Ulrich Von Huttens Arminius
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Author | : Richard Ernest Walker |
Publisher | : Peter Lang |
Total Pages | : 198 |
Release | : 2008 |
Genre | : History |
ISBN | : 9783039113385 |
This is the first complete English translation of Ulrich von Hutten's Latin dialogue Arminius and Eobanus Hessus's Latin preface to its posthumous publication (1529). The translations are enhanced by extensive literary analysis in the context of social and political change in sixteenth-century Germany and German literary history. Hutten's literary role is illustrated further by discussion of his dialogue, Inspicientes, or Die Anschauenden, and by comparative analysis of Hutten-related works by Heinrich von Kleist, Die Hermannschlacht (1808), Gottfried Keller, Ufenau (1858), and Conrad Ferdinand Meyer, Huttens letzte Tage (1871). The study draws attention to Hutten's ethnic chauvinism, construed by later generations as German patriotism and used to endorse attitudes and prejudices alien to Hutten's original ideas. The English translations and analyses provide broader access to Hutten's writings and ideas and give insights into the links between late Roman history, society and politics in the Reformation period, and German patriotism of the twentieth and twenty-first centuries.
Author | : David Friedrich Strauss |
Publisher | : |
Total Pages | : 406 |
Release | : 1874 |
Genre | : |
ISBN | : |
Author | : David Friedrich Strauss |
Publisher | : London : Daldy, Isbister, & Company |
Total Pages | : 424 |
Release | : 1874 |
Genre | : |
ISBN | : |
Author | : S. Leitch |
Publisher | : Springer |
Total Pages | : 569 |
Release | : 2010-09-27 |
Genre | : History |
ISBN | : 0230112986 |
As the first book-length examination of the role of German print culture in mediating Europe's knowledge of the newly discovered people of Africa, South Asia, and the Americas, this work highlights a unique and early incident of visual accuracy and an unprecedented investment in the practice of ethnography.
Author | : Heinrich von Kleist |
Publisher | : Königshausen & Neumann |
Total Pages | : 205 |
Release | : 2008 |
Genre | : |
ISBN | : 3826035232 |
Author | : Todd Kontje |
Publisher | : University of Michigan Press |
Total Pages | : 343 |
Release | : 2018-04-25 |
Genre | : Literary Criticism |
ISBN | : 0472123734 |
Imperial Fictions explores ways in which writers from late antiquity to the present have imagined communities before and beyond the nation-state. It takes as its point of departure challenges to the discrete nation-state posed by globalization, migration, and European integration today, but then circles back to the beginnings of European history after the fall of the Roman Empire. Unlike nationalist literary historians of the nineteenth century, who sought the tribal roots of an allegedly homogeneous people, this study finds a distant mirror of analogous processes today in the fluid mixtures and movements of peoples. Imperial Fictions argues that it is time to stop thinking about today’s multicultural present as a deviation from a culturally monolithic past. We should rather consider the various permutations of “German” identities that have been negotiated within local and imperial contexts from the early Middle Ages to the present.
Author | : Cuneo |
Publisher | : BRILL |
Total Pages | : 288 |
Release | : 2021-10-11 |
Genre | : History |
ISBN | : 9004477470 |
An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.
Author | : Cornelius Tacitus |
Publisher | : |
Total Pages | : 129 |
Release | : 1999 |
Genre | : Fiction |
ISBN | : 0856687170 |
In the Germania Tacitus provides the most-detailed extant account of the German peoples in Antiquity. This edition is one of two which claim to be the first in English for over sixty years. It contains both text and translation and a brief commentary, with an appendix of illustrations of Domitianic coins.
Author | : Peter G. Bietenholz |
Publisher | : BRILL |
Total Pages | : 456 |
Release | : 1994-09-01 |
Genre | : History |
ISBN | : 9004247130 |
Historical thought, whether it is expressed in writing or through works of art, inevitably contains elements of fiction. Thus in every phase of the development of historical thinking the question arises: were these fictional elements recognized and if so, how was their function perceived? Was any effort made to distinguish between a documented fact and any assumptions or deductions related to it? In examining the past, was it deemed important to curb the free play of imagination or was it thought that any explanation, no matter how fanciful and irrational, was better than none? This is the question that this book attempts to answer. In doing so, it examines a rich variety of texts and also some works of art ranging from the Ancient Near East to the nineteenth century.
Author | : Robert Ketterer |
Publisher | : University of Illinois Press |
Total Pages | : 274 |
Release | : 2009 |
Genre | : History |
ISBN | : 0252033787 |
The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. In this volume, Robert C. Ketterer tracks the changes as operas’ Roman subjects crossed generations and national boundaries. Following opera from its origins in seventeenth-century Venice to Napoleon’s invasion of Italy, Ketterer shows how Roman history provided composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.