Viral Modernism
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Author | : Elizabeth Outka |
Publisher | : Columbia University Press |
Total Pages | : 355 |
Release | : 2019-10-22 |
Genre | : Literary Criticism |
ISBN | : 0231546319 |
The influenza pandemic of 1918–1919 took the lives of between 50 and 100 million people worldwide, and the United States suffered more casualties than in all the wars of the twentieth and twenty-first centuries combined. Yet despite these catastrophic death tolls, the pandemic faded from historical and cultural memory in the United States and throughout Europe, overshadowed by World War One and the turmoil of the interwar period. In Viral Modernism, Elizabeth Outka reveals the literary and cultural impact of one of the deadliest plagues in history, bringing to light how it shaped canonical works of fiction and poetry. Outka shows how and why the contours of modernism shift when we account for the pandemic’s hidden but widespread presence. She investigates the miasmic manifestations of the pandemic and its spectral dead in interwar Anglo-American literature, uncovering the traces of an outbreak that brought a nonhuman, invisible horror into every community. Viral Modernism examines how literature and culture represented the virus’s deathly fecundity, as writers wrestled with the scope of mass death in the domestic sphere amid fears of wider social collapse. Outka analyzes overt treatments of the pandemic by authors like Katherine Anne Porter and Thomas Wolfe and its subtle presence in works by Virginia Woolf, T. S. Eliot, and W. B. Yeats. She uncovers links to the disease in popular culture, from early zombie resurrection to the resurgence of spiritualism. Viral Modernism brings the pandemic to the center of the era, revealing a vast tragedy that has hidden in plain sight.
Author | : Elizabeth Outka |
Publisher | : Modernist Latitudes |
Total Pages | : 336 |
Release | : 2019-10-22 |
Genre | : Literary Criticism |
ISBN | : 9780231185752 |
Viral Modernism reveals the literary and cultural impact of one of the deadliest plagues in history, the influenza pandemic of 1918-1919, bringing to light how it shaped canonical works of fiction and poetry. Elizabeth Outka shows how and why the contours of modernism shift when we account for the pandemic's hidden but widespread presence.
Author | : Elizabeth Outka |
Publisher | : Modernist Latitudes |
Total Pages | : 336 |
Release | : 2019-10-22 |
Genre | : Literary Criticism |
ISBN | : 9780231185745 |
Viral Modernism reveals the literary and cultural impact of one of the deadliest plagues in history, the influenza pandemic of 1918-1919, bringing to light how it shaped canonical works of fiction and poetry. Elizabeth Outka shows how and why the contours of modernism shift when we account for the pandemic's hidden but widespread presence.
Author | : Miriam Felton-Dansky |
Publisher | : Northwestern University Press |
Total Pages | : 337 |
Release | : 2018-05-15 |
Genre | : Performing Arts |
ISBN | : 0810137178 |
Digital culture has occasioned a seismic shift in the discourse around contagion, transmission, and viral circulation. Yet theater, in the cultural imagination, has always been contagious. Viral Performance proposes the concept of the viral as an essential means of understanding socially engaged and transmedial performance practices since the mid-twentieth century. Its chapters rethink the Living Theatre’s Artaudian revolution through the lens of affect theory, bring fresh attention to General Idea’s media-savvy performances of the 1970s, explore the digital-age provocations of Franco and Eva Mattes and Critical Art Ensemble, and survey the dramaturgies and political stakes of global theatrical networks. Viral performance practices testify to the age-old—and ever renewed—instinct that when people gather, something spreads. Performance, an art form requiring and relying on live contact, renders such spreading visible, raises its stakes, and encodes it in theatrical form. The artists explored here rarely disseminate their ideas or gestures as directly as a viral marketer or a political movement would; rather, they undermine simplified forms of contagion while holding dialogue with the philosophical and popular discourses, old and new, that have surrounded viral culture. Viral Performance argues that the concept of the viral is historically deeper than immediate associations with the contemporary digital landscape might suggest, and far more intimately linked to live performance
Author | : Andrew Baruch Wachtel |
Publisher | : John Wiley & Sons |
Total Pages | : 298 |
Release | : 2013-05-08 |
Genre | : Literary Criticism |
ISBN | : 0745654576 |
For most English-speaking readers, Russian literature consists of a small number of individual writers - nineteenth-century masters such as Dostoevsky, Tolstoy and Turgenev - or a few well-known works - Chekhov's plays, Brodsky's poems, and perhaps Master and Margarita and Doctor Zhivago from the twentieth century. The medieval period, as well as the brilliant tradition of Russian lyric poetry from the eighteenth century to the present, are almost completely terra incognita, as are the complex prose experiments of Nikolai Gogol, Nikolai Leskov, Andrei Belyi, and Andrei Platonov. Furthermore, those writers who have made an impact are generally known outside of the contexts in which they wrote and in which their work has been received. In this engaging book, Andrew Baruch Wachtel and Ilya Vinitsky provide a comprehensive, conceptually challenging history of Russian literature, including prose, poetry and drama. Each of the ten chapters deals with a bounded time period from medieval Russia to the present. In a number of cases, chapters overlap chronologically, thereby allowing a given period to be seen in more than one context. To tell the story of each period, the authors provide an introductory essay touching on the highpoints of its development and then concentrate on one biography, one literary or cultural event, and one literary work, which serve as prisms through which the main outlines of a given period?s development can be discerned. Although the focus is on literature, individual works, lives and events are placed in broad historical context as well as in the framework of parallel developments in Russian art and music.
Author | : Therese Jones |
Publisher | : Springer Nature |
Total Pages | : 203 |
Release | : 2022-12-02 |
Genre | : Social Science |
ISBN | : 3031192311 |
This book contains several critical essays, book reviews, and poems that address the current pandemic to mark a sad but hopeful first anniversary of COVID. Similar to many academic journals, the Journal of Medical Humanities, in which these contributions were first published, has received a number of submissions during the first year of the pandemic relating directly to it. In the early months, the journal saw an unprecedented number of poetry submissions from physicians who seemed to be turning to verse as a way to memorialize what was happening, to find ways of healing from the devastating number of dying patients, and to capture the exhaustion and anxiety of caring for others day after day without respite. By publishing this selection, the volume editors honor and thank all those who have been caring for patients, teaching and mentoring students, and as such have been contributing to our understanding and awareness of this crisis. Previously published in Journal of Medical Humanities, Volume 42, issue 1, March 2021 Chapters “COVID-19, Contagion, and Vaccine Optimism”, “Virile Infertile Men, and Other Representations of In/Fertile Hegemonic Masculinity in Fiction Television Series”, “Movement as Method: Some Existential and Epistemological Reflections on Dance in the Health Humanities” and “The Ethic of Responsibility: Max Weber’s Verstehen and Shared Decision-Making in Patient-Centred Care” are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author | : Jussi Parikka |
Publisher | : Peter Lang |
Total Pages | : 344 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780820488370 |
Digital Contagions is the first book to offer a comprehensive and critical analysis of the culture and history of the computer virus phenomenon. The book maps the anomalies of network culture from the angles of security concerns, the biopolitics of digital systems, and the aspirations for artificial life in software. The genealogy of network culture is approached from the standpoint of accidents that are endemic to the digital media ecology. Viruses, worms, and other software objects are not, then, seen merely from the perspective of anti-virus research or practical security concerns, but as cultural and historical expressions that traverse a non-linear field from fiction to technical media, from net art to politics of software. Jussi Parikka mobilizes an extensive array of source materials and intertwines them with an inventive new materialist cultural analysis. Digital Contagions draws from the cultural theories of Gilles Deleuze and Félix Guattari, Friedrich Kittler, and Paul Virilio, among others, and offers novel insights into historical media analysis.
Author | : Enyegue, Jean Luc, SJ |
Publisher | : Paulist Press |
Total Pages | : 192 |
Release | : |
Genre | : Religion |
ISBN | : 0809187825 |
The Jesuit Ethos aims at revisiting important moments in Jesuit history from the margins, and in light of the current global challenges. It argues that by examining Jesuit history from the margins, one better appreciates this history as a spiritual journey, a constant quest for the unity of hearts and minds among the members. Their cultural and political origins, the diversity of their ministries, their apostolic dispersion amid the “First Globalization,” and constant assaults from declared enemies kept the Jesuits on the verge of implosion and immolation and made the unity among their members a matter of survival. By analyzing how the Jesuits exploited their diversity of cultures and politics to build a global ethos, and how this global organization was sustained for the last 500 years, relevant lessons can be learned to address the ongoing challenges of our global community. While speaking to a broader, global-oriented audience, such a history might be the first of such by an African (thus its originality), in a context of shifting demographics in the Church and Society of Jesus, and questions about the identity of its institution and mission.
Author | : Teresa Heffernan |
Publisher | : University of Toronto Press |
Total Pages | : 225 |
Release | : 2008-12-04 |
Genre | : Literary Criticism |
ISBN | : 1442692758 |
In Post-Apocalyptic Culture, Teresa Heffernan poses the question: what is at stake in a world that no longer believes in the power of the end? Although popular discourse increasingly understands apocalypse as synonymous with catastrophe, historically, in both its religious and secular usage, apocalypse was intricately linked to the emergence of a better world, to revelation, and to disclosure. In this interdisciplinary study, Heffernan uses modernist and post-modernist novels as evidence of the diminished faith in the existence of an inherently meaningful end. Probing the cultural and historical reasons for this shift in the understanding of apocalypse, she also considers the political implications of living in a world that does not rely on revelation as an organizing principle. With fascinating readings of works by William Faulkner, Don DeLillo, Ford Madox Ford, Toni Morrison, E.M. Forster, Salman Rushdie, D.H. Lawrence, and Angela Carter, Post-Apocalyptic Culture is a provocative study of how twentieth-century culture and society responded to a world in which a belief in the end had been exhausted.
Author | : Mat Fournier |
Publisher | : Columbia University Press |
Total Pages | : 135 |
Release | : 2024-11-26 |
Genre | : Literary Criticism |
ISBN | : 0231557981 |
During the interwar years in France, modernist literature challenged norms around sex and sexuality through daring portrayals of homosexuality and queerness. The same moment, however, witnessed the crystallization of the Western gender binary and its stark lines of division between male and female. Bringing together trans theory with French literary studies, Mat Fournier offers a new understanding of how the gender binary emerged in the modernist era. Dysphoric Modernism considers gender deviance in works by a broad range of French authors, both writers who are canonical for queer theory, such as Marcel Proust, André Gide, Jean Genet, and Colette, and lesser-known figures, including René Crevel, Raymond Radiguet, Maurice Sachs, and Maurice Rostand. Its trans readings track the dysphoria inherent to modern gender and the many ways these texts both disrupt and reinforce it. Examining the complex entanglements of gender and sexuality with the colonial project, Fournier argues that modernist writers’ representations of sexual dissidence came at the cost of their enforcement of racial and gendered discrimination. A groundbreaking transgender analysis of French modernist literature, this book also demonstrates the significance of the concept of dysphoria for a number of fields.