Velazquezs Bodegones
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Author | : Tanya J. Tiffany |
Publisher | : Penn State Press |
Total Pages | : 255 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0271053798 |
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
Author | : Barry Wind |
Publisher | : |
Total Pages | : 248 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Author | : Klaus Carl |
Publisher | : Parkstone International |
Total Pages | : 153 |
Release | : 2013-03-15 |
Genre | : Art |
ISBN | : 1781606374 |
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.
Author | : Kevin Ingram |
Publisher | : Springer |
Total Pages | : 370 |
Release | : 2018-12-06 |
Genre | : History |
ISBN | : 3319932365 |
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
Author | : Richard Verdi |
Publisher | : Thames & Hudson |
Total Pages | : 385 |
Release | : 2023-03-02 |
Genre | : Art |
ISBN | : 050077790X |
Diego Velázquez (15991660) was one of the towering figures of western painting and Baroque art, a technical master renowned for his focus on realism and startling veracity. Everything he painted was treated as a portrait, from Spanish royalty and Pope Innocent X, to a mortar and pestle. This comprehensive introduction to Velázquezs life and art includes a discussion of all his major works, and illustrates most of Velázquezs surviving output of approximately 110 paintings. The artists greatest innovation his unorthodox and revolutionary technique is explored in relation to the styles of certain of his most celebrated contemporaries both in Spain and beyond, including Titian and Rubens. The book concludes with a final chapter on the influence and importance of Velázquezs art on later painters from the time of his own death to the art of recent times including Francisco Goya, Pablo Picasso, Francis Bacon and the Impressionists.
Author | : David Davies |
Publisher | : |
Total Pages | : 191 |
Release | : 1996 |
Genre | : Ausstellung - Edinburgh 1996 - Velázquez, Diego Rodríguez de Silva y - Malerei |
ISBN | : 9780300069495 |
Diego Velázquez, considered by many to be the greatest of Spain's great painters, spent his crucial formative years in Seville, learning his craft and producing many early masterpieces. When he departed from his native city as a young man of 24, Velázquez's accomplishments were already impressive - he left to assume the position of Court Painter to Philip IV of Spain in Madrid. In this illustrated book, an international team of art scholars explores the importance of Seville for Velázquez. Discussions range across many topics, including Velázquez's education and training, Sevillian culture and Catholic theology, picaresque literature, and Velázquez's subject matter - portraiture, sacred subjects, and the bodegones in which Velázquez developed his distinctive naturalistic style. This book serves as the catalogue for a major exhibition on Velázquez's early work to be held at the National Gallery of Scotland in Edinburgh, August 8 through October 20, 1996. The exhibit also includes a selection of influential works by Velázquez's important contemporaries, such as the sculptor Montañes and painters Alonso Cano and Ribalta.
Author | : |
Publisher | : Penn State Press |
Total Pages | : 226 |
Release | : |
Genre | : |
ISBN | : 0271039957 |
Author | : Elizabeth Du Gué Trapier |
Publisher | : |
Total Pages | : 472 |
Release | : 1948 |
Genre | : |
ISBN | : |
Author | : Dieter Beaujean |
Publisher | : Konemann |
Total Pages | : 100 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9783829058650 |
Author | : Francisco Pacheco |
Publisher | : Getty Publications |
Total Pages | : 196 |
Release | : 2018-10-30 |
Genre | : Biography & Autobiography |
ISBN | : 1606065882 |
The Lives of Velázquez brings together two seminal early accounts of the great seventeenth-century Spanish painter (ca. 1599–1660). These texts, written by his contemporaries Francisco Pacheco and Antonio Palomino and newly translated for this volume, serve as our main sources of knowledge about this groundbreaking artist. Pacheco’s biography reveals the scale of the challenge to traditional painting presented by Velázquez’s immense talent. Palomino’s text, while precise and detailed in its narrative of the artist’s life, also tackles the aesthetic debate generated by the painter’s choice of subject matter and style. An engaging introduction by art historian Michael Jacobs situates the historical texts in the context of Spain’s Golden Age.