University Library Of Autobiography Autobiographers Of The Later Revolutionary Days 1770 1804
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Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 728 |
Release | : 1919 |
Genre | : American drama |
ISBN | : |
Catalogue of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 620 |
Release | : 1918 |
Genre | : Copyright |
ISBN | : |
Catalog of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1370 |
Release | : 1918 |
Genre | : American literature |
ISBN | : |
Catalogue de la Bibliothèque des Archives publiques
Author | : Public Archives of Canada. Library |
Publisher | : Boston, Mass. : G.K. Hall |
Total Pages | : 868 |
Release | : 1979 |
Genre | : Canada |
ISBN | : |
The Memoirs of Lady Hyegyong
Author | : JaHyun Kim Haboush |
Publisher | : Univ of California Press |
Total Pages | : 400 |
Release | : 2013-09-14 |
Genre | : Literary Criticism |
ISBN | : 0520957296 |
Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman. JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.