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| Author | : Colta Feller Ives |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 258 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 1588390624 |
He believed firmly in his difference, often referring to himself as a "savage," and once he discovered his passion for art he had to create forms that were original and unique. "What does it matter that I set myself apart from other people? For most I shall be an enigina, but for a few I shall be a poet...," he wrote.".
| Author | : St. Louis Public Library |
| Publisher | : |
| Total Pages | : 434 |
| Release | : 1924 |
| Genre | : |
| ISBN | : |
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
| Author | : James A. Ganz |
| Publisher | : Skira |
| Total Pages | : 242 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0847835537 |
Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.
| Author | : Kermit Swiler Champa |
| Publisher | : Abrams |
| Total Pages | : 252 |
| Release | : 1991 |
| Genre | : Architecture |
| ISBN | : |
Professor Kermit Champa shares his new insight into the musical climate of the time; Fronia Wissman reexamines the relation of these avant-garde artists to the official Paris Salon; Richard R. Brettell presents the critical and theoretical background that provided a context for the rise of landscape painting; and Deborah Johnson traces in new ways the combined influence of the Japanese print and photography on painting. Insightful entries on the individual artists sort out the role of the painters and their work in the art-historical and musical context of mid-nineteenth-century life.
| Author | : Magdalena Dabrowski |
| Publisher | : ABRAMS |
| Total Pages | : 148 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : |
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, October 27,1999 - March 14, 2000. French landscape is a part of larger exchbition, ModernStarts which is in turn part of a cycle of exchibitions entitled MoMa 2000.
