The Venetian Printing Press
Author | : Horatio Forbes Brown |
Publisher | : |
Total Pages | : 536 |
Release | : 1891 |
Genre | : Booksellers and bookselling |
ISBN | : |
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Author | : Horatio Forbes Brown |
Publisher | : |
Total Pages | : 536 |
Release | : 1891 |
Genre | : Booksellers and bookselling |
ISBN | : |
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press |
Total Pages | : 1196 |
Release | : 1998-10-29 |
Genre | : Music |
ISBN | : 019977160X |
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press, USA |
Total Pages | : 248 |
Release | : 2001 |
Genre | : Business & Economics |
ISBN | : 0195141083 |
This volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.
Author | : Alessandro Marzo Magno |
Publisher | : Europa Editions |
Total Pages | : 175 |
Release | : 2013-10-01 |
Genre | : History |
ISBN | : 160945152X |
This early history of printed literature “delves into the delectable intrigues of Renaissance Venice with a degree of detail that will mesmerize readers” (La Repubblica). This accessible yet erudite history traces the incredible rise of publishing in the Republic of Venice, the Renaissance’s era of global capital of culture and trade. While a number of Venetian innovators drove this new enterprise, one in particular, Aldus Manutius, stands head and shoulders above the rest. Manutius tirelessly promoted the concept of reading for pleasure, and his Aldine Press commissioned the first modern typeface. Beginning in Venice and subsequently across much of the civilized world, bound printed editions of the Talmud, the Koran, the works of Erasmus of Rotterdam, and classics of Greek and Latin poetry and theater began to circulate for the first time, leading to an unprecedented diffusion of human knowledge, and bringing about the birth of the modern world.
Author | : Paul F. Grendler |
Publisher | : Princeton University Press |
Total Pages | : 399 |
Release | : 2015-03-08 |
Genre | : Religion |
ISBN | : 1400869234 |
One of the great European publishing centers, Venice produced half or more of all books printed in Italy during the sixteenth-century. Drawing on the records of the Venetian Inquisition, which survive almost complete, Paul F. Grendler considers the effectiveness of censorship imposed on the Venetian press by the Index of Prohibited Books and enforced by the Inquisition. Using Venetian governmental records, papal documents in the Vatican Archive and Library, and the books themselves, Professor Grendler traces the controversies as the patriciate debated whether to enforce the Index or to support the disobedient members of the book trade. He investigates the practical consequences of the Index to printer and reader, noble and prelate. Heretics, clergymen, smugglers, nobles, and printers recognized the importance of the press and pursued their own goals for it. The Venetian leaders carefully weighed the conflicting interests, altering their stance to accommodate constantly shifting religious, political, and economic situations. The author shows how disputes over censorship and other press matters contributed to the tension between the papacy and the Republic. He draws on Venetian governmental records, papal documents in the Vatican Library, and the books themselves. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Ferdinando Ongania |
Publisher | : |
Total Pages | : 242 |
Release | : 1895 |
Genre | : Music printing |
ISBN | : |
A collection of facsimile illustrations of pages from early printed books, initials, borders, title-pages, printers' marks, art bindings, etc., with short introductions by Carlo Castellani (p. 9-[20]) on Venetian printing, printers' marks, water-marks and music printing; also a note on bindings (p. 217-218).
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press |
Total Pages | : 1200 |
Release | : 1998-10-29 |
Genre | : History |
ISBN | : 9780195102314 |
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author | : Angela Nuovo |
Publisher | : BRILL |
Total Pages | : 492 |
Release | : 2013-06-17 |
Genre | : History |
ISBN | : 9004208496 |
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Author | : Lotte Hellinga |
Publisher | : BRILL |
Total Pages | : 544 |
Release | : 2018-02-12 |
Genre | : Language Arts & Disciplines |
ISBN | : 900434036X |
Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
Author | : Elizabeth Horodowich |
Publisher | : Cambridge University Press |
Total Pages | : 345 |
Release | : 2018-09-06 |
Genre | : History |
ISBN | : 1108687245 |
Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship to the Americas. Venetian editors, mapmakers, translators, writers, and cosmographers represented the New World at times as a place that the city's mariners had discovered before the Spanish, a world linked to Marco Polo's China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rhetorics of 'firstness', similitude, othering, comparison, and simultaneity generated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Venetians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Americana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America.