When Painted With Deceit
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Author | : Robert Trivers |
Publisher | : Basic Books (AZ) |
Total Pages | : 418 |
Release | : 2011-10-25 |
Genre | : Science |
ISBN | : 0465027555 |
Explores the author's theorized evolutionary basis for self-deception, which he says is tied to group conflict, courtship, neurophysiology, and immunology, but can be negated by awareness of it and its results.
Author | : Gerald Markowitz |
Publisher | : Univ of California Press |
Total Pages | : 448 |
Release | : 2013-01-15 |
Genre | : Business & Economics |
ISBN | : 0520275829 |
Environmental Health I Health Care Policy I History Of Medicine --
Author | : Kevin D. Mitnick |
Publisher | : John Wiley & Sons |
Total Pages | : 375 |
Release | : 2011-08-04 |
Genre | : Computers |
ISBN | : 076453839X |
The world's most infamous hacker offers an insider's view of the low-tech threats to high-tech security Kevin Mitnick's exploits as a cyber-desperado and fugitive form one of the most exhaustive FBI manhunts in history and have spawned dozens of articles, books, films, and documentaries. Since his release from federal prison, in 1998, Mitnick has turned his life around and established himself as one of the most sought-after computer security experts worldwide. Now, in The Art of Deception, the world's most notorious hacker gives new meaning to the old adage, "It takes a thief to catch a thief." Focusing on the human factors involved with information security, Mitnick explains why all the firewalls and encryption protocols in the world will never be enough to stop a savvy grifter intent on rifling a corporate database or an irate employee determined to crash a system. With the help of many fascinating true stories of successful attacks on business and government, he illustrates just how susceptible even the most locked-down information systems are to a slick con artist impersonating an IRS agent. Narrating from the points of view of both the attacker and the victims, he explains why each attack was so successful and how it could have been prevented in an engaging and highly readable style reminiscent of a true-crime novel. And, perhaps most importantly, Mitnick offers advice for preventing these types of social engineering hacks through security protocols, training programs, and manuals that address the human element of security.
Author | : Aldert Vrij |
Publisher | : John Wiley & Sons |
Total Pages | : 519 |
Release | : 2008-02-19 |
Genre | : Psychology |
ISBN | : 0470516259 |
Why do people lie? Do gender and personality differences affect how people lie? How can lies be detected? Detecting Lies and Deceit provides the most comprehensive review of deception to date. This revised edition provides an up-to-date account of deception research and discusses the working and efficacy of the most commonly used lie detection tools, including: Behaviour Analysis Interview Statement Validity Assessment Reality Monitoring Scientific Content Analysis Several different polygraph tests Voice Stress Analysis Thermal Imaging EEG-P300 Functional Magnetic Resonance Imaging (fMRI) All three aspects of deception are covered: nonverbal cues, speech and written statement analysis and (neuro)physiological responses. The most common errors in lie detection are discussed and practical guidelines are provided to help professionals improve their lie detection skills. Detecting Lies and Deceit is a must-have resource for students, academics and professionals in psychology, criminology, policing and law.
Author | : Karen Odden |
Publisher | : HarperCollins |
Total Pages | : 399 |
Release | : 2019-12-17 |
Genre | : Fiction |
ISBN | : 0062796631 |
From the author of A Dangerous Duet comes the next book in her Victorian mystery series, this time following a daring female painter and the Scotland Yard detective who is investigating her brother’s suspicious death. A young painter digs beneath the veneer of Victorian London’s art world to learn the truth behind her brother’s murder... Edwin is dead. That’s what Inspector Matthew Hallam of Scotland Yard tells Annabel Rowe when she discovers him searching her brother’s flat for clues. While the news is shocking, Annabel can’t say it’s wholly unexpected, given Edwin’s past as a dissolute risk-taker and art forger, although he swore he’d reformed. After years spent blaming his reckless behavior for their parents’ deaths, Annabel is now faced with the question of who murdered him—because Edwin’s death was both violent and deliberate. A valuable French painting he’d been restoring for an auction house is missing from his studio: find the painting, find the murderer. But the owner of the artwork claims it was destroyed in a warehouse fire years ago. As a painter at the prestigious Slade School of Art and as Edwin’s closest relative, Annabel makes the case that she is crucial to Matthew’s investigation. But in their search for the painting, Matthew and Annabel trace a path of deceit and viciousness that reaches far beyond the elegant rooms of the auction house, into an underworld of politics, corruption, and secrets someone will kill to keep.
Author | : Helen K. Gediman |
Publisher | : Jason Aronson, Incorporated |
Total Pages | : 275 |
Release | : 1996-04-01 |
Genre | : Psychology |
ISBN | : 1461734568 |
This work examines the concept of deceit and its ubiquity both in everyday life and in various forms of psychopathology. It offers examples of clinical work with true impostors, those with imposturous tendencies, and those who fear they are impostors when in fact they are not.
Author | : Peter Darvill-Evans |
Publisher | : London Bridge |
Total Pages | : 325 |
Release | : 1993 |
Genre | : Fiction |
ISBN | : 9780426203872 |
Author | : Robert Trivers |
Publisher | : Penguin Books |
Total Pages | : 399 |
Release | : 2014-01-30 |
Genre | : Deception |
ISBN | : 9780141019918 |
We lie to ourselves every day: about how well we drive, how much we're enjoying ourselves - even how good looking we are. In this ground-breaking book, Robert Trivers examines not only how we self-deceive, but also why, taking fascinating examples from aviation disasters, con artists, sexual betrayals and conflicts within families. Revealing, provocative and witty, Deceit and Self-Deception is one of the most vital books written this century, and will make you rethink everything that you think you know. 'Original and important . . . remarkable, thick with ideas.' Financial Times 'One of the great thinkers in the history of Western thought.' Steven Pinker 'A swift tour of links between deception and evolutionary progress . . . fascinating.' Economist 'I devoured it from cover to cover . . . exhilarating.' Guardian 'A powerful book . . . essential for anyone who wants to try to counter their own unconscious biases.' Independent
Author | : Garry Wills |
Publisher | : Image |
Total Pages | : 338 |
Release | : 2002-01-08 |
Genre | : Religion |
ISBN | : 0385504772 |
Look out for a new book from Garry Wills, What The Qur'an Meant, coming fall 2017. "The truth, we are told, will make us free. It is time to free Catholics, lay as well as clerical, from the structures of deceit that are our subtle modern form of papal sin. Paler, subtler, less dramatic than the sins castigated by Orcagna or Dante, these are the quiet sins of intellectual betrayal." --from the Introduction From Pulitzer Prize-winning author Garry Wills comes an assured, acutely insightful--and occasionally stinging--critique of the Catholic Church and its hierarchy from the nineteenth century to the present. Papal Sin in the past was blatant, as Catholics themselves realized when they painted popes roasting in hell on their own church walls. Surely, the great abuses of the past--the nepotism, murders, and wars of conquest--no longer prevail; yet, the sin of the modern papacy, as revealed by Garry Wills in his penetrating new book, is every bit as real, though less obvious than the old sins. Wills describes a papacy that seems steadfastly unwilling to face the truth about itself, its past, and its relations with others. The refusal of the authorities of the Church to be honest about its teachings has needlessly exacerbated original mistakes. Even when the Vatican has tried to tell the truth--e.g., about Catholics and the Holocaust--it has ended up resorting to historical distortions and evasions. The same is true when the papacy has attempted to deal with its record of discrimination against women, or with its unbelievable assertion that "natural law" dictates its sexual code. Though the blithe disregard of some Catholics for papal directives has occasionally been attributed to mere hedonism or willfulness, it actually reflects a failure, after long trying on their part, to find a credible level of honesty in the official positions adopted by modern popes. On many issues outside the realm of revealed doctrine, the papacy has made itself unbelievable even to the well-disposed laity. The resulting distrust is in fact a neglected reason for the shortage of priests. Entirely aside from the public uproar over celibacy, potential clergy have proven unwilling to put themselves in a position that supports dishonest teachings. Wills traces the rise of the papacy's stubborn resistance to the truth, beginning with the challenges posed in the nineteenth century by science, democracy, scriptural scholarship, and rigorous history. The legacy of that resistance, despite the brief flare of John XXIII's papacy and some good initiatives in the 1960s by the Second Vatican Council (later baffled), is still strong in the Vatican. Finally Wills reminds the reader of the positive potential of the Church by turning to some great truth tellers of the Catholic tradition--St. Augustine, John Henry Newman, John Acton, and John XXIII. In them, Wills shows that the righteous path can still be taken, if only the Vatican will muster the courage to speak even embarrassing truths in the name of Truth itself.
Author | : Alison Sharrock |
Publisher | : Cambridge University Press |
Total Pages | : 334 |
Release | : 2009-09-24 |
Genre | : History |
ISBN | : 1139482645 |
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.