Women's Writing of the Early Modern Period, 1588-1688

Women's Writing of the Early Modern Period, 1588-1688
Author: Stephanie Hodgson-Wright
Publisher:
Total Pages: 520
Release: 2002
Genre: Literary Collections
ISBN:

This anthology brings together a wide selection of women's writing from the early modern period. It covers a representative range of public and private genres from drama, poetry, literary prose and polemical prose.

A History of Early Modern Women's Writing

A History of Early Modern Women's Writing
Author: Patricia Phillippy
Publisher: Cambridge University Press
Total Pages: 463
Release: 2018-01-18
Genre: Literary Criticism
ISBN: 1108642276

A History of Early Modern Women's Writing is essential reading for students and scholars working in the field of early modern British literature and history. This collaborative book of twenty-two chapters offers an expansive, multifaceted narrative of British women's literary and textual production in the period stretching from the English Reformation to the Restoration. Chapters work together to trace the contours of a diverse body of early modern women's writing, aligning women's texts with the major literary, political, and cultural currents with which they engage. Contributors examine and take account of developments in critical theory, feminism, and gender studies that have influenced the reception, reading, and interpretation of early modern women's writing. This book explicates and interrogates significant methodological and critical developments in the past four decades, guiding and testing scholarship in this period of intense activity in the recovery, dissemination, and interpretation of women's writing.

Early Modern Women's Writing and the Rhetoric of Modesty

Early Modern Women's Writing and the Rhetoric of Modesty
Author: P. Pender
Publisher: Springer
Total Pages: 229
Release: 2012-04-02
Genre: Literary Criticism
ISBN: 1137008016

An in-depth study of early modern women's modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty's gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.

The History of British Women's Writing, 1610-1690

The History of British Women's Writing, 1610-1690
Author: M. Suzuki
Publisher: Springer
Total Pages: 232
Release: 2011-01-19
Genre: Literary Criticism
ISBN: 0230305504

During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.

Material Cultures of Early Modern Women's Writing

Material Cultures of Early Modern Women's Writing
Author: P. Pender
Publisher: Springer
Total Pages: 230
Release: 2015-12-04
Genre: Literary Criticism
ISBN: 1137342439

This collection examines the diverse material cultures through which early modern women's writing was produced, transmitted, and received. It focuses on the ways it was originally packaged and promoted, how it circulated in its contemporary contexts, and how it was read and received in its original publication and in later revisions and redactions.

Reading Early Modern Women's Writing

Reading Early Modern Women's Writing
Author: Paul Salzman
Publisher: Oxford University Press
Total Pages: 256
Release: 2006-11-30
Genre: Literary Criticism
ISBN: 0199261040

Most people, even within the area of English literature, are unaware of how much writing women produced in the 16th and 17th centuries. This book offers an outline of that writing, and also looks at how it was read and reproduced through succeeding centuries.

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700
Author: Elizabeth Scott-Baumann
Publisher: Oxford University Press
Total Pages: 897
Release: 2022-09-22
Genre: Literary Criticism
ISBN: 0192604732

The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 brings together new work by scholars across the globe, from some of the founding figures in early modern women's writing to those early in their careers and defining the field now. It investigates how and where women gained access to education, how they developed their literary voice through varied genres including poetry, drama, and letters, and how women cultivated domestic and technical forms of knowledge from recipes and needlework to medicines and secret codes. Chapters investigate the ways in which women's writing was an integral part of the intellectual culture of the period, engaging with male writers and traditions, while also revealing the ways in which women's lives and writings were often distinctly different, from women prophetesses to queens, widows, and servants. It explores the intersections of women writing in English with those writing in French, Spanish, Latin, and Greek, in Europe and in New England, and argues for an archipelagic understanding of women's writing in Scotland, Wales, Ireland, and England. Finally, it reflects on—and challenges—the methodologies which have developed in, and with, the field: book and manuscript history, editing, digital analysis, premodern critical race studies, network theory, queer theory, and feminist theory. The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 captures the most innovative work on early modern women's writing in English at present.

Editing Early Modern Women

Editing Early Modern Women
Author: Sarah C. E. Ross
Publisher: Cambridge University Press
Total Pages: 313
Release: 2016-07-21
Genre: Literary Criticism
ISBN: 1316712532

This collection of new essays is a comprehensive exploration of the theoretical and practical issues surrounding the editing of texts by early modern women. The chapters consider the latest developments in the field and address a wide range of topics, including the 'ideologies' of editing, genre and gender, feminism, editing for student or general readers, print publishing, and new and possible future developments in editing early modern writing, including digital publishing. The works of writers such as Queen Elizabeth I, Mary Wroth, Anne Halkett, Katherine Philips and Katherine Austen are examined, and the issues discussed are related to the ways editing in general has evolved in recent years. This book offers readers an original overview of the central issues in this growing field and will interest students and scholars of early modern literature and drama, textual studies, the history of editing, gender studies and book history.

Digressive Voices in Early Modern English Literature

Digressive Voices in Early Modern English Literature
Author: Anne Cotterill
Publisher: Oxford University Press, USA
Total Pages: 352
Release: 2004-02-19
Genre: History
ISBN: 0199261172

Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices thatcaptured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal loss. Anne Cotterill turns current sensitivity toward the silenced voice to argue that rhetorical amplitude might suggest anxieties about speech and attack for men forced to be competitiveyet circumspect as they made their voices heard.

Women Players in England, 1500–1660

Women Players in England, 1500–1660
Author: Peter Parolin
Publisher: Routledge
Total Pages: 365
Release: 2019-06-04
Genre: Literary Criticism
ISBN: 1351871846

Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was 'all male' in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. English spectators saw women players in professional and amateur contexts, in elite and popular settings, at home and abroad. Women acted in scripted and improvised roles, performed in local festive drama, and took part in dancing, singing, and masquing. English travelers saw professional actresses on the continent and Italian and French actresses visited England. Essays in this volume explore: the impact of women players outside London; the relationship between women's performance on the continent and in England; working women's participation in a performative culture of commerce; the importance of the visual record; the use of theatrical techniques by queens and aristocrats for political ends; and the role of female performance on the imitation of femininity. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.