Voice For Performance
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| Author | : Shirlee Emmons |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 1998-08-20 |
| Genre | : Music |
| ISBN | : 0199761787 |
To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career. Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoy their voices during performance, and to perform consistently to the best of their present ability.
| Author | : |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 244 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9781557833969 |
Gates grounds her approach in four elements of vocal production: respiration, vibration, resonation and articulation.
| Author | : Rena Cook |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 220 |
| Release | : 2015-02-06 |
| Genre | : Performing Arts |
| ISBN | : 147253915X |
"Many high school theatre teachers do not have access to intensive voice instruction. Rena's book will fill that void. It is instructive, concise, easy to understand, and most importantly for the high school student, fun. High school teachers will find the book an invaluable voice and acting resource. It would be beneficial to all high school theatre programs to have Voice and the Young Actor as a textbook." Kim Moore, High School Teacher, Colorado There are thousands of students enrolled in school drama classes in yet very often young actors cannot be heard, are culturally encouraged to trail off at the ends of sentences, and habitually use only the lowest pitches of the voice. Drama teachers, frequently ask, "How can I get my students to speak up, to be clear, to articulate?" Voice and the Young Actor is written for the school actor, is inviting in format, language and illustration and offers clear and inspiring instructions. A DVD features 85 mins and 28 filmed voice workshop exercises with the author and two students. These students log their reflections in the book on what they have learned throughout their training and there is space for the reader to do the same. A workbook in format, Voice and the Young Actor provides simple, interactive vocal exercises and shows young performers how to take voice work into acting.
| Author | : Linda Gates |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 241 |
| Release | : 2022-05-11 |
| Genre | : Performing Arts |
| ISBN | : 1538163799 |
A valuable guide that teaches students and professional performers alike how to train their most essential feature—their voice. For voice performers—from actors and singers to newscasters and radio hosts—even a minor voice disorder can have a significant impact on their career. Vocal training is vital if the performer wants to use his or her voice effectively and repeatedly. In Voice for Performance: Training the Actor’s Voice, Third Edition, Linda Gates addresses key elements of voice and speech—respiration, vibration, resonation, and articulation—in a straightforward style to produce voices that are clear, articulate, and easily heard. While the focus of the book is on training the voice for performance in live theatre, it also features guidance for students who want to expand their vocal skills for work in radio, podcasts, television, film, voice acting, and even online meetings and presentations. This third edition features extensive updates based on advances in voice science, new pedagogical approaches, new media, and the latest technology. It also includes a companion website, voiceforperformance.com, with videos and audio of the author demonstrating the exercises, making this book a must-have for all voice performers.
| Author | : Jennifer Hamady |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 107 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 1423454804 |
Performers of all ages and abilities will gain valuable insight into the mechanics, psychology and physiology of singing. The accompanying CD - in Jennifer's own voice - captures a conversation about her ideas and journey, as well as exercises that will help you discover and release your true and best instrument.
| Author | : Barbara Houseman |
| Publisher | : Psychology Press |
| Total Pages | : 292 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780878301676 |
Finding your voice can be used as a resource by actors at all levels, form students and young professionals to established and experienced actors. Drama teachers in schools and committed amateur actors who want to increase their vocal skills and understanding will also find it invaluable.
| Author | : Brent Jeffrey Monahan |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 194 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : 9781574671506 |
(Limelight). The Singer's Companion combines the author's extensive research on hundreds of professional singers' and singing teachers' books with 30 years of personal teaching experience. The book concentrates on traditional vocal and artistic development, as employed at the most renowned universities and conservatories. At the same time, the presentation is extremely practical and accessible. The language is simple, and minimal space is given to theory. As each aspect of good singing and artistry is explained, enlightening quotations from dozens of the best singers and teachers, such as Enrico Caruso, Luciano Pavarotti, Eileen Farrell, Manuel Garcia, and Emma Seiler, help the singer to grasp the concept. The building of the vocal instrument and the artist is the focus. Topics include stance, breathing, phonation, resonance, range, health, choosing a teacher, vocal exercises, musicianship, pronunciation and diction, interpretation, performance, and selecting material. Many illustrative diagrams appear in the text. The book includes exercise sheets, sample songs, and an illustrative CD. Any singer, from the would-be professional to the diligent choir member, can benefit from this easy-to-use, thorough companion.
| Author | : James Alburger |
| Publisher | : Taylor & Francis |
| Total Pages | : 432 |
| Release | : 2012-11-15 |
| Genre | : Technology & Engineering |
| ISBN | : 1136123415 |
Are you just starting in Voiceover? Do you have some experience, but aren't getting booked? Are you a working pro who wants to expand to new areas of VO work? The Art of Voice Acting is a must read if you are serious about a profession in voice over and looking to maximize your efforts for success in the business. Packed with basic acting techniques in The Art of Voice Acting, you will discover * All new scripts * 20 more pages of new and updated information * A completely new chapter of studio stories and 'tricks-of-the-trade' from professional voiceover talent around the world * Updated information for voiceover demos and marketing * A comprehensive index that makes it easy to find what you're looking for * More voice and acting techniques * Contributions from some of the top voice talent in the world * Audio content with the actual audio for every script in the book, http://voiceacting.com/aovaextras/ * PLUS: exercises, demos and more! Written in an accessible and engaging style Alburger shares his experience as a performer, producer, director and performance coach to give you a clear no nonsense introduction to the business and art of voice acting. Audio content and images from the books are available at http://voiceacting.com/aovaextras/
| Author | : Joan Melton |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Acting |
| ISBN | : 9781577667711 |
Speak. Laugh. Cry. Shout. Scream. Sing. Whether you're an actor or a singer, your voice is called upon to do many things. But how do you keep your voice healthy while satisfying these demands? Theatre voice specialist Joan Melton is uniquely qualified to show how. She maintains that the training of singers and actors should be similar. Her groundbreaking book outlines a course of study that integrates basic elements of singing technique into the whole range of theatre voice training. The physicality of Melton's approach addresses all the issues of concern for professional voice users in any field. Melton's detailed work on phrasing demonstrates the technical similarities between text that is sung and text that is spoken. She supports her suggestions for relating and integrating voice and movement, too-for those in musical theatre who must sing, speak, and dance-with exercises that fully engage the performer physically and vocally. Kenneth Tom contributes a chapter on vocal anatomy, offering clear and accessible material on how the voice works along with practical advice on its care.
| Author | : Christina Gutekunst |
| Publisher | : A&C Black |
| Total Pages | : 307 |
| Release | : 2014-01-16 |
| Genre | : Performing Arts |
| ISBN | : 1408184508 |
How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spaces Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.
