What Are We Not For
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| Author | : Tommye Blount |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : American poetry |
| ISBN | : 9781495157639 |
Poetry. African & African American Studies. LGBTQIA Studies. Through biography, fairy tale, and history, Tommye Blount's debut chapbook WHAT ARE WE NOT FOR redraws the fatherland of manhood as a territory beyond whose borders tenderness and cruelty fight for space. The men and boys in these poems are transformed into instruments of pleasure and of destruction, worshipped artifacts and disfigured toys, victims and assailants. WHAT ARE WE NOT FOR moves its reader toward caustic longing, the hope that danger and risk promise. "Tommye Blount's WHAT ARE WE NOT FOR is an instruction manual on how to fall to our knees and crawl from the mouth of failed transformations. Here, Pinocchio's boyhood demands bloodspill for proof and the speaker's humanity is never fulfilled: 'After all, I am a broken animal.' Desire turns toward the darkest trail and does not look back through challenging forms and twisted prosody. This collection is rope and whip, daughter-sons and muzzles, and 'a prayer they mistake/ for a growl.' I am not myself, any longer, after these poems.' Phillip B. Williams"
| Author | : Geoff Rodkey |
| Publisher | : Crown Books for Young Readers |
| Total Pages | : 256 |
| Release | : 2019-03-05 |
| Genre | : Juvenile Fiction |
| ISBN | : 1524773069 |
Imagine being forced to move to a new planet where YOU are the alien! From the creator of the Tapper Twins, New York Times bestselling author Geoff Rodkey delivers a topical, sci-fi middle-grade novel that proves friendship and laughter can transcend even a galaxy of differences. The first time I heard about Planet Choom, we'd been on Mars for almost a year. But life on the Mars station was grim, and since Earth was no longer an option (we may have blown it up), it was time to find a new home. That's how we ended up on Choom with the Zhuri. They're very smart. They also look like giant mosquitos. But that's not why it's so hard to live here. There's a lot that the Zhuri don't like: singing (just ask my sister, Ila), comedy (one joke got me sent to the principal's office), or any kind of emotion. The biggest problem, though? The Zhuri don't like us. And if humankind is going to survive, it's up to my family to change their minds. No pressure.
| Author | : Traci Chee |
| Publisher | : HMH Books For Young Readers |
| Total Pages | : 401 |
| Release | : 2020 |
| Genre | : JUVENILE FICTION |
| ISBN | : 035813143X |
"A beautiful, painful, and necessary work of historical fiction." --Veera Hiranandani, Newbery Honor winning author of The Night Diary
| Author | : John Piper |
| Publisher | : B&H Publishing Group |
| Total Pages | : 320 |
| Release | : 2013 |
| Genre | : Business & Economics |
| ISBN | : 1433678829 |
John Piper pleads with fellow pastors to abandon the professionalization of the pastorate and pursue the prophetic call of the Bible for radical ministry.
| Author | : Kevin DeYoung |
| Publisher | : Moody Publishers |
| Total Pages | : 257 |
| Release | : 2008-09-01 |
| Genre | : Religion |
| ISBN | : 0802479839 |
"You can be young, passionate about Jesus Christ, surrounded by diversity, engaged in a postmodern world, reared in evangelicalism and not be an emergent Christian. In fact, I want to argue that it would be better if you weren't." The Emergent Church is a strong voice in today's Christian community. And they're talking about good things: caring for the poor, peace for all men, loving Jesus. They're doing church a new way, not content to fit the mold. Again, all good. But there's more to the movement than that. Much more. Kevin and Ted are two guys who, demographically, should be all over this movement. But they're not. And Why We're Not Emergent gives you the solid reasons why. From both a theological and an on-the-street perspective, Kevin and Ted diagnose the emerging church. They pull apart interviews, articles, books, and blogs, helping you see for yourself what it's all about.
| Author | : Martin Rizzo-Martinez |
| Publisher | : U of Nebraska Press |
| Total Pages | : 576 |
| Release | : 2022-02 |
| Genre | : History |
| ISBN | : 1496230337 |
By examining historical records and drawing on oral histories and the work of anthropologists, archaeologists, ecologists, and psychologists, We Are Not Animals sets out to answer questions regarding who the Indigenous people in the Santa Cruz region were and how they survived through the nineteenth century. Between 1770 and 1900 the linguistically and culturally diverse Ohlone and Yokuts tribes adapted to and expressed themselves politically and culturally through three distinct colonial encounters with Spain, Mexico, and the United States. In We Are Not Animals Martin Rizzo-Martinez traces tribal, familial, and kinship networks through the missions’ chancery registry records to reveal stories of individuals and families and shows how ethnic and tribal differences and politics shaped strategies of survival within the diverse population that came to live at Mission Santa Cruz. We Are Not Animals illuminates the stories of Indigenous individuals and families to reveal how Indigenous politics informed each of their choices within a context of immense loss and violent disruption.
| Author | : Theodore Cateforis |
| Publisher | : University of Michigan Press |
| Total Pages | : 305 |
| Release | : 2011-06-22 |
| Genre | : Music |
| ISBN | : 047202759X |
“Are We Not New Wave? is destined to become the definitive study of new wave music.” —Mark Spicer, coeditor of Sounding Out Pop New wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and pointed the way to a more modern pop style. In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music’s distinctive traits—its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave’s modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s. Three decades after its rise and fall, new wave’s influence looms large over the contemporary pop scene, recycled and celebrated not only in reunion tours, VH1 nostalgia specials, and “80s night” dance clubs but in the music of artists as diverse as Rihanna, Lady Gaga, Miley Cyrus, and the Killers.
| Author | : Per Espen Stoknes |
| Publisher | : Chelsea Green Publishing |
| Total Pages | : 322 |
| Release | : 2015 |
| Genre | : Political Science |
| ISBN | : 1603585834 |
"Today, about 98 percent of scientists affirm that climate change is human made, and about 2 percent still question it. Despite that overwhelming majority, though, about half the population of rich countries, like ours, choose to believe the 2 percent. And, paradoxically, this large camp of deniers grows even larger as more and more alarming proof of climate change has cropped up over the last decades. This disconnect has both climate scientists and activists scratching their heads, growing anxious, and responding, usually, by repeating more facts to 'win' the argument. But, the more climate facts pile up, the greater the resistance to them grows, and the harder it becomes to enact measures to reduce greenhouse gas emissions and prepare communities for the inevitable change ahead. Is humanity up to the task? It is a catch-22 that starts, says psychologist and climate expert Per Espen Stoknes, from an inadequate understanding of the way most humans think, act, and live in the world around them. With dozens of examples, he shows how to retell the story of climate change and apply communication strategies more fit for the task."--Publisher's description.
| Author | : Heidi Gurcke Donald |
| Publisher | : iUniverse |
| Total Pages | : 129 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : 0595393330 |
Explore the daily lives of Latin Americans imprisoned during the WW II. The reasoning behind the acts and the impact on history.
| Author | : Eric Garcia |
| Publisher | : Houghton Mifflin |
| Total Pages | : 309 |
| Release | : 2021 |
| Genre | : Biography & Autobiography |
| ISBN | : 1328587843 |
"This book is a message from autistic people to their parents, friends, teachers, coworkers and doctors showing what life is like on the spectrum. It's also my love letter to autistic people. For too long, we have been forced to navigate a world where all the road signs are written in another language." With a reporter's eye and an insider's perspective, Eric Garcia shows what it's like to be autistic across America. Garcia began writing about autism because he was frustrated by the media's coverage of it; the myths that the disorder is caused by vaccines, the narrow portrayals of autistic people as white men working in Silicon Valley. His own life as an autistic person didn't look anything like that. He is Latino, a graduate of the University of North Carolina, and works as a journalist covering politics in Washington D.C. Garcia realized he needed to put into writing what so many autistic people have been saying for years; autism is a part of their identity, they don't need to be fixed. In We're Not Broken, Garcia uses his own life as a springboard to discuss the social and policy gaps that exist in supporting those on the spectrum. From education to healthcare, he explores how autistic people wrestle with systems that were not built with them in mind. At the same time, he shares the experiences of all types of autistic people, from those with higher support needs, to autistic people of color, to those in the LGBTQ community. In doing so, Garcia gives his community a platform to articulate their own needs, rather than having others speak for them, which has been the standard for far too long.
