Women Romantic Poets
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Author | : Paula R. Feldman |
Publisher | : JHU Press |
Total Pages | : 924 |
Release | : 2001-01-19 |
Genre | : Literary Collections |
ISBN | : 9780801866401 |
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
Author | : Duncan Wu |
Publisher | : Wiley-Blackwell |
Total Pages | : 1184 |
Release | : 1997-12-15 |
Genre | : Literary Criticism |
ISBN | : 9780631203308 |
Designed as a companion to Romanticism: An Anthology, Second Edition, this volume, dedicated exclusively to female poets of the Romantic period, contains complete and unabridged texts of: Anna Laetitia Barbauld, Eighteen Hundred and Eleven; Hannah More, Sensibility, The Bas-Bleu, and Slavery; Charlotte Smith, Elegiac Sonnets (3rd Edition), The Emigrants, and Beachy Head; Ann Yearsley, Poem on the Inhumanity of the Slave-Trade and Reflections on the Death of Louis XVI; Georgiana Cavendish, Duchess of Devonshire, The Passage of the Mountain of St Gothard, A Poem; Mary Robinson, Sappho and Phaon; Helen Maria Williams, A Poem on the Bill Lately Passed for Regulating the Slave Trade and A Farewell, for Two Years, To England; Ann Batten Cristall, Poetical Sketches; Mary Tighe, Psyche; and Felicia Dorothea Hemans, Stanzas to the Memory of the Late King, and Records of Woman. The selection includes manuscript versions of poems by Susanna Blamire and Lady Caroline Lamb. Other poets represented are: Anna Seward, Mary Scott, Phillis Wheatley, Anne Grant, Joanna Baillie, Ann Radcliffe, Amelia Opie, Charlotte Byrne (aka Charlotte Dacre), Isabella Lickbarrow, Sydney Owenson (Lady Morgan), and Letitia Elizabeth Landon (LEL).
Author | : Harriet Kramer Linkin |
Publisher | : University Press of Kentucky |
Total Pages | : 306 |
Release | : 2014-10-17 |
Genre | : Poetry |
ISBN | : 081315703X |
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.
Author | : Stephen C. Behrendt |
Publisher | : JHU Press |
Total Pages | : 365 |
Release | : 2009-02-02 |
Genre | : Literary Criticism |
ISBN | : 0801895081 |
Approaching the work of Romantic-era British women poets through the lenses of public radicalism, war, and poetic form. This compelling study recovers the lost lives and poems of British women poets of the Romantic era. Stephen C. Behrendt reveals the range and diversity of their writings, offering new perspectives on the work of dozens of women whose poetry has long been ignored or marginalized in traditional literary history. British Romanticism was once thought of as a cultural movement defined by a small group of male poets. This book grants women poets their proper place in the literary tradition of the time. In an approach ripe for classroom teaching, Behrendt first reviews the subject thematically, exploring the ways in which the poems addressed both public concerns and private experiences. He next examines the use of particular genres, including the sonnet and various other long and short forms. In the concluding chapters, Behrendt explores the impact of national identity, providing the first extensive study of Romantic-era poetry by women from Scotland and Ireland. In recovering the lives and work of these women, Behrendt reveals their active participation within the rich cultural community of writers and readers throughout the British Isles. This study will be a key resource for scholars, teachers, and students in British literary studies, women’s studies, and cultural history.
Author | : Diana Greene |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 321 |
Release | : 2004-01-15 |
Genre | : Literary Criticism |
ISBN | : 0299191036 |
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Author | : Jennifer Breen |
Publisher | : Everymans Library |
Total Pages | : 182 |
Release | : 1994 |
Genre | : English poetry |
ISBN | : 9780460874564 |
The Romantic period usually brings to mind names like Shelley and Byron, but alongside them many women published poetry, only to be neglected by the critics and compilers of later ages. None of the writers included here is a household name, yet their work has survived and in this broad anthology reveals itself in its diversity and originality -- from well-to-do intellectuals, such as Hannah More and Anne Hunter, to Ann Yearsley, a former dairymaid, and Charlotte Richardson, a cook and housemaid. In their depiction of Nature and in their adoption of domestic life as a fitting subject for poetry, Joanna Ballie's pre-Wordsworthian plea for an everyday language found its everyday subject.
Author | : Jonathan Wordsworth |
Publisher | : Penguin UK |
Total Pages | : 1048 |
Release | : 2005-05-26 |
Genre | : Poetry |
ISBN | : 0141905654 |
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Author | : Wendy Cope |
Publisher | : Faber & Faber |
Total Pages | : 102 |
Release | : 2009-10-29 |
Genre | : Poetry |
ISBN | : 0571254527 |
Wendy Cope's first book of poems and parodies, Making Cocoa for Kingsley Amis, went straight into the bestseller lists. Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).
Author | : Pamela Norris |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2016-02-02 |
Genre | : Poetry |
ISBN | : 9781468312652 |
SOUND THE DEEP WATERS is a beautiful anthology of poetry and art by women from the Victorian Age. Divided into four sections: Love's Bitter Sweets, Moments of Delight, Dreams and Realities, and Last Songs, this gift-sized book contains works by poets such as Christina Rossetti, Emily Jane Bronte, and Elizabeth Barrett Browning and is illustrated with Pre-Raphaelite images. Pamela Norris has skillfully selected paintings and poems that put the reader into the heart of the Victorian world, and the result is a lovely selection that can serve as an introduction to Romantic poetry, or as a keepsake for readers who already appreciate the poetry of the era.
Author | : Susan L. Rattiner |
Publisher | : Courier Corporation |
Total Pages | : 257 |
Release | : 1998-01-21 |
Genre | : Poetry |
ISBN | : 0486401642 |
Presents over two hundred poems written by American women poets, drawn from a period that ranges from the colonial era through the twentieth century.