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| Author | : Caitlin Kittredge |
| Publisher | : Image Comics |
| Total Pages | : 32 |
| Release | : 2020-03-18 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
"LAST DAYS," Conclusion NYC is flooded with demons freed from Hell, and Alex has to make a gut-wrenching sacrifice to close the barrier and save humanity from being overrun.
| Author | : Caitlin Kittredge |
| Publisher | : Image Comics |
| Total Pages | : 64 |
| Release | : 2017-12-06 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
"LIFE AFTER," Part One Gunned down and left for dead on a New York rooftop, Alex Underwood's life should have ended thereÑbut instead, at the moment of death, she became host to the Witchblade, a mystical artifact that grants the woman wielding it extraordinary powers. But the power comes with a heavy cost, and Alex finds herself thrust into the center of an unseen battle raging on the snowy streets of NYC. Demons are real and walking among humans, and every one of them is intent on taking out the Witchblade's newest host before she becomes too strong to kill. But the artifact chose Alex for a reason, and she's not going down without a fight.
| Author | : Ron Marz |
| Publisher | : Image Comics |
| Total Pages | : 0 |
| Release | : 2008-06-17 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781582408989 |
A new era of Witchblade begins in this series-changing volume as Sara Pezzini, the Witchblade bearer for 100 issues, gives up the mystical gauntlet to a new bearer in Dani Baptiste! The Witchblade is a mysterious gauntlet which bonds with a female bearer and serves as the Balance between the forces of Light and Dark. Detective Sara Pezzini, the current bearer has discovered she is pregnant and in order to safeguard her baby has given up the artifact to young dancer Dani Baptiste. Written by Ron Marz (Ion, Samurai: Heaven & Earth) and featuring art by Adriana Melo (Star Wars), Stjepan Sejic (First Born), and Sami Basri (Anita Blake) this volume introduces readers to Dani Baptiste and serves as a prologue for First Born. Collecting Witchblade #101-109, plus cover gallery for a massive nine-issue trade paperback.
| Author | : David Wohl |
| Publisher | : Image Comics |
| Total Pages | : 180 |
| Release | : 2011-12-07 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1534305947 |
Collects The Darkness #7-10 as well as Witchblade #18-19. Go back to the beginning and see 21-year-old mob hitman Jackie Estacado struggle with the power and the burden of The Darkness. Also collected in this edition is the first crossover between The Darkness and Witchblade in the fan favorite 'Family Ties' storyline. Featuring art by Top Cow founder Marc Silvestri and superstar Joe Benitez (Soulfire, Titans).
| Author | : Alisa Perren |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2021-05-20 |
| Genre | : Performing Arts |
| ISBN | : 1844579433 |
The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors' expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.
| Author | : Caitlin Kittredge |
| Publisher | : Image Comics |
| Total Pages | : 156 |
| Release | : 2020-06-10 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1534317821 |
Transported five years into the future by the shockwave of a failed spell, Alex, Ash, and Majil must find a way back home but the New York they knew is gone, and an apocalyptic wasteland ruled by demons stands between them and their ticket back to the present. Collects WITCHBLADE #13-18
| Author | : Valerie Estelle Frankel |
| Publisher | : McFarland |
| Total Pages | : 296 |
| Release | : 2017-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 1476628017 |
The heroine's journey echoes throughout ancient legend. Each young woman combats her dark side and emerges stronger. This quest is also a staple of American comic books. Wonder Woman with semi-divine powers gives us a new female-centered creation story. Batgirl, Batwoman and Black Widow discover their enemy is the dark mother or shadow twin, with the savagery they've rejected in themselves. Supergirl similarly struggles but keeps harmony with her sister. From Jessica Jones and Catwoman to the new superwomen of cutting-edge webcomics, each heroine must go into the dark, to become not a warrior but a savior. Women like Captain Marvel and Storm sacrifice all to join the ranks of superheroes, while their feminine powers and dazzling costumes reflect the most ancient tales.
| Author | : Jamie Brassett |
| Publisher | : Routledge |
| Total Pages | : 211 |
| Release | : 2021-11-29 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1351396927 |
Finding the superhero genre in need of further investigation from philosophical standpoints that value excess as a creative drive, rather than denigrate it as a problem to be resolved, this book opens up discussions that highlight different approaches to ‘the creative excess of being’ as expressed through the genre. While superheroes are an everyday, culturally dominant phenomena, philosophical methods and investigations have a reputation for lofty superiority. Across 13 chapters, this book facilitates a collision between the superhero genre and the discipline of philosophy, resulting in a voyage of exploration where each illuminates the other. The contributions in this book range from new voices to recognized scholars, offering superhero studies a set of critical interventions that are unusual, conceptually diverse, theoretically grounded and varied in practice. These chapters consider ‘excessive’ traits of superheroes against schools of thought that have attempted to conceptualize and understand excess by analysing texts and figures across a variety of mediums, such as The Fantastic Four, Captain America, The Vision, Logan, Black Panther and Super Hero Girls. With its unique approach to the superhero genre, this book will be an invaluable read for students and scholars working on comic studies, transmedia studies, cultural studies, popular culture and superhero studies.
| Author | : Gina Misiroglu |
| Publisher | : Visible Ink Press |
| Total Pages | : 481 |
| Release | : 2012-04-01 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1578593972 |
The ultimate compendium to everyone’s favorite participants in the eternal battle between good and evil! Profiles of more than 1,000 mythic superheroes, icons, and their place in popular culture. Superhuman strength. Virtual invulnerability. Motivated to defend the world from criminals and madmen. Possessing a secret identity. And they even have fashion sense—they look great in long underwear and catsuits. These are the traits that define the quintessential superhero. Their appeal and media presence has never been greater, but what makes them tick? their strengths? weaknesses? secret identities and arch-enemies? The Superhero Book: The Ultimate Encyclopedia of Comic-Book Icons and Hollywood Heroes is the comprehensive guide to all those characters whose impossible feats have graced the pages of comic books for the past one hundred years. From the Golden and Silver Ages to the Bronze and Modern Ages, the best-loved and most historically significant superheroes—mainstream and counterculture, famous and forgotten, best and worst—are all here: The Avengers Batman and Robin Captain America Superman Wonder Woman Captain Marvel Spider-Man The Incredibles The Green Lantern Iron Man Catwoman Wolverine Aquaman Hellboy Elektra Spawn The Punisher Teen Titans The Justice League The Fantastic Four and hundreds of others. Unique in bringing together characters from Marvel, DC, and Dark Horse, as well as smaller independent houses, The Superhero Book covers the best-loved and historically significant superheroes across all mediums and guises, from comic book, movie, television, and graphic novels. With many photos and illustrations this fun, fact-filled tome is richly illustrated. A bibliography and extensive index add to its usefulness. It is the ultimate A-to-Z compendium of everyone's favorite superheroes, anti-heroes and their sidekicks, villains, love interests, superpowers, and modus operandi.
| Author | : Andrew L. Grunzke |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 165 |
| Release | : 2019-12-17 |
| Genre | : Social Science |
| ISBN | : 1498596851 |
Considering a variety of female superhero narratives, including World War II-era Wonder Woman comics, the 1970s television programs The Secrets of Isis and The Bionic Woman, and the more recent Buffy the Vampire Slayer, Education and the Female Superhero: Slayers, Cyborgs, Sorority Sisters, and Schoolteachers argues that they share a vision of education as the path to female empowerment. In his analysis, Andrew L. Grunzke examines female superheroes who are literally teachers or students, exploring examples of female superheroes whose alter egos work as schoolteachers or attend school during the workday and fight evildoers when they are outside the classroom. Taking a broader view of education, Grunzke argues that the superheroine in popular media often sees and articulates her own role as being an educator. In these narratives, female superheroes often take it upon themselves to teach self-defense tactics, prevent victimization, and encourage people (especially female victims) to pursue formal education. Moreover, Grunzke shows how superheroines tend to see their relationship with their adversaries as rehabilitative and educative, trying to set them on the correct path rather than merely subdue or dominate them.
