When Storyworlds Collide
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| Author | : Jeff Thoss |
| Publisher | : Rodopi |
| Total Pages | : 205 |
| Release | : 2015-03-20 |
| Genre | : Social Science |
| ISBN | : 9401212023 |
One can find it in the classics of experimental literature such as Laurence Sterne’s Tristram Shandy or the short stories of Jorge Luis Borges, but also in the horror and fantasy fiction of Stephen King, in Mel Brooks’s spoof films and Grant Morrison’s superhero comics. The talk is of metalepsis, the transgression of narrative levels. While this device was long perceived as a narratological oddity reserved for avant-garde texts, it has recently emerged as a phenomenon of much wider bearing that exists in numerous media and in popular as well as high culture. When Storyworlds Collide wishes to do justice to this situation and offers both a refined model for the analysis of metalepsis across media and a detailed investigation of the uses and functions of metalepsis in popular culture, thus providing a valuable addition to the burgeoning field of post-classical and transmedial narrative theory. Starting from a thorough reevaluation of the concept of metalepsis as it is discussed both in classical narratology and more recent endeavours, this book puts forth a deceptively simple yet flexible definition and typology of this device, centred on the violation of the border separating the inside and outside of a storyworld and designed to be transmedially applicable. In a second step, this model is put to the test through an analysis of a wide range of metaleptic narratives drawn from popular fiction, film, and comics. When Storyworlds Collide takes popular culture seriously, employing it neither to merely exemplify theory nor to demonstrate that it is ultimately a knockoff of high culture. Rather, it shows that metalepsis possesses a unique dynamics in popular storytelling and has become an essential device for pop-cultural self-reflection – while still retaining an immense potential to create amusing and entertaining narratives. This book will be relevant to students and scholars from a wide variety of fields: narrative theory, intermediality and media studies, popular culture as well as literary, film and comics studies.
| Author | : Chris Colfer |
| Publisher | : |
| Total Pages | : 434 |
| Release | : 2017 |
| Genre | : Brothers and sisters |
| ISBN | : 9780316439206 |
With all of the fairy tale characters occupying the same world in the Big Apple, Conner and Alex face their biggest challenge to date of restoring order to the human and fairy tale realms. Conner and his friends take on the challenge while they search for missing Alex in this conclusion to the series.
| Author | : Amy Laurens |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-04-24 |
| Genre | : |
| ISBN | : 9781922434852 |
| Author | : Anna Maria Conti |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1993 |
| Genre | : |
| ISBN | : |
| Author | : Marjorie Worthington |
| Publisher | : University of Nebraska Press |
| Total Pages | : 232 |
| Release | : 2018-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1496208757 |
Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of postmodern cliché. The Story of “Me” charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction’s conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon—and anxieties created by the supposed waning of male privilege—the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the “death of the author,” and the rise of memoir culture. Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism. The Story of “Me” demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.
| Author | : Julian Hanebeck |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 298 |
| Release | : 2017-02-20 |
| Genre | : Literary Criticism |
| ISBN | : 3110516926 |
Understanding Metalepsis provides a state-of-the-art overview of the narratological concept of metalepsis and develops new ways of investigating the forms and functions of metaleptic narratives. Informed by a hermeneutic perspective, this study offers not only an account of the complexities that characterize the process of understanding metaleptic phenomena, but also metatheoretical insights into the hermeneutics of narratology.
| Author | : Marco Caracciolo |
| Publisher | : U of Nebraska Press |
| Total Pages | : 264 |
| Release | : 2022-03 |
| Genre | : Literary Criticism |
| ISBN | : 1496230884 |
Slow Narrative and Nonhuman Materialities investigates how the experience of slowness in contemporary narrative practices can create a vision of interconnectedness between human communities and the nonhuman world. Here, slowness is not a matter of measurable time but a transformative experience for audiences of contemporary narratives engaging with the ecological crisis. While climate change is a scientific abstraction, the imagination of slowness turns it into a deeply embodied and affective experience. Marco Caracciolo explores the value of slowness in dialogue with a wide range of narratives in various media, from prose fiction to comic books to video games. He argues that we need patience and an eye for complex patterns in order to recognize the multiple threads that link human communities and the slow-moving processes of climate and geological history. Decelerating attention offers important insight into human societies’ relations with the nonhuman materialities of Earth’s physical landscapes, ecosystems, and atmosphere. Caracciolo centers the experiential effects of narrative and offers a range of theoretically grounded readings that complement the formal language of narrative theory. These close readings demonstrate that slowness is not a matter of measurable time but a “thickening” of attention that reveals the deeply multithreaded nature of reality. The importance of this realization cannot be overstated: through an investment in the here and now of experience, slow narrative can help us manage the uncertainty of living in an era marked by dramatically shifting climate patterns.
| Author | : Elsa Colombani |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 296 |
| Release | : 2020-10-16 |
| Genre | : Social Science |
| ISBN | : 179361377X |
A Critical Companion to Stanley Kubrick offers a thorough and detailed study of the films of the legendary director. Labeled a recluse, a provocateur, and a perfectionist, Kubrick revolutionized filmmaking, from the use of music in film, narrative pacing and structure, to depictions of war and violence. An unparalleled visionary, his work continues to influence contemporary cinema and visual culture. This book delves into the complexities of his work and examines the wide range of topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide range of methodologies and explore new trends of research in film studies, providing a series of unique and novel perspectives on all of Kubrick’s thirteen feature films, from Fear and Desire (1953) to Eyes Wide Shut (1999), as well as his work on A.I. Artificial Intelligence (Steven Spielberg, 2001).
| Author | : Robert McCauley |
| Publisher | : |
| Total Pages | : 6 |
| Release | : 1997 |
| Genre | : |
| ISBN | : |
| Author | : Kevin Moloney |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2022-03-10 |
| Genre | : Performing Arts |
| ISBN | : 1000555941 |
This book examines and illustrates the use of design principles, design thinking, and other empathy research techniques in university and public settings, to plan and ethically target socially-concerned transmedia stories and evaluate their success through user experience testing methods. All media industries continue to adjust to a dispersed, diverse, and dilettante mediascape where reaching a large global audience may be easy but communicating with a decisive and engaged public is more difficult. This challenge is arguably toughest for communicators who work to engage a public with reality rather than escape. The chapters in this volume outline the pedagogy and practice of design, empathy research methods for story development, transmedia logics for socially-concerned stories, development of community engagement and the embrace of collective narrative, art and science research collaboration, the role of mixed and virtual reality in prosocial communication, ethical audience targeting, and user experience testing for storytelling campaigns. Each broad topic includes case examples and full case studies of each stage in production. Offering a detailed exploration of a fast-emerging area, this book will be of great relevance to researchers and university teachers of socially-concerned transmedia storytelling in fields such as journalism, documentary filmmaking, education, and activism.
