Visualizing Black Lives
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| Author | : Reighan Gillam |
| Publisher | : University of Illinois Press |
| Total Pages | : 195 |
| Release | : 2022-04-26 |
| Genre | : Social Science |
| ISBN | : 0252053400 |
A new generation of Afro-Brazilian media producers have emerged to challenge a mainstream that frequently excludes them. Reighan Gillam delves into the dynamic alternative media landscape developed by Afro-Brazilians in the twenty-first century. With works that confront racism and focus on Black characters, these artists and the visual media they create identify, challenge, or break with entrenched racist practices, ideologies, and structures. Gillam looks at a cross-section of media to show the ways Afro-Brazilians assert control over various means of representation in order to present a complex Black humanity. These images--so at odds with the mainstream--contribute to an anti-racist visual politics fighting to change how Brazilian media depicts Black people while highlighting the importance of media in the movement for Black inclusion. An eye-opening union of analysis and fieldwork, Visualizing Black Lives examines the alternative and activist Black media and the people creating it in today's Brazil.
| Author | : The W.E.B. Du Bois Center at the University of Massachusetts Amherst |
| Publisher | : Chronicle Books |
| Total Pages | : 152 |
| Release | : 2018-11-06 |
| Genre | : |
| ISBN | : 1616897775 |
The colorful charts, graphs, and maps presented at the 1900 Paris Exposition by famed sociologist and black rights activist W. E. B. Du Bois offered a view into the lives of black Americans, conveying a literal and figurative representation of "the color line." From advances in education to the lingering effects of slavery, these prophetic infographics —beautiful in design and powerful in content—make visible a wide spectrum of black experience. W. E. B. Du Bois's Data Portraits collects the complete set of graphics in full color for the first time, making their insights and innovations available to a contemporary imagination. As Maria Popova wrote, these data portraits shaped how "Du Bois himself thought about sociology, informing the ideas with which he set the world ablaze three years later in The Souls of Black Folk."
| Author | : Denisha Jones |
| Publisher | : Haymarket Books |
| Total Pages | : 309 |
| Release | : 2020-12-01 |
| Genre | : Education |
| ISBN | : 1642595306 |
This inspiring collection of accounts from educators and students is “an essential resource for all those seeking to build an antiracist school system” (Ibram X. Kendi). Since 2016, the Black Lives Matter at School movement has carved a new path for racial justice in education. A growing coalition of educators, students, parents and others have established an annual week of action during the first week of February. This anthology shares vital lessons that have been learned through this important work. In this volume, Bettina Love makes a powerful case for abolitionist teaching, Brian Jones looks at the historical context of the ongoing struggle for racial justice in education, and prominent teacher union leaders discuss the importance of anti-racism in their unions. Black Lives Matter at School includes essays, interviews, poems, resolutions, and more from participants across the country who have been building the movement on the ground.
| Author | : Aston Gonzalez |
| Publisher | : UNC Press Books |
| Total Pages | : 324 |
| Release | : 2020-07-20 |
| Genre | : Social Science |
| ISBN | : 1469659972 |
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
| Author | : William Edward Burghardt Du Bois |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2019-10-29 |
| Genre | : Art |
| ISBN | : 9781942884538 |
How W.E.B. Du Bois combined photographs and infographics to communicate the everyday realities of Black lives and the inequities of race in America At the 1900 Paris Exposition the pioneering sociologist and activist W.E.B. Du Bois presented an exhibit representing the progress of African Americans since the abolition of slavery. In striking graphic visualisations and photographs (taken by mostly anonymous photographers) he showed the changing status of a newly emancipated people across America and specifically in Georgia, the state with the largest Black population. This beautifully designed book reproduces the photographs alongside the revolutionary graphic works for the first time, and includes a marvelous essay by two celebrated art historians, Jacqueline Francis and Stephen G. Hall. Du Bois' hand-drawn charts, maps and graphs represented the achievements and economic conditions of African Americans in radically inventive forms, long before such data visualization was commonly used in social research. Their clarity and simplicity seems to anticipate the abstract art of the Russian constructivists and other modernist painters to come. The photographs were drawn from African American communities across the United States. Both the photographers and subjects are mostly anonymous. They show people engaged in various occupations or posing formally for group and studio portraits. Elegant and dignified, they refute the degrading stereotypes of Black people then prevalent in white America. Du Bois' exhibit at the Paris Exposition continues to resonate as a powerful affirmation of the equal rights of Black Americans to lives of freedom and fulfilment. Black Lives 1900 captures this singular work. American sociologist, historian, author, editor and activist W.E.B. Du Bois (1868-1963) was the most influential Black civil rights activist of the first half of the 20th century. He was a protagonist in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909, and his 1903 bookThe Souls of Black Folk remains a classic and a landmark of African American literature.
| Author | : Shawn Michelle Smith |
| Publisher | : Duke University Press |
| Total Pages | : 276 |
| Release | : 2004-06-07 |
| Genre | : Art |
| ISBN | : 9780822333432 |
DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div
| Author | : Cloves Luiz Pereira Oliveira |
| Publisher | : Springer Nature |
| Total Pages | : 557 |
| Release | : |
| Genre | : |
| ISBN | : 3031399048 |
| Author | : |
| Publisher | : Turner |
| Total Pages | : 192 |
| Release | : 2021-11-09 |
| Genre | : |
| ISBN | : 9788418428678 |
Graffiti, placards and protest ephemera from 2020's Black Lives Matter protests Award-winning Denver-based photographer and human rights activist Jonathan Moller (born 1963) turns away from his usual social documentary work in Central America with a new collection of images recording the Black Lives Matter movement in 2020. In lieu of portraits or scenes from protests, Moller documents the past year of the movement through photographs of related graffiti and street art across Denver, Boston, New York and Washington, DC. These murals, placards and all forms of expression left for the public to read are intended to exist past the important messages presented by large vocal demonstrations. They quietly linger on, hopefully for the long run. Moller's photographs, like the street art, will continue delivering reminders to us all. The selection of COVID-19 response images included at the end of the book acts to contextualize the main body of work in the spirit of the times.
| Author | : William Sturkey |
| Publisher | : Belknap Press |
| Total Pages | : 457 |
| Release | : 2019-03-28 |
| Genre | : History |
| ISBN | : 0674976355 |
Winner of the Zócalo Public Square Book Prize Benjamin L. Hooks Award Finalist “An insightful, powerful, and moving book.” —Kevin Boyle, author of Arc of Justice “Sturkey’s clear-eyed and meticulous book pulls off a delicate balancing act. While depicting the terrors of Jim Crow, he also shows how Hattiesburg’s black residents, forced to forge their own communal institutions, laid the organizational groundwork for the civil rights movement.” —New York Times If you really want to understand Jim Crow—what it was and how African Americans rose up to defeat it—you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can still see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. Hattiesburg takes us into the heart of this divided town and deep into the lives of families on both sides of the racial divide to show how the fabric of their existence was shaped by the changing fortunes of the Jim Crow South. “Sturkey’s magnificent portrait reminds us that Mississippi is no anachronism. It is the dark heart of American modernity.” —Robin D. G. Kelley, author of Thelonious Monk “When they are at their best, historians craft powerful, compelling, often genre-changing pieces of history...William Sturkey is one of those historians...A brilliant, poignant work.” —Charles W. McKinney, Jr., Journal of African American History
| Author | : Autumn Womack |
| Publisher | : University of Chicago Press |
| Total Pages | : 287 |
| Release | : 2022-04-04 |
| Genre | : History |
| ISBN | : 022680691X |
"What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--
