Which Is The Heroine A Novel
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Author | : Anna Richards |
Publisher | : Oxford University Press, USA |
Total Pages | : 248 |
Release | : 2004 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780199267545 |
In this broad-ranging study of German fiction by women between 1770-1914, the author aims to add a new dimension to existing debates on the association of women and illness in literature. She constructs a history of women's self-starvation, eating behaviour and wasting diseases.
Author | : William Dean Howells |
Publisher | : |
Total Pages | : 342 |
Release | : 1901 |
Genre | : Fiction |
ISBN | : |
Author | : Cheryl A. Wilson |
Publisher | : Springer |
Total Pages | : 223 |
Release | : 2017-09-05 |
Genre | : Literary Criticism |
ISBN | : 3319629654 |
This book uses the figure of the Victorian heroine as a lens through which to examine Jane Austen’s presence in Victorian critical and popular writings. Aimed at Victorianist readers and scholars, the book focuses on the ways in which Austen was constructed in fiction, criticism, and biography over the course of the nineteenth century. For the Victorians, Austen became a kind of cultural shorthand, representing a distant, yet not too-distant, historical past that the Victorians both drew on and defined themselves against with regard to such topics as gender, literature, and national identity. Austen influenced the development of the Victorian literary heroine, and when cast as a heroine herself, was deployed in debates about the responsibilities of the novelist and the ability of fiction to shape social and cultural norms. Thus, the study is as much, if not more, about the Victorians than it is about Jane Austen.
Author | : Edward Jewitt Wheeler |
Publisher | : |
Total Pages | : 834 |
Release | : 1900 |
Genre | : Literature |
ISBN | : |
Author | : Clifford Smyth |
Publisher | : |
Total Pages | : 840 |
Release | : 1925 |
Genre | : American literature |
ISBN | : |
Author | : Bill Overton |
Publisher | : Springer |
Total Pages | : 298 |
Release | : 2016-07-27 |
Genre | : Fiction |
ISBN | : 1349251739 |
The novel of adultery is a nineteenth-century form about the experience of women, produced almost exclusively by men. Bill Overton's study is the first to address the gender implications of this form, and the first to write its history. The opening chapter defines the terms 'adultery' and 'novel of adultery', and discusses how the form arose in Continental Europe, but failed to appear in Britain. Successive chapters deal with its development in France, and with examples from Russia, Denmark, Germany, Spain and Portugal.
Author | : Harry Thurston Peck |
Publisher | : |
Total Pages | : 1306 |
Release | : 1912 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1948 |
Release | : 1893 |
Genre | : Fiction |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 690 |
Release | : 1893 |
Genre | : American literature |
ISBN | : |
Author | : Raymond F. Hilliard |
Publisher | : Bucknell University Press |
Total Pages | : 317 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 0838757502 |
This challenging book brings to light a mythic dimension of seventeen important eighteenth and early nineteenth-century narratives that revolve around the persecution of one or more important female characters, and offers original reading of novels by Richardson, Fielding, Burney, Radcliffe, Godwin, Austen, Scott, and others. The myth in question, which Raymond Hilliard calls "the myth of persecution and reparation," serves as a major vehicle for the early novel's preoccupation with the "mother," a mythic figure distinct from the historical mother or from the mother as she is represented in eighteenth- and early nineteenth-century maternal ideology. Hilliard argues that the myth of persecution and reparation derives from the ropos of female sacrifice in the romance tradition, and shows that this topos is central to several kinds of novels-realist, Gothic, Jacobin, feminist, and historical. Hilliard contends that the narrative of persecution and reparation anticipates the twentieth-century maternal myth associated with the work of Melanie Klein and other "relational model" psychoanalytic theorists, and he thus also examines the psychosexual significance of the "mother." Hilliard explores the relation of psychosexual themes to social representations, and delineates a new theory of plot-both tragic and comic plots- in the early novel. --Book Jacket.