In medieval India, Siddhartha is a young Buddhist monk studying in one of the most renowned and ancient universities of the world – Nalanda. He is catapulted to the brink of history by the University senior teachers. They command him to aid the royal investigation of a suspicious death on campus. Mahipala, the king of Magadha, believes the death is actually a murder. Mahipala’s royal Officer in charge of the investigation is none other than siddhartha’s brother Aditya Raj. The brothers are forced into an uneasy alliance. Between them are played off the unforetold forces that wiped off Nalanda from the historical map of India. As the fate of Nalanda is sealed, strange deaths occur in quick succession. Plagued by misery and doubt, Siddhartha unwittingly stumbles upon a secret. It makes him question his faith, his rationality and, finally, his own existence. In the end, Nalanda is razed to the ground. This is fact. However, the narrative is a climactic context of many other elements of alternative history and speculative spirituality. It’s a shocking Disclosure of esoteric practices, involving the divine feminine, never divulged to the masses for reasons unknown. Venturing into historically virgin territory and, in many ways, picking up from where Dan Brown left, Nalanda exposes a reality that is devastating, mind-altering and yet, somehow, liberating.