Congressional Record

Congressional Record
Author: United States. Congress
Publisher:
Total Pages: 1012
Release: 1896
Genre: Law
ISBN:

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Proceedings in Parliament, 1626: House of Commons

Proceedings in Parliament, 1626: House of Commons
Author: William B. Bidwell
Publisher: Boydell & Brewer
Total Pages: 468
Release: 1991
Genre: History
ISBN: 9780300054606

Presents the debates in the Lower House in preparation for the impeachment proceedings against George Villiers, Duke of Buckingham and favourite of Charles I. This work is the second book of a four-volume edition of Proceedings in Parliament 1626.

Hendrik Petrus Berlage

Hendrik Petrus Berlage
Author: Hendrik Petrus Berlage
Publisher: Getty Publications
Total Pages: 350
Release: 1996-01-01
Genre: Architecture
ISBN: 0892363339

Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.