J. M. W. Turner the 'Wilson' Sketchbook

J. M. W. Turner the 'Wilson' Sketchbook
Author: Andrew Wilton
Publisher: Tate Publishing
Total Pages: 0
Release: 2020
Genre: Art
ISBN: 9781849767194

Turner's sketchbooks were private things which he kept to himself. They might live for some time in his coat pockets or travel bags, to be pulled out as need arose. In the studio, they served as memory banks for future work. Of the nearly three hundred sketchbooks in Turner's house at the time of his death and now in the care of the Clore Gallery, the little book here reproduced is one of the most delightful and fascinating. It marks an important stage in the development of Turner's practice as a draughtsman and was in use when he was only 21 years old. It is a working notebook in which the pressing demands of an increasingly fertile imagination are given expression as it forges a new language for itself : a language that was radically to affect the history of both water-colour and oil painting in the romantic period and long afterward. Originally marked with 'Copies of Wilson' on the cover, this charming little book is a testimony to the phase of studenthood in Turner's development, Richard Wilson being the supreme exponent of landscape painting in the eighteenth-century in Britain. For Turner, whose lifelong ambition was to show the world that landscape paintings could be a vehicle for the noblest and most ideas, Wilson was, as this book shows, his hero and chief model. This edition of the sketchbook reproduces all these beautiful drawings and watercolours in facsimile, with an illustrated introduction by Turner expert Andrew Wilton discussing their background and impact.--éd.

Turner

Turner
Author: Franny Moyle
Publisher: Penguin
Total Pages: 592
Release: 2016-10-25
Genre: Biography & Autobiography
ISBN: 073522093X

The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.

Turner as Draughtsman

Turner as Draughtsman
Author: Andrew Wilton
Publisher: Ashgate Publishing, Ltd.
Total Pages: 196
Release: 2006
Genre: Art
ISBN: 9780754600268

Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.

Sketch Book

Sketch Book
Author: Daklit
Publisher: Independently Published
Total Pages: 130
Release: 2019-05-03
Genre:
ISBN: 9781096767176

The unruled blank college, office and school sketchbook and drawing book of "Owen Wilson" cover.

Sketch Book

Sketch Book
Author: Cumbai
Publisher: Independently Published
Total Pages: 130
Release: 2019-06-28
Genre:
ISBN: 9781076880642

The unruled blank college, office and school sketchbook and drawing book of "Torrie Wilson" cover.

Graphical Heritage

Graphical Heritage
Author: Luis Agustín-Hernández
Publisher: Springer Nature
Total Pages: 739
Release: 2020-05-11
Genre: Technology & Engineering
ISBN: 3030479838

This book presents the proceedings of the 18th International Conference on Graphic Design in Architecture, EGA 2020, focusing on heritage – including architectural and graphic heritage as well as the graphics of heritage. Consisting of two parts: “Representation and Analysis” and “Concept and Creation”, this second volume gathers selected contributions on topics ranging from graphic representation to the graphic presentation of ideas, i.e. artistic creation, to bridge the gap between graphic heritage and the graphics of heritage. Given its scope, this volume will appeal to architectural and graphic designers, artists and engineers, providing them with extensive information on new methods and a source of inspiration for future research and interdisciplinary collaborations.