White Man's Justice, Black Man's Grief
| Author | : Donald Goines |
| Publisher | : Holloway House |
| Total Pages | : 257 |
| Release | : 2021-02-23 |
| Genre | : Fiction |
| ISBN | : 1496733274 |
After being sent to prison, Chester and his crew forge a brotherhood in hell.
White Mans Justice Black Mans Grief
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White Man's Justice, Black Man's Grief
| Author | : Donald Goines |
| Publisher | : Holloway House Publishing |
| Total Pages | : 250 |
| Release | : 1973 |
| Genre | : Fiction |
| ISBN | : 9780870678851 |
Goines' classic novel of prison life, it has been called "one of the most revealing books ever written about prison life and the bigotry built into our system."
Low Road
| Author | : Eddie B. Allen, Jr. |
| Publisher | : St. Martin's Press |
| Total Pages | : 236 |
| Release | : 2008-05-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 1466838620 |
Donald Goines was a pimp, a truck driver, a heroin addict, a factory worker, and a career criminal. He was also one of world's most popular Black contemporary writers. Having published 16 novels, including Whoreson, Dopefiend, and Daddy Cool, Goines's unique brand of "street narrative" and "ghetto realism" mark him as the original street writer. Now, in the first in-depth biography of Goines's life, author Eddie B. Allen explores exactly how one man could make the transition from street hustler to bestselling author. With exclusive access to personal letters, treatments from unwritten books, photographs, and family members, Allen uncovers Goines's personal experiences with drugs, prostitutes, prison, and urban violence. Fans of Goines's novels will note a dramatic parallelism between his life and his fictional tales.
African-American Males and the U.S. Justice System of Marginalization: A National Tragedy
| Author | : Floyd Weatherspoon |
| Publisher | : Springer |
| Total Pages | : 131 |
| Release | : 2014-08-06 |
| Genre | : Social Science |
| ISBN | : 113740843X |
African-American Males and the US Justice System of Marginalization provides an overview of the economic and social status of African-American males in America, which continues to deteriorate at an alarming rate. Weatherspoon posits that in every American institutional system, from birth to death, the journey of African-American males to achieve racial justice and equity in this country is ignored, marginalized, and exploited. The American justice system, in particular, has permitted and in some cases sanctioned the marginalization of African-American males as full citizens. Weatherspoon examines the idea that African-American males are disproportionately represented in every aspect of the criminal justice system, and that the marginalization of African-American males in America has a long and treacherous history that continues to negatively impact their economic, political, and social status.
100 Most Popular African American Authors
| Author | : Bernard A. Drew |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 373 |
| Release | : 2006-11-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313090440 |
Here's a one stop resource, containing 100 profiles of your favorite contemporary African American writers, along with complete lists of their works. Focusing on writers who have made their mark in the past 25 years, this guide stresses African American writers of popular and genre literature-from Rochelle Alers and Octavia Butler, and Samuel Delaney to Walter Mosley, and Omar Tyree, with a few classic literary giants also included. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Where can you find information about popular, contemporary African American authors? Web sites can be difficult to locate and unreliable, particularly for some of the newer authors, and their contents are inconsistent and often inaccurate. Although there are a number of reference works on African American writers, the emphasis tends to be on historical and literary authors. Here's a single volume containing 100 profiles of your favorite contemporary African American writers, along with lists of their works. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Focusing on writers who have made their mark in the past 25 years, this guide covers African American writers of popular and genre literature—from Rochelle Alers, Octavia Butler, and Samuel Delaney to Walter Mosley, Omar Tyree, and Zane. A few classic literary giants who are popular with today's readers are also included—e.g., Maya Angelou, Toni Morrison, and Richard Wright. Readers who want to know more about their favorite African American authors or find other books written by those authors, students researching AA authors for reports and papers, and educators seeking background information for classes in African American literature will find this guide invaluable. (High school and up.)
Encyclopedia of African-American Literature
| Author | : Wilfred D. Samuels |
| Publisher | : Infobase Learning |
| Total Pages | : 1999 |
| Release | : 2015-04-22 |
| Genre | : African American authors |
| ISBN | : 1438140592 |
Presents a reference on African American literature providing profiles of notable and little-known writers and their works, literary forms and genres, critics and scholars, themes and terminology and more.
The Columbia Guide to Contemporary African American Fiction
| Author | : Darryl Dickson-Carr |
| Publisher | : Columbia University Press |
| Total Pages | : 277 |
| Release | : 2005-12-06 |
| Genre | : Literary Criticism |
| ISBN | : 0231124724 |
In both the literal and metaphorical senses, it seemed as if 1970s America was running out of gas. The decade not only witnessed long lines at gas stations but a citizenry that had grown weary and disillusioned. High unemployment, runaway inflation, and the energy crisis, caused in part by U.S. dependence on Arab oil, characterized an increasingly bleak economic situation. As Edward D. Berkowitz demonstrates, the end of the postwar economic boom, Watergate, and defeat in Vietnam led to an unraveling of the national consensus. During the decade, ideas about the United States, how it should be governed, and how its economy should be managed changed dramatically. Berkowitz argues that the postwar faith in sweeping social programs and a global U.S. mission was replaced by a more skeptical attitude about government's ability to positively affect society. From Woody Allen to Watergate, from the decline of the steel industry to the rise of Bill Gates, and from Saturday Night Fever to the Sunday morning fervor of evangelical preachers, Berkowitz captures the history, tone, and spirit of the seventies. He explores the decade's major political events and movements, including the rise and fall of détente, congressional reform, changes in healthcare policies, and the hostage crisis in Iran. The seventies also gave birth to several social movements and the "rights revolution," in which women, gays and lesbians, and people with disabilities all successfully fought for greater legal and social recognition. At the same time, reaction to these social movements as well as the issue of abortion introduced a new facet into American political life-the rise of powerful, politically conservative religious organizations and activists. Berkowitz also considers important shifts in American popular culture, recounting the creative renaissance in American film as well as the birth of the Hollywood blockbuster. He discusses how television programs such as All in the Family and Charlie's Angels offered Americans both a reflection of and an escape from the problems gripping the country.
The Routledge Dictionary of Modern American Slang and Unconventional English
| Author | : Tom Dalzell |
| Publisher | : Routledge |
| Total Pages | : 5135 |
| Release | : 2018-05-11 |
| Genre | : Foreign Language Study |
| ISBN | : 1351765205 |
The Routledge Dictionary of Modern American Slang offers the ultimate record of modern, post WW2 American Slang. The 25,000 entries are accompanied by citations that authenticate the words as well as offer examples of usage from popular literature, newspapers, magazines, movies, television shows, musical lyrics, and Internet user groups. Etymology, cultural context, country of origin and the date the word was first used are also provided. In terms of content, the cultural transformations since 1945 are astounding. Television, computers, drugs, music, unpopular wars, youth movements, changing racial sensitivities and attitudes towards sex and sexuality are all substantial factors that have shaped culture and language. This new edition includes over 500 new headwords collected with citations from the last five years, a period of immense change in the English language, as well as revised existing entries with new dating and citations. No term is excluded on the grounds that it might be considered offensive as a racial, ethnic, religious, sexual or any kind of slur. This dictionary contains many entries and citations that will, and should, offend. Rich, scholarly and informative, The Routledge Dictionary of Modern American Slang and Unconventional English is an indispensable resource for language researchers, lexicographers and translators.
Street Players
| Author | : Kinohi Nishikawa |
| Publisher | : University of Chicago Press |
| Total Pages | : 312 |
| Release | : 2019-01-11 |
| Genre | : Literary Criticism |
| ISBN | : 022658691X |
The uncontested center of the black pulp fiction universe for more than four decades was the Los Angeles publisher Holloway House. From the late 1960s until it closed in 2008, Holloway House specialized in cheap paperbacks with page-turning narratives featuring black protagonists in crime stories, conspiracy thrillers, prison novels, and Westerns. From Iceberg Slim’s Pimp to Donald Goines’s Never Die Alone, the thread that tied all of these books together—and made them distinct from the majority of American pulp—was an unfailing veneration of black masculinity. Zeroing in on Holloway House, Street Players explores how this world of black pulp fiction was produced, received, and recreated over time and across different communities of readers. Kinohi Nishikawa contends that black pulp fiction was built on white readers’ fears of the feminization of society—and the appeal of black masculinity as a way to counter it. In essence, it was the original form of blaxploitation: a strategy of mass-marketing race to suit the reactionary fantasies of a white audience. But while chauvinism and misogyny remained troubling yet constitutive aspects of this literature, from 1973 onward, Holloway House moved away from publishing sleaze for a white audience to publishing solely for black readers. The standard account of this literary phenomenon is based almost entirely on where this literature ended up: in the hands of black, male, working-class readers. When it closed, Holloway House was synonymous with genre fiction written by black authors for black readers—a field of cultural production that Nishikawa terms the black literary underground. But as Street Players demonstrates, this cultural authenticity had to be created, promoted, and in some cases made up, and there is a story of exploitation at the heart of black pulp fiction’s origins that cannot be ignored.
