Virginia Woolfs Reading Notebooks
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| Author | : Virginia Woolf |
| Publisher | : Modernista |
| Total Pages | : 111 |
| Release | : 2024-05-30 |
| Genre | : Literary Collections |
| ISBN | : 9180949509 |
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
| Author | : Brenda R. Silver |
| Publisher | : Princeton, N.J. : Princeton University Press |
| Total Pages | : 384 |
| Release | : 1983 |
| Genre | : Manuscripts, English |
| ISBN | : 9780691013473 |
Virginia Woolf's discovery as a novelist—how to convey the inner reality of experience—is set forth for the first time by Harvena Richter. A voyage "inward" to Mrs. Woolf's subjective methods, Miss Richter's study furthers our understanding of her novels, especially The Waves and The Years, and reveals a new, vital, completely contemporary Virginia Woolf. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Barbara Lounsberry |
| Publisher | : University Press of Florida |
| Total Pages | : 607 |
| Release | : 2020-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 0813065380 |
Choice Outstanding Academic Title In her third and final volume on Virginia Woolf’s diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer’s life, from 1929 until Woolf’s suicide in 1941. Woolf turned more to her diary—and to the diaries of others—for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf’s diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf’s own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf’s public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf’s inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called “the Shakespeare of the diary.” Lounsberry’s masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.
| Author | : Virginia Woolf |
| Publisher | : Read Books Ltd |
| Total Pages | : 26 |
| Release | : 2017-02-16 |
| Genre | : Fiction |
| ISBN | : 1473363071 |
First published in 1932, “A Letter to a Young Poet” is an essay by Virginia Woolf. Written in epistolary form, it is a response to the writer John Lehman's request for Woolf to explain her views on contemporary poetry. A fascinating insight into the mind of one of England's greatest feminist writers not to be missed by fans and collectors of her seminal work. Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Contents include: “Virginia Woolf”, “Craftsmanship - BBC Broadcast on April 20th, 1937”, and “A Letter to a Young Poet - First Published in the Yale Review, June 1932”. Read & Co. Great Essays is republishing this classic essay now in a brand new edition complete with Woolf's essay “Craftsmanship”.
| Author | : Virginia Woolf |
| Publisher | : Persephone Books |
| Total Pages | : 372 |
| Release | : 2012-04-01 |
| Genre | : Novelists, English |
| ISBN | : 9781903155882 |
2012 Reprint of 1953 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was collected by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.
| Author | : Nan Shepherd |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019-08 |
| Genre | : English literature |
| ISBN | : 9781912916108 |
It will come as a very pleasant surprise to Nan Shepherd's growing following that there is a body of her work which has never been published in book form, and indeed will be entirely unknown outside a very small circle. The editor of this volume, Charlotte Peacock, found many of these gems when researching for the Nan Shepherd biography Into the Mountain, published by Galileo in 2017. The pieces that Peacock found include a brilliant and moving 10,000 word short story, "Descent from the Cross"; a series of 'field writings' which were written at the same time, and in the same style as, The Living Mountain; 15 poems, never seen before; a highly entertaining piece on the poetry of Hugh MacDiarmid and, from where the title of this collection arises, a haunting description of "Wild Geese in Glen Callater" a version of which also went into The Living Mountain.
| Author | : Virginia Woolf |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 44 |
| Release | : 2004 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780152050481 |
As Nurse Lugton dozes, the animals on the patterned curtain she is sewing come alive.
| Author | : Kathryn Simpson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2016-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 1472590686 |
Virginia Woolf is one of the best-known and most influential modernist writers; an iconic figure, her image and reference to her work and life appear in the most varied of cultural sites. Her writing is, however, in many ways kaleidoscopic and has given rise to a diverse and, sometimes, conflicting body of critical work. Whilst Woolf envisaged that her readers could be 'fellow-worker[s]' in the creative process, there is much to perplex any reader approaching her writing, especially for the first time. Drawing on some of the main critical debates and on Woolf's non-fictional writings, this guide untangles some of the difficulties and perplexities that can prove a barrier to understanding of Woolf's writing. These include aspects of the process of writing (such as narrative techniques, formal structures, characterisation), as well as the thematic concerns so central to Woolf's writing, the cultural context in which it emerged and to recent criticism, including representations of gender and sexuality, class and race.
| Author | : Virginia Woolf |
| Publisher | : HarperCollins UK |
| Total Pages | : 256 |
| Release | : 2019-11-28 |
| Genre | : Literary Criticism |
| ISBN | : 0008355738 |
FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf?
| Author | : Nancy Worman |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 196 |
| Release | : 2018-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1474277810 |
In Woolf's writings Greece and Greek tragedy in particular shape an exoticized aesthetic space that both emerges from and enables critique of the cosy settings and colonialist conceits of elite (and largely male) British attitudes toward culture and politics. Rather than highlighting Woolf's exclusion from male intellectual purviews, as so many scholars have emphasized, this book urges attention on how her engagements with Greek tragedy both collude with and challenge modernist aesthetics and contemporary politics. Woolf's encounters with and uses of Greek tragedy fantasize an alternative perceptual capacity that correlates to feminine (and feminist) modes, which are depicted in her writings as alternately defiant and choral. In this scheme, Greek tragedy is something of a dreamland, the mysterious dynamics of which Woolf treats as transcending cultural attitudes that hinge upon imperialist adventuring and violence. As scholars have recognized, especially in recent decades, the exoticizing gestures central to the work of so many modernists have uncomfortable political underpinnings, since they frequently inhabit imperialist and colonialist perspectives while appearing to critique them. Unlike most scholars, Nancy Worman argues that Woolf is no exception, although the feminism and humour that inflects so many "Greek" elements in her work saves it from the worst offenses.
