Woodwind trio - Ave Maria by Schubert

Woodwind trio - Ave Maria by Schubert
Author: Franz Schubert
Publisher: Glissato Edizioni Musicali
Total Pages: 24
Release: 2023-10-27
Genre: Music
ISBN:

"Ave Maria" for Woodwind Trio (TReed trio - rio d'Anches ), Score and Parts (7): Oboe/Flute, Bb Clarinet, Bassoon, included alternative parts for Bb Clarinet (instead Oboe/Flute) English Horn in F and Eb Alto Clarinet (instead Bb Clarinet), Bb Bass Clarinet (instead Bassoon). Time signature 4/4 - Key concert Bb Major. multiple languages including: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. These translations provide readers with invaluable insights into the content and its cultural context, ensuring a comprehensive and enriching experience for musicians across the globe. "Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's popular narrative poem The Lady of the Lake. It is one of Schubert's most popular works. Beyond the song as originally composed by Schubert, it is often performed and recorded by many singers (Joan Baez, Stevie Wonder, José Carreras, Luciano Pavarotti, Andrea Bocelli, Barbra Streisand and many more) under the title "Ave Maria". trio di strumenti a fiato di legno, trio à vent en bois, Holzblasinstrument-Trio, trío de instrumentos de viento de madera, trio de instrumentos de sopro de madeira, trio instrumentów dętych drewnianych, fa fúvós trió, dechové trio z dřeva, trio de instrumente de suflat din lemn, houtblazers trio, trio av träblåsinstrument, treblås trio, træblæsertrio, трио деревянных духовых инструментов, 木管三重奏, 木管トリオ, 목관트리오, ثلاثي من آلات النفخ الخشبية, tahta üflemeli üçlü, τρίο ξυλοπνευματικών οργάνων -

Self-quotation in Schubert

Self-quotation in Schubert
Author: Scott Messing
Publisher: Boydell & Brewer
Total Pages: 335
Release: 2020
Genre: Music
ISBN: 1580469655

Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.