Before the Arts Council

Before the Arts Council
Author: Howard Webber
Publisher: Bloomsbury Publishing
Total Pages: 212
Release: 2021-01-28
Genre: Art
ISBN: 1350167959

This book explores the hitherto neglected history of the campaign for state funding of the arts. By focusing on the important but forgotten movements for music and drama subsidy before and during WWII, Howard Webber makes an important contribution to the history of arts subsidy. Before the Arts Council rediscovers three forgotten but influential campaigns for state support of the arts in Britain in the 1930s and wartime. Webber's impressive historical excavation challenges existing scholarship, which argues that arts subsidy was the result of the war, and instead re-situates the campaign's origins in the pre-war years. Webber does so by drawing on correspondence from influential figures including Ralph Vaughan Williams, John Maynard Keynes and J.B Priestley, along with extensive use of government papers. Before the Arts Council is a lively, compelling and scrupulously researched account of a subject consistently misunderstood and misrepresented. It changes our understanding of an aspect of British cultural history we thought we knew well. It will appeal to students of twentieth century social and political history and to anyone with a general interest in the arts and in this period.

Scotland, CEMA and the Arts Council, 1919-1967

Scotland, CEMA and the Arts Council, 1919-1967
Author: Euan McArthur
Publisher: Routledge
Total Pages: 234
Release: 2016-04-01
Genre: Art
ISBN: 1317058747

A case study of the relationship between arts and cultural policy and nationalism, Scotland, CEMA and the Arts Council, 1919-1967: Background, Politics and Visual Art Policy examines the overlooked significance of Scotland in the development of British arts policy and institutions. This study is broadly relevant in an era of political devolution, which continues to pose questions for the constituent nations of Britain and their sense of self- and collective identities. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967. He also presents a study of Scottish visual art policy and activities between 1940 and 1967, assessing the successes and failures of visual art policy in Scotland, including the degree to which it evolved differently from England. This development, leading to the re-naming of the Scottish Committee of the ACGB as the SAC, prepared the way for the expansion of activities that marked the 1970s and after. Based on extensive archival research, this book brings to light previously unavailable material, not covered in existing accounts of CEMA/ACGB.

The History of the Arts Council of Northern Ireland, 1943–2016

The History of the Arts Council of Northern Ireland, 1943–2016
Author: Lara Cuny
Publisher: Springer Nature
Total Pages: 307
Release: 2022-10-17
Genre: History
ISBN: 3031134095

This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arm’s length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history.

HC 279 - Work of Arts Council England

HC 279 - Work of Arts Council England
Author: Great Britain: Parliament: House of Commons: Culture, Media and Sport Committee
Publisher: The Stationery Office
Total Pages: 56
Release: 2014
Genre: Business & Economics
ISBN: 0215078624

Arts Council England plays a vital role in safeguarding, consolidating and building the nation's cultural infrastructure and enhancing its quality of life. It supports a range of activities across the arts, museums and libraries. Support for the arts comes principally through the distribution of public money, either grant in aid from the tax payer or proceeds from National Lottery ticket sales. Since 2010, the Arts Council has seen its grant in aid fall by a third, a situation that hasprompted cuts in staff numbers and difficult decisions about where to target support. While it is essential to acknowledge the prevailing economic climate, the Committee would be disappointed if the Arts Council saw any further fall in its grant in aid. There remains a clear funding imbalance in favour of London at the expense of tax payers and lottery players in other parts of the country. The Arts Council is well-placed to restore some balance. Also the ArtsCouncil needs to redouble its already significant efforts at brokering cultural partnerships involving businesses, local authorities, local enterprise partnerships, universities and international organisations, particularly within the EU, which might provide additional funding sources.

The Origins of the Arts Council Movement

The Origins of the Arts Council Movement
Author: Anna Rosser Upchurch
Publisher: Springer
Total Pages: 222
Release: 2016-11-17
Genre: Art
ISBN: 1137461632

This important new book offers an intellectual history of the ‘arts council’ policy model, identifying and exploring the ideas embedded in the model and actions of intellectuals, philanthropists and wealthy aesthetes in its establishment in the mid-twentieth century. The book examines the history of arts advocacy for national arts policies in the UK, Canada and the USA, offering an interdisciplinary approach that combines social and intellectual history, political philosophy and literary analysis. The book has much to offer academics, cultural policy and management students, artists, arts managers, arts advocates, cultural policymakers and anyone interested in the history and current moment of public arts funding in the West.