exhaustive examination of his already well-known distinction between performative utterances and statements, Austin here finally abandons that distinction, replacing it with a more general theory of 'illocutionary forces' of utterances which has important bearings on a wide variety of philosophicalproblems.
Author | : Roger Brown |
Publisher | : |
Total Pages | : 398 |
Release | : 1968 |
Genre | : |
ISBN | : |
Author | : Mark Coeckelbergh |
Publisher | : Routledge |
Total Pages | : 281 |
Release | : 2017-06-26 |
Genre | : Philosophy |
ISBN | : 131552855X |
This book offers a systematic framework for thinking about the relationship between language and technology and an argument for interweaving thinking about technology with thinking about language. The main claim of philosophy of technology—that technologies are not mere tools and artefacts not mere things, but crucially and significantly shape what we perceive, do, and are—is re-thought in a way that accounts for the role of language in human technological experiences and practices. Engaging with work by Wittgenstein, Heidegger, McLuhan, Searle, Ihde, Latour, Ricoeur, and many others, the author critically responds to, and constructs a synthesis of, three "extreme", idealtype, untenable positions: (1) only humans speak and neither language nor technologies speak, (2) only language speaks and neither humans nor technologies speak, and (3) only technology speaks and neither humans nor language speak. The construction of this synthesis goes hand in hand with a narrative about subjects and objects that become entangled and constitute one another. Using Words and Things thus draws in central discussions from other subdisciplines in philosophy, such as philosophy of language, epistemology, and metaphysics, to offer an original theory of the relationship between language and (philosophy of) technology centered on use, performance, and narrative, and taking a transcendental turn.
Author | : David Bromwich |
Publisher | : Oxford University Press |
Total Pages | : 130 |
Release | : 2019-04-04 |
Genre | : Literary Criticism |
ISBN | : 0191081965 |
Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.
Author | : Anna Kovecses |
Publisher | : Wide Eyed Editions |
Total Pages | : 82 |
Release | : 2015-09-03 |
Genre | : Juvenile Nonfiction |
ISBN | : 184780702X |
Find out what one thousand really looks like in this visual encyclopedia of first words to see and say. Search-and-find Little Mouse on every page and discover new words with every turn of the page. Stylishly laid out, the book is arranged by theme and features fully illustrated collections of "things", each clearly labeled and easy to recognize. This value-packed 80 page book covers everything from space, to the human body, to the world around us, bringing contemporary appeal to a classic subject.
Author | : Randall Munroe |
Publisher | : Dey Street Books |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Humor |
ISBN | : 9780544668256 |
The creator of the popular webcomic "xkcd" uses line drawings and just ten hundred common words to provide simple explanations for how things work, including microwaves, bridges, tectonic plates, the solar system, the periodic table, helicopters, and other essential concepts.
Author | : Smriti Prasadam-Halls |
Publisher | : Parragon |
Total Pages | : 0 |
Release | : 2018-01-02 |
Genre | : Board books |
ISBN | : 9781474881944 |
Things That Go is a first words book from Start Little Learn Big that will teach your pre-schooler over 150 everyday words and phrases about different vehicles.
Author | : John Koenig |
Publisher | : Simon and Schuster |
Total Pages | : 288 |
Release | : 2021-11-16 |
Genre | : Reference |
ISBN | : 1501153668 |
NEW YORK TIMES BESTSELLER “It’s undeniably thrilling to find words for our strangest feelings…Koenig casts light into lonely corners of human experience…An enchanting book. “ —The Washington Post A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don’t have the words to express—until now. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: “sonder.” Or maybe you’ve watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That’s called “lachesism.” Or you were looking through old photos and felt a pang of nostalgia for a time you’ve never actually experienced. That’s “anemoia.” If you’ve never heard of these terms before, that’s because they didn’t exist until John Koenig set out to fill the gaps in our language of emotion. The Dictionary of Obscure Sorrows “creates beautiful new words that we need but do not yet have,” says John Green, bestselling author of The Fault in Our Stars. By turns poignant, relatable, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition—from “astrophe,” the longing to explore beyond the planet Earth, to “zenosyne,” the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives. With a gorgeous package and beautiful illustrations throughout, this is the perfect gift for creatives, word nerds, and human beings everywhere.
Author | : Mark Coeckelbergh |
Publisher | : Taylor & Francis |
Total Pages | : 306 |
Release | : 2017-06-26 |
Genre | : Philosophy |
ISBN | : 1315528568 |
This book offers a systematic framework for thinking about the relationship between language and technology and an argument for interweaving thinking about technology with thinking about language. The main claim of philosophy of technology—that technologies are not mere tools and artefacts not mere things, but crucially and significantly shape what we perceive, do, and are—is re-thought in a way that accounts for the role of language in human technological experiences and practices. Engaging with work by Wittgenstein, Heidegger, McLuhan, Searle, Ihde, Latour, Ricoeur, and many others, the author critically responds to, and constructs a synthesis of, three "extreme", idealtype, untenable positions: (1) only humans speak and neither language nor technologies speak, (2) only language speaks and neither humans nor technologies speak, and (3) only technology speaks and neither humans nor language speak. The construction of this synthesis goes hand in hand with a narrative about subjects and objects that become entangled and constitute one another. Using Words and Things thus draws in central discussions from other subdisciplines in philosophy, such as philosophy of language, epistemology, and metaphysics, to offer an original theory of the relationship between language and (philosophy of) technology centered on use, performance, and narrative, and taking a transcendental turn.