Vague
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| Author | : Diana Raffman |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 241 |
| Release | : 2014-02 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199915105 |
In Unruly Words, Diana Raffman advances a new theory of vagueness which, unlike previous accounts, is genuinely semantic while preserving bivalence. According to this new approach, called the multiple range theory, vagueness consists essentially in a term's being applicable in multiple arbitrarily different, but equally competent, ways, even when contextual factors are fixed.
| Author | : Joanna Channell |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 252 |
| Release | : 1994 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
This is a major descriptive study of linguistic vagueness. It argues that strategies for being vague constitute a key aspect of the communicative competence of the native speaker of English.
| Author | : Rudolf Kruse |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 287 |
| Release | : 2012-12-06 |
| Genre | : Mathematics |
| ISBN | : 9400939434 |
This monograph is an attempt to unify existing works in the field of random sets, random variables, and linguistic random variables with respect to statistical analysis. It is intended to be a tutorial research compendium. The material of the work is mainly based on the postdoctoral thesis (Ha bilitationsschrift) of the first author and on several papers recently published by both authors. The methods form the basis of a user-friendly software tool which supports the statistical inferenee in the presence of vague data. Parts of the manuscript have been used in courses for graduate level students of mathematics and eomputer scienees held by the first author at the Technical University of Braunschweig. The textbook is designed for readers with an advanced knowledge of mathematics. The idea of writing this book came from Professor Dr. H. Skala. Several of our students have significantly contributed to its preparation. We would like to express our gratitude to Reinhard Elsner for his support in typesetting the book, Jorg Gebhardt and Jorg Knop for preparing the drawings, Michael Eike and Jiirgen Freckmann for implementing the programming system and Giinter Lehmann and Winfried Boer for proofreading the manuscript. This work was partially supported by the Fraunhofer-Gesellschaft. We are indebted to D. Reidel Publishing Company for making the pub lication of this book possible and would especially like to acknowledge the support whieh we received from our families on this project.
| Author | : PATRICK BARRON |
| Publisher | : Routledge |
| Total Pages | : 271 |
| Release | : 2013-08-15 |
| Genre | : Architecture |
| ISBN | : 1134071477 |
As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city -- the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse interstitial spaces, this collection of original essays and cases presents innovative ways of looking at marginal urban space, with studies from the United States, Europe and the Middle East, from a diverse group of planners, geographers, and urban designers. Terrain Vague is a cooperative effort to redefine these marginal spaces as a central concept for urban planning and design. Presenting innovative ways of looking at marginal urban space, and focusing on its positive uses and aspects, the book will be of interest to all those wishing to understand our increasingly complex everyday surroundings, from planners, cultural theorists, and academics, to designers and architects.
| Author | : Ken Akiba |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 357 |
| Release | : 2014-03-18 |
| Genre | : Philosophy |
| ISBN | : 940077978X |
This unique anthology of new, contributed essays offers a range of perspectives on various aspects of ontic vagueness. It seeks to answer core questions pertaining to onticism, the view that vagueness exists in the world itself. The questions to be addressed include whether vague objects must have vague identity, and whether ontic vagueness has a distinctive logic, one that is not shared by semantic or epistemic vagueness. The essays in this volume explain the motivations behind onticism, such as the plausibility of mereological vagueness and indeterminacy in quantum mechanics and they offer various arguments both for and against ontic vagueness; onticism is also compared with other, competing theories of vagueness such as semanticism, the view that vagueness exists only in our linguistic representation of the world. Gareth Evans’s influential paper of 1978, “Can There Be Vague Objects?” gave a simple but cogent argument against the coherence of ontic vagueness. Onticism was subsequently dismissed by many. However, in recent years, researchers have become aware of the logical gaps in Evans’s argument and this has triggered a new wave of interest in onticism. Onticism is now widely regarded as at least a coherent view. Reflecting this growing consensus, the present anthology for the first time puts together essays that are focused on onticism and its various facets and it fills in the lacuna in the literature on vagueness, a much-discussed subject in contemporary philosophy.
| Author | : William J. Gavin |
| Publisher | : |
| Total Pages | : 227 |
| Release | : 1992-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780877229469 |
Recently, the work of philosopher-psychologist William James has undergone something of a renaissance. In this contribution to the trend, William Gavin argues that James's plea for the "reinstatement of the vague" to its proper place in our experience should be regarded as a seminal metaphor for his thought in general. The concept of vagueness applies to areas of human experience not captured by facts that can be scientifically determined nor by ideas that can be formulated in words. In areas as seemingly diverse as psychology, religion, language, and metaphysics, James continually highlights the importance of the ambiguous, the contextual, the pluralistic, or the uncertain over the foundational. Indeed, observes the author, only in a vague unfinished world can the human self, fragile as it is, have the possibility of making a difference or exercising the will to believe. Taking James's plea seriously, Gavin traces the idea of the vague beyond the philosopher's own texts. In "conversations" with other philosophers--including Peirce, Marx, Dewey, and, to a lesser extent, Rorty and Derrida--the author shows that a version of James's position is central to their thought. Finally, Gavin looks for the pragmatic upshot of James's plea, reaffirming the importance of the vague in two concrete areas: the doctor-patient relationship in medicine and the creation and experiencing of modern art. In conclusion, Gavin argues that James's work is itself vague, in a positive sense, and that as such it functions as a "spur" to the reader.
| Author | : PATRICK BARRON |
| Publisher | : Routledge |
| Total Pages | : 456 |
| Release | : 2013-08-15 |
| Genre | : Architecture |
| ISBN | : 113407154X |
As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city -- the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse interstitial spaces, this collection of original essays and cases presents innovative ways of looking at marginal urban space, with studies from the United States, Europe and the Middle East, from a diverse group of planners, geographers, and urban designers. Terrain Vague is a cooperative effort to redefine these marginal spaces as a central concept for urban planning and design. Presenting innovative ways of looking at marginal urban space, and focusing on its positive uses and aspects, the book will be of interest to all those wishing to understand our increasingly complex everyday surroundings, from planners, cultural theorists, and academics, to designers and architects.
| Author | : J. Cutting |
| Publisher | : Springer |
| Total Pages | : 257 |
| Release | : 2007-01-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0230627420 |
Vague language ('bags of time', 'doing stuff', 'and all that') is an aspect of communicative competence of considerable social importance. This book examines its function. It spans genre analysis, critical discourse analysis, psycholinguistics and cross-cultural sociolinguistics, and suggests applications in TEFL and directions for future research.
| Author | : Grace Qiao Zhang |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2018-06-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1350029602 |
In Vague Language, Elasticity Theory and the Use of 'Some', Nguyet Nhu Le and Grace Qiao Zhang present the first comprehensive study of the word 'some', focusing on its elasticity. In particular, they consider how 'some' is both a quantifier and a qualifier, has positive or negative meanings, and has local and global interpretations. They show that the word is used across a meaning continuum and can be used to convey a range of states, including approximation, uncertainty, politeness, and evasion. Finally, they demonstrate that the functions of 'some' are also multi-directional and non-categorical, consisting of four major functions (right amount of information, mitigation, withholding information, and discourse management). Based on naturally-occurring classroom data of L1 (American English) and L2 (Chinese- and Vietnamese-speaking learners of English) speakers, Vague Language shows that L2 speakers used 'some' more than L1 speakers and explores the significance of this, particularly taking account of speakers' language ability and cultural backgrounds. While this book focuses on the single word 'some', the authors' discussion has important implications for language studies more generally, as they call for a rethinking of our approaches to language study and more attention to its elasticity.
| Author | : Tom Vague |
| Publisher | : Bread and Circuses Publishing |
| Total Pages | : 371 |
| Release | : 2017-01-05 |
| Genre | : Music |
| ISBN | : 162517800X |
"Vague" began, as it happened, a few months after "England's Dreaming" left off: in the post-punk diaspora of late 1979. Turning nineteen years old in sunny Salisbury, Tom Vague began by featuring local punk bands as well as all the major acts that passed through or nearby - the Banshees, the Cure, the Ruts, Joy Division, Red Krayola, the Gang of Four, Clash, Adam and the Ants. It wasn't a pure punk fanzine - it was too late for that - but matched punk irreverence with the overall feeling of experimentation that still existed at the end of the 1970's. Over the first few issues, "Vague" continued to work out the possibilities of independence - in all senses of the word - that had been pioneered in 1976 by Mark Perry (fanzines) and in 1977 by Buzzcocks and the Desperate Bicycles (seven inch records). The whole point about fanzines and DIY singles was that you didn't have to do what everyone else did. So "Vague" mixed up reviews with Perry Harris' cartoons and what Tom describes as 'stream of consciousness prose' that reflected the chaos and the intimacy of the moment. Vague followed the post-punk strands - from the Ants to Goth to Crass to Psychobillies and Positive Punks - through to the mid 80's, and Tom's commentary precisely dates the changes. In the notes for Issue 12, July 1982, he observes that 'it was around this time that the number of exaggerated Mac Curtis haircuts increased around London and Theatre of Hate indirectly started the punkabilly cult, which consisted of disillusioned young Ants fans and reformed punky types, largely Londoners. Suddenly everyone started to look like Kirk Brandon'. Tom Vague recorded the present without any thought to posterity. Because he noted the moment so thoroughly, he became a historian, providing a record of Punk's most obdurate and persistent strands. In documenting the chaos of the 1980's from within, he has preserved a forgotten narrative of that decade: not Live Aid, New Romantic Pop or Thatcher, but a dogged and anarchic strand of youth culture that persisted into the flowering of rave in the early 90's. This collection should be read by any serious enquirer into the period." (Jon Savage : 2017)
