Wilson Pepper Genealogy 1595 1989
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Author | : William Bernard Wilson |
Publisher | : |
Total Pages | : 216 |
Release | : 1990 |
Genre | : |
ISBN | : |
Benjamin Willson was born in England, Maryland or Virginia ca 1750. He married Ellenor Wilson ca 1775. Ellenor was born 1758 and died by 1831. Benjamin died ca 1834 and both were buried in the Mount Tabor graveyard. They had 11 children.
Author | : Library of Congress |
Publisher | : Washington, D.C. : Library of Congress, Cataloging Distribution Service |
Total Pages | : 1368 |
Release | : 1991 |
Genre | : Genealogy |
ISBN | : |
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
Author | : |
Publisher | : |
Total Pages | : 236 |
Release | : 1991 |
Genre | : West Virginia |
ISBN | : |
Author | : Donald Odell Virdin |
Publisher | : |
Total Pages | : 130 |
Release | : 1993 |
Genre | : Reference |
ISBN | : |
Author | : Daughters of Colonial Wars |
Publisher | : |
Total Pages | : 536 |
Release | : 2000 |
Genre | : Registers of births, etc |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 870 |
Release | : 1990 |
Genre | : Genealogy |
ISBN | : |
Author | : Thomas Townsend Sherman |
Publisher | : New York : T.A. Wright |
Total Pages | : 592 |
Release | : 1920 |
Genre | : England |
ISBN | : |
Author | : C.C. Baldwin |
Publisher | : Рипол Классик |
Total Pages | : 989 |
Release | : 1991 |
Genre | : History |
ISBN | : 5874721363 |
Author | : |
Publisher | : |
Total Pages | : 918 |
Release | : 1992 |
Genre | : Genealogy |
ISBN | : |
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.