Victorian And Edwardian Responses To The Italian Renaissance
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| Author | : John E. Law |
| Publisher | : Routledge |
| Total Pages | : 509 |
| Release | : 2017-03-02 |
| Genre | : History |
| ISBN | : 1351875981 |
The historiography of the Italian Renaissance has been much studied, but generally in the context of a few key figures. Much less appreciated is the extent of the enthusiasm for the subject in the 19th and early 20th centuries, when the subject was 'discovered' by travellers and men and women of letters, historians, artists, architects and photographers, and by collectors on both sides of the Atlantic. The essays in Victorian and Edwardian Responses to the Italian Renaissance explore the breadth of the responses stimulated by the encounter between the British, the Americans and the Italians of the Renaissance. The volume approaches the subject from an interdisciplinary perspective. While recognising the abiding importance of the familiar 'great names', it seeks to draw attention to a wider cast of people, many of whom led colourful, energetic lives, knew Italy well, and wrote eloquently about the country and its Renaissance. Several essays show that 'Renaissance studies' became a field in which female historians could explore areas of relevance to the 'New Woman'. Other chapters examine the aims and politics of collecting and the place of the collector in literature and in the rediscovery of Renaissance artists. The contribution of teachers and other less formal champions of the Italian Renaissance is explored, as is the role of photographers who re-framed and re-viewed Florence - the Renaissance city - for Victorian and later eyes.
| Author | : Y. Ivory |
| Publisher | : Springer |
| Total Pages | : 247 |
| Release | : 2009-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 023024243X |
Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? This book answers that question by showing how the Victorian coupling of criminality with self-fashioning under the sign of the Renaissance provided queer intellectuals with an enduring model of ruthlessly permissive individualism.
| Author | : John R. Hale |
| Publisher | : John Wiley & Sons |
| Total Pages | : 192 |
| Release | : 2009-02-17 |
| Genre | : History |
| ISBN | : 1405152222 |
This fourth edition of Sir John Hale’s classic history of England and the Italian Renaissance includes a detailed introduction by Edward Chaney surveying scholarly developments since the book was first published. Fourth edition of Sir John Hale’s classic history of England and the Italian Renaissance, first published in 1954. The book’s focus on fundamental issues and basis in little-read primary sources ensures that it endures as an important contribution to historical scholarship. Clear, chronological narrative, beautifully written. Provides essential understanding of the period, illuminating both British and Italian cultural history. The fourth edition includes a new introduction by Edward Chaney who is an expert on Anglo-Italian cultural relations. Chaney surveys the scholarship of the last 50 years and supplies an up-to-date bibliography.
| Author | : Stella Fletcher |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2016-04-08 |
| Genre | : History |
| ISBN | : 1317061209 |
Anglo-Italian cultural connections in the eighteenth and nineteenth centuries have been the subject of numerous studies in recent decades. Within that wider body of literature, there has been a growing emphasis on appreciation of the history and culture of Renaissance Italy, especially in nineteenth-century Britain. In 1954 J.R. Hale's England and the Italian Renaissance was a pioneering account of the subject, followed in 1992 by Hilary Fraser's monograph The Victorians and Renaissance Italy and in 2005 by Victorian and Edwardian Responses to the Italian Renaissance, edited by John E. Law and Lene Østermark-Johansen. There is, however, an obvious gap in the literature concerning the pivotal figure of William Roscoe (1753-1831), the first English-language biographer of Lorenzo de' Medici and of Pope Leo X. The Life of Lorenzo de' Medici called the Magnificent proved to be so popular as to prompt the claim that Roscoe effectively invented the Italian Renaissance as it has become understood by subsequent generations of readers in the English-speaking world. This collection of ten essays redresses the balance by examining Roscoe as biographer, as a connoisseur of Italian literature and as a collector of Italian works of art.
| Author | : Shane Butler |
| Publisher | : Oxford University Press |
| Total Pages | : 649 |
| Release | : 2022-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 019269250X |
John Addington Symonds (Bristol 1840 - Rome 1893) was one of Victorian Britain's most prolific authors, with works that included poems, translations, travel essays, and scholarly studies on topics ranging from classical literature to the Renaissance to the poetry of his contemporaries. Today, however, he is usually remembered for his long unpublished Memoirs, a major early monument of queer life-writing, and for two privately printed, secretly circulated essays, one of which includes the earliest printed appearance in English of the word homosexual. This new word, first coined in German, has long provided a useful milestone for historians of sexuality charting the emergence not only of new typologies but of whole new regimes of knowledge. But what of the rest of Symonds's vast body of work? This book returns to Symonds, not as the origin of a now familiar history, but as a far more complex thinker, with an ambitious vision of the queerness of the world itself--and of what it means to live in it.
| Author | : Paula Nuttall |
| Publisher | : BRILL |
| Total Pages | : 407 |
| Release | : 2020-07-20 |
| Genre | : Art |
| ISBN | : 9004434615 |
Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.
| Author | : Katherine Wheeler |
| Publisher | : Routledge |
| Total Pages | : 207 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351537768 |
In the mid-1880s The Builder, an influential British architectural journal, published an article characterizing Renaissance architecture as a corrupt bastardization of the classical architecture of Greece and Rome. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ?Christopher Columbus of modern architecture.? Victorian Perceptions of Renaissance Architecture, 1850-1914 examines these conflicting characterizations and reveals how the writing of architectural history was intimately tied to the rise of the professional architect and the formalization of architectural education in late nineteenth-century Britain. Drawing on a broad range of evidence, including literary texts, professional journals, university curricula, and census records, Victorian Perceptions reframes works by seminal authors such as John Ruskin, Walter Pater, John Addington Symonds, and Geoffrey Scott alongside those by architect-authors such as William J. Anderson and Reginald Blomfield within contemporary architectural debates. Relevant for architectural historians, as well as literary scholars and those in Victorian studies, Victorian Perceptions reassesses the history of Renaissance architecture within the formation of a modern, British architectural profession.
| Author | : Stephen Cheeke |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2024-06-20 |
| Genre | : Literary Criticism |
| ISBN | : 019892027X |
Walter Pater and Persons investigates the vital concept of the Person in the work of Walter Pater, a major influence on late nineteenth- and early twentieth-century literature. Stephen Cheeke explores the intersections of the person, persona, and personality in Pater's work; re-examines arguments about his famously personal prose style; traces Pater's ambivalent fascination with impersonality and asceticism; considers the poetics of personification in his writings about Greek myth and religion, in the divine logos of early Christianity, and in the theory of Platonic Universals; and explores his fascination with metempsychosis (the many persons through whom the individual soul transmigrates). Cheeke also explores the networks in which Pater was interpreted and misinterpreted by different persons and personalities, such as Oscar Wilde, Arthur Symons, and W.B Yeats. Their (mis)readings of Pater, and rebellions against his work from Decadent, antinomian, and 'mystical' perspectives, reveal the ways in which Pater's writing had always been in a critical dialogue with its own thinking, as well as a prescient one in relation to his reception. The philosophical question of 'what is a person?'--a crucial one for the nineteenth century, and with an increasing urgency in our own times--is illuminated throughout this work.
| Author | : Susanna Avery-Quash |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 320 |
| Release | : 2020-10-15 |
| Genre | : Art |
| ISBN | : 1501348167 |
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
| Author | : Jan Dirk Baetens |
| Publisher | : BRILL |
| Total Pages | : 367 |
| Release | : 2019-02-11 |
| Genre | : Social Science |
| ISBN | : 9004291997 |
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
