University Stories
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Author | : Chris Morton |
Publisher | : Lulu.com |
Total Pages | : 106 |
Release | : 2014-04-05 |
Genre | : Fiction |
ISBN | : 1304989100 |
Living in halls of residence with fun filled days of adventure and new experience - gone are the overprotective parents; this is where life begins. Bradley is in the middle of his first year at university and everything seems to be going rather well. Sure, there's the depression, loneliness and feeling that everything's in danger of not turning out quite like he was expecting - but Bradley's determination to adjust is beginning to pay off. In fact he has changed so much that his parents barely recognise him when he returns home for Easter. And then there's Clarissa, his "serious" girlfriend who may just be pushing things along a little too quickly. Is Bradley trying to grow up too fast? Is he ready for the world of adulthood or has he bitten off more than he can chew? A unique fly on the wall snapshot of an eighteen year old student's bizarre and often confusing world.
Author | : Amahl A. Bishara |
Publisher | : Stanford University Press |
Total Pages | : 346 |
Release | : 2013-01-09 |
Genre | : History |
ISBN | : 0804784272 |
Few topics in the news are more hotly contested than the Israeli-Palestinian conflict—and news coverage itself is always a subject of debate. But rarely do these debates incorporate an on-the-ground perspective of what and who newsmaking entails. Studying how journalists work in Jerusalem, Bethlehem, Ramallah, and Nablus, and on the tense roads that connect these cities, Amahl Bishara demonstrates how the production of U.S. news about Palestinians depends on multifaceted collaborations, typically invisible to Western readers. She focuses on the work that Palestinian journalists do behind the scenes and below the bylines—as fixers, photojournalists, camerapeople, reporters, and producers—to provide the news that Americans read, see, and hear every day. Ultimately, this book demonstrates how Palestinians play integral roles in producing U.S. news and how U.S. journalism in turn shapes Palestinian politics. U.S. objectivity is in Palestinian journalists' hands, and Palestinian self-determination cannot be fully understood without attention to the journalist standing off to the side, quietly taking notes. Back Stories examines news stories big and small—Yassir Arafat's funeral, female suicide bombers, protests against the separation barrier, an all-but-unnoticed killing of a mentally disabled man—to investigate urgent questions about objectivity, violence, the state, and the production of knowledge in today's news. This book reaches beyond the headlines into the lives of Palestinians during the second intifada to give readers a new vantage point on both Palestinians and journalism.
Author | : Jerome Seymour Bruner |
Publisher | : Harvard University Press |
Total Pages | : 148 |
Release | : 2003 |
Genre | : Education |
ISBN | : 9780674010994 |
Stories pervade our daily lives, from human interest news items, to a business strategy, to daydreams between chores. Stories are what we use to make sense of the world. But how does this work? This text examines this pervasive human habit and suggests ways to think about how we use stories.
Author | : Miguel D'Addario |
Publisher | : Babelcube Inc. |
Total Pages | : 98 |
Release | : 2021-07-19 |
Genre | : Fiction |
ISBN | : 1667407694 |
This book of stories reveals itself like a doctor for the soul. towards an inner path, towards a possibility. Using intelligence, metaphor, and conscience. Considering one of Miguel D'Addario's favorite phrases, "Your attitude is your destiny. Always."
Author | : |
Publisher | : |
Total Pages | : 388 |
Release | : 1915 |
Genre | : Short stories |
ISBN | : |
Author | : Martha Foley |
Publisher | : Mariner Books |
Total Pages | : 492 |
Release | : 1926 |
Genre | : Short stories |
ISBN | : |
Includes the Yearbook of the American short story, 1978-1980.
Author | : James Nagel |
Publisher | : John Wiley & Sons |
Total Pages | : 328 |
Release | : 2014-12-08 |
Genre | : Literary Criticism |
ISBN | : 1118902122 |
This is a concise yet comprehensive treatment of the American short story that includes an historical overview of the topic as well as discussion of notable American authors and individual stories, from Benjamin Franklin’s “The Speech of Miss Polly Baker” in 1747 to “The Joy Luck Club”. Includes a selection of writers chosen not only for their contributions of individual stories but for bodies of work that advanced the boundaries of short fiction, including Washington Irving, Sarah Orne Jewett, Stephen Crane, Jamaica Kincaid, and Tim O’Brien Addresses the ways in which American oral storytelling and other narrative traditions were integral to the formation and flourishing of the short story genre Written in accessible and engaging prose for students at all levels by a renowned literary scholar to illuminate an important genre that has received short shrift in scholarly literature of the last century Includes a glossary defining the most common terms used in literary history and in critical discussions of fiction, and a bibliography of works for further study
Author | : Yanna B. Popova |
Publisher | : Routledge |
Total Pages | : 210 |
Release | : 2015-06-26 |
Genre | : Language Arts & Disciplines |
ISBN | : 1134738455 |
This is a book about the human propensity to think about and experience the world through stories. ‘Why do we have stories?’, ‘How do stories create meaning for us?’, and ‘How is storytelling distinct from other forms of meaning-making?’ are some of the questions that this book seeks to answer. Although these and other related problems have preoccupied linguists, philosophers, sociologists, narratologists, and cognitive scientists for centuries, in Stories, Meaning, and Experience, Yanna Popova takes an original interdisciplinary approach, situating the study of stories within an enactive understanding of human cognition. Enactive approaches to consciousness and cognition foreground the role of interaction in explanations of social understanding, which includes the human practices of telling and reading stories. Such an understanding of narrative makes a decisive break with both text-centred approaches that have dominated structuralist and early cognitivist views of narrative meaning, as well as pragmatic ones that view narrative understanding as a form of linguistic implicature. The intersubjective experience that each narrative both affords and necessitates, the author argues, serves to highlight the active, yet cooperative and communal, nature of human sociality, expressed in the numerous forms of human interaction, of which storytelling is one.
Author | : Harold Scheub |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 365 |
Release | : 1998-10-01 |
Genre | : Social Science |
ISBN | : 0299159337 |
What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion. While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art. The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.
Author | : Rolf Lundén |
Publisher | : BRILL |
Total Pages | : 208 |
Release | : 2022-06-08 |
Genre | : Literary Criticism |
ISBN | : 9004488588 |
This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.