William Langlands Piers Plowman
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Author | : William Langland |
Publisher | : University of Pennsylvania Press |
Total Pages | : 304 |
Release | : 1996-12 |
Genre | : Poetry |
ISBN | : 9780812215618 |
"A gifted poet has given us an astute, adroit, vigorous, inviting, eminently readable translation. . . . The challenging gamut of Langland's language . . . has here been rendered with blessed energy and precision. Economou has indeed Done-Best."—Allen Mandelbaum
Author | : William Langland |
Publisher | : Penguin UK |
Total Pages | : 375 |
Release | : 2006-01-26 |
Genre | : Poetry |
ISBN | : 0141960922 |
Written by a fourteenth-century cleric, this spiritual allegory explores man in relation to his ultimate destiny against the background of teeming, colorful medieval life.
Author | : William Langland |
Publisher | : |
Total Pages | : |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Kathleen M. Hewett-Smith |
Publisher | : Routledge |
Total Pages | : 276 |
Release | : 2013-09-13 |
Genre | : Literary Criticism |
ISBN | : 1135652899 |
This collection of newly written essays provides a fresh examination of some of the issues central to the study of this poem, including an exploration of its relevance to contemporary literary theory and to 14th century culture and ideology.
Author | : John M. Bowers |
Publisher | : |
Total Pages | : 432 |
Release | : 2007 |
Genre | : History |
ISBN | : |
Examines the political, social, and religious factors that contributed to the formation of a literary canon in fourteenth-century England. This book tracks the reputations of Geoffrey Chaucer and William Langland into the fifteenth century, when studies of 14th-century literature became configured in terms of a double, antagonistic dynamic.
Author | : Robert Worth Frank |
Publisher | : |
Total Pages | : 144 |
Release | : 1969 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Jason Crawford |
Publisher | : Oxford University Press |
Total Pages | : 238 |
Release | : 2017-01-19 |
Genre | : Literary Collections |
ISBN | : 0191092118 |
What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.
Author | : David Aers |
Publisher | : University of Notre Dame Pess |
Total Pages | : 280 |
Release | : 2015-11-15 |
Genre | : Literary Criticism |
ISBN | : 0268158002 |
In Beyond Reformation? An Essay on William Langland’s Piers Plowman and the End of Constantinian Christianity, David Aers presents a sustained and profound close reading of the final version of William Langland’s Piers Plowman, the most searching Christian poem of the Middle Ages in English. His reading, most unusually, seeks to explore the relations of Langland's poem to both medieval and early modern reformations together with the ending of Constantinian Christianity. Aers concentrates on Langland’s extraordinarily rich ecclesiastic politics and on his account of Christian virtues and the struggles of Conscience to discern how to go on in his often baffling culture. The poem’s complex allegory engages with most institutions and forms of life. In doing so, it explores moral languages and their relations to current practices and social tendencies. Langland’s vision conveys a strange sense that in his historical moment some moral concepts were being transformed and some traditions the author cherished were becoming unintelligible. Beyond Reformation? seeks to show how Langland grasped subtle shifts that were difficult to discern in the fourteenth century but were to become forces with a powerful future in shaping Western Christianity. The essay form that Aers has chosen for his book contributes to the effectiveness of the argument he develops in tandem with the structure of Langland’s poem: he sustains and tests his argument in a series of steps or “passus,” a Langlandian mode of proceeding. His essay unfolds an argument about medieval and early modern forms of Constantinian Christianity and reformation, and the way in which Langland's own vision of a secularizing, de-Christianizing late medieval church draws him toward the idea of a church of “fools,” beyond papacy, priesthood, hierarchy, and institutions. For Aers, Langland opens up serious diachronic issues concerning Christianity and culture. His essay includes a brief summary of the poem and modern translations alongside the original medieval English. It will challenge specialists on Langland's poem and supply valuable resources of thought for anyone who continues to struggle with the church of today.
Author | : William Langland |
Publisher | : McFarland |
Total Pages | : 271 |
Release | : 2014-10-20 |
Genre | : History |
ISBN | : 0786495030 |
William Langland's 14th-century poem Piers Plowman, a disturbing and often humorous commentary on corruption and greed, remains meaningful today. The allegorical work revolves around the narrator's quest to live a good life, and takes the form of a series of dreams in which Piers, the honest plowman, appears in various guises. Characters such as Conscience, Fidelity and Charity, alongside Falsehood and Guile, are instantly recognizable as our present-day politicians and celebrities, friends and neighbors. Social issues are confronted, including governance, economic relations, criminal justice, marital relations and the limits of academic learning, as well as religious belief and the natural world. This new verse translation from the Middle English preserves the energy, imagery and intent of the original, and retains its alliterative style. Instructors considering this book for use in a course may request an examination copy here.
Author | : Robert Adams |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : English literature |
ISBN | : 9781846823817 |
The social and political opinions of the author of 'Piers Plowman' derive from, and reflect, a personal background significantly different from that of Chaucer, Gower or the Pearl-poet. This book illuminates that evidence, mainly by supplying some hitherto neglected facts about Langland's extended family, the Rokeles, and their prominent public role in his own time as well as in the generations that preceded his birth.