Visual Plague
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| Author | : Christos Lynteris |
| Publisher | : Springer Nature |
| Total Pages | : 309 |
| Release | : 2021-07-29 |
| Genre | : Science |
| ISBN | : 3030723046 |
This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.
| Author | : Christos Lynteris |
| Publisher | : MIT Press |
| Total Pages | : 323 |
| Release | : 2022-10-25 |
| Genre | : Medical |
| ISBN | : 0262544229 |
How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.” In Visual Plague, Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient’s body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence. As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.
| Author | : Marsha Morton |
| Publisher | : Taylor & Francis |
| Total Pages | : 312 |
| Release | : 2023-07-06 |
| Genre | : Art |
| ISBN | : 1000904148 |
Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding Western industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This volume offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities.
| Author | : Scott Fraser |
| Publisher | : Taylor & Francis |
| Total Pages | : 64 |
| Release | : 2024-07-31 |
| Genre | : Science |
| ISBN | : 1040155065 |
This book examines the impact of climate change on eye disease and eye health. Filling a lacuna in the existing literature, Scott Fraser takes a deep dive into the eye diseases that are most affected by the climate crisis and explores the subsequent burden on organisations, charities and healthcare systems. Fraser begins by including short primer chapters on the basics of climate science and climate change, highlighting which environmental mechanisms directly and indirectly affect our health and why. He then looks in detail at the direct and indirect threats to eye health from climate change and examines factors including changing insect vectors, trauma from extreme weather events such as wildfires, floods and droughts, as well as the impact of crop failure, malnutrition, animal and plant migration. Highlighting the Global North vs South divide, the book goes on to consider issues around eye care, exploring the increased burden that climate-induced chronic eye diseases including cataracts, macular degeneration and nutritional eye diseases are placing on health care systems. These chapters also reflect on the ways in which eye care, ophthalmology, optometry, pharmaceutical and medical device companies all contribute to the climate footprint themselves. Unique and timely, this book will be a great resource for students and clinicians of ophthalmology, optometry and allied eye care professions, as well as climate scientists, researchers, policy makers, charities, NGOs working in related fields of environment and health.
| Author | : Sharon Hecker |
| Publisher | : Taylor & Francis |
| Total Pages | : 227 |
| Release | : 2024-08-30 |
| Genre | : History |
| ISBN | : 1040121861 |
Although considered an isolated event, the Italian government’s initial resistant response to COVID-19 has deep historical roots. This is the first interdisciplinary book to critically examine the ongoing phenomenon of disguising contagious disease in Italy from Unification to the present. The book explores how governments, public opinion, social entities and cultural production have avoided or sublimated contagion during cholera, typhoid, syphilis, malaria, HIV and COVID-19 to impose narratives of the nation’s healthy body in Italy and its colonies. Examples range from a tuberculosis sanatorium in Capri that masked as a luxury hotel and hideaway for queer couples to an obscure but talented professor who found a new cure for syphilis; from denial of disease in governmental actions to sublimated representations in Italian art, literature and films such as Luchino Visconti’s cinematic adaptation of Thomas Mann’s Death in Venice to a sociological study of the need to include fragile figures based on the lessons of COVID-19. Intended for scholars, students and general readers interested in the history of medicine, political and cultural history, and Italian studies, this volume shows how contagious diseases clash with the official narrative of emerging modernized urban settings and challenge the desire for political and economic stability.
| Author | : Christos Lynteris |
| Publisher | : MIT Press |
| Total Pages | : 323 |
| Release | : 2022-10-25 |
| Genre | : Medical |
| ISBN | : 0262370921 |
How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.” In Visual Plague, Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient’s body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence. As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.
| Author | : Christine M. Boeckl |
| Publisher | : Penn State Press |
| Total Pages | : 333 |
| Release | : 2000-12-01 |
| Genre | : Art |
| ISBN | : 1935503456 |
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
| Author | : Christine M. Boeckl |
| Publisher | : Penn State Press |
| Total Pages | : 225 |
| Release | : 2000-12-01 |
| Genre | : Art |
| ISBN | : 0271091185 |
Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.
| Author | : Nicholas Mirzoeff |
| Publisher | : Taylor & Francis |
| Total Pages | : 341 |
| Release | : 2023-07-19 |
| Genre | : Art |
| ISBN | : 1000891585 |
In the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestine’s Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called "Visualizations," ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this edition maps the activist turn in the field since 2014 and sets directions for its future expansion. This is a key text in visual culture studies and an essential resource for research and teaching in the field.
| Author | : Heini Hakosalo |
| Publisher | : Springer Nature |
| Total Pages | : 272 |
| Release | : 2023-04-10 |
| Genre | : Science |
| ISBN | : 3031206711 |
This volume explores the history of epidemiology from the mid-twentieth century to the present. Epidemiology has exerted major influence on the way that both infectious and chronic diseases are conceptualized and controlled, and, more generally, on the way that people in modern societies think about health, behavior, longevity, and risk. This collection consists of a series of in-depth analyses of the roots, development, and impact of epidemiological research, illuminating the complex relationship between medical research and data on the one hand, and social and cultural factors on the other. The thematical and geographical scope of the book ranges from indigenous and participant perspectives to the visualization of pandemics, and from Circumpolar North to East Africa. The book identifies significant historical changes and the driving forces behind them, charting forms of science-society interaction that characterize modern epidemiology. Chapter 1 and chapter 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
