Norway

Norway
Author: Beatrix Jungman
Publisher:
Total Pages: 534
Release: 1905
Genre: Norway
ISBN:

Zoologist

Zoologist
Author:
Publisher:
Total Pages: 486
Release: 1890
Genre: English periodicals
ISBN:

So Rugged and Mountainous

So Rugged and Mountainous
Author: Will Bagley
Publisher: University of Oklahoma Press
Total Pages: 605
Release: 2011-11-28
Genre: History
ISBN: 0806184035

The story of America’s westward migration is a powerful blend of fact and fable. Over the course of three decades, almost a million eager fortune-hunters, pioneers, and visionaries transformed the face of a continent—and displaced its previous inhabitants. The people who made the long and perilous journey over the Oregon and California trails drove this swift and astonishing change. In this magisterial volume, Will Bagley tells why and how this massive emigration began. While many previous authors have told parts of this story, Bagley has recast it in its entirety for modern readers. Drawing on research he conducted for the National Park Service’s Long Distance Trails Office, he has woven a wealth of primary sources—personal letters and journals, government documents, newspaper reports, and folk accounts—into a compelling narrative that reinterprets the first years of overland migration. Illustrated with photographs and historical maps, So Rugged and Mountainous is the first of a projected four-volume history, Overland West: The Story of the Oregon and California Trails. This sweeping series describes how the “Road across the Plains” transformed the American West and became an enduring part of its legacy. And by showing that overland emigration would not have been possible without the cooperation of Native peoples and tribes, it places American Indians at the center of trail history, not on its margins.

Sons of Ezra

Sons of Ezra
Author:
Publisher: BRILL
Total Pages: 191
Release: 2022-04-25
Genre: Literary Criticism
ISBN: 9004484817

Sons of Ezra: British Poets and Ezra Pound is about the impact of Ezra Pound upon British poets writing today. It is the story of a presence, then of a voice and latterly of an idea. When Pound left London in 1920 after a stay of 12 years, his early ascendancy had waned, and during the 1930s his voice sounded more remotely in British ears. The first poet represented here, Edwin Morgan, began to read Pound towards the end of that decade. Pound's subsequent political reputation has meant that students now coming to university, born after his death in 1972, have not opened a book of his poems in the way that several who testify here remember doing with pleasure. There was a revival of British interest in Pound with the publication of the Pisan Cantos, and then in the 1960s and early 1970s, but since then there has been little public opportunity for British poets to reflect on Pound. Michael Alexander and James McGonigal invited British poets to whom Pound has meant something to reflect, and to testify. To the older writers he was a presence, but the youngest contributors were born at the time that Pound fell silent about 1960, and to them he is an historical figure, the greatest poetic influence since Wordsworth, whose ambition seems an example to avoid as much as to follow.