Ugo Foscolo And English Culture
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| Author | : Sandra Parmegiani |
| Publisher | : Routledge |
| Total Pages | : 298 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351193813 |
"The history of the literary relations between Italy and England has its most celebrated early modern representative in Ugo Foscolo (1778-1827). Foscolo's translation of Laurence Sterne's A Sentimental Journey through France and Italy is often regarded as the benchmark of his English experience, but there is more - around and beyond his relationship with Sterne - that can be uncovered. With over 3,000 letters spanning three decades, Foscolo's correspondence represents a unique perspective from which to monitor his literary, philosophical, and political views. The 'Epistolario' is also a space in which Foscolo engages with literary, philosophical, and moral questions, and a place where he exercises an often private form of literary criticism. These are letters which ultimately produce one of the most complete yet most composite self-portraits in the history of modern Italian autobiography. In the first comprehensive and historicized reading of Foscolo's correspondence, Sandra Parmegiani reveals the rich and complex relations between the Italian writer and the literature, philosophy, and culture of eighteenth- and nineteenth-century England."
| Author | : Sandra Parmegiani |
| Publisher | : Routledge |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Foscolo, Ugo |
| ISBN | : 9781906540609 |
The history of the literary relations between Italy and England has its most celebrated early modern representative in Ugo Foscolo (1778-1827). Foscolo's translation of Laurence Sterne's A Sentimental Journey through France and Italy is often regarded as the benchmark of his English experience, but there is more - around and beyond his relationship with Sterne - that can be uncovered. With over 3,000 letters spanning three decades, Foscolo's correspondence represents a unique perspective from which to monitor his literary, philosophical, and political views. The 'Epistolario' is also a space in which Foscolo engages with literary, philosophical, and moral questions, and a place where he exercises an often private form of literary criticism. These are letters which ultimately produce one of the most complete yet most composite self-portraits in the history of modern Italian autobiography. In the first comprehensive and historicized reading of Foscolo's correspondence, Sandra Parmegiani reveals the rich and complex relations between the Italian writer and the literature, philosophy, and culture of eighteenth- and nineteenth- century England.
| Author | : Rachel A. Walsh |
| Publisher | : University of Toronto Press |
| Total Pages | : 237 |
| Release | : 2014-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442649267 |
Ugo Foscolo's Tragic Vision in Italy and England examines an underexplored aspect of Foscolo's literary career: his tragic plays and critical essays on that genre.
| Author | : George Corbett |
| Publisher | : Routledge |
| Total Pages | : 349 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351191691 |
"Dante and Epicurus seem poles apart. Dante, a committed Christian, depicted in the Commedia a vision of the afterlife and God's divine justice. Epicurus, a pagan philosopher, taught that the soul is mortal and that all religion is vain superstition. And yet Epicurus is, for Dante, not only the quintessential heretic but an ethical ally. The key to this apparent paradox lies in the heterodox dualism - between man's two goals of secular felicity and spiritual beatitude - at the heart of Dante's ethical, political and theological thought. Corbett's full-length treatment of Dante's reception and polemical representation of Epicurus addresses a major gap in the scholarship. Furthermore the study's focus on fault lines in Dante's vision of the afterlife- where the theological tensions implicit in his dualism surface - opens a new way to read the Commedia as a whole in dualistic terms."
| Author | : Katrin Wehling-Giorgi |
| Publisher | : Routledge |
| Total Pages | : 299 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351191454 |
"While the writing of Carlo Emilio Gadda (1893-1973) is renowned for its linguistic and narrative proliferation, the best-known works of Samuel Beckett (1906-89) are minimalist, with a clear fondness for subtraction and abstraction. Despite these face-value differences, a close reading of the two authors' early prose writings reveals some surprisingly affinitive concerns, rooted in their profoundly troubled relationship with the literary medium and an unceasing struggle for expression of an incoherent reality and a similarly unfathomable self. Situating Gadda and Beckett at the heart of the debate of late European modernism, this study not only contests the position of'insularity' frequently ascribed to both authors by critical consensus, but it also rethinks some of Gadda's plurilingual and macaronic features by situating them in the context of the turn-of-the-century Sprachkrise, or crisis of language. In a close analysis of the primary texts which engages with the latest findings in empirical research, Wehling-Giorgi casts fresh light on the central notions of textual and linguistic fragmentation and provides a new post-Lacanian analysis of the fractured self in Gadda's and Beckett's narrative."
| Author | : Sharon Worley |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 248 |
| Release | : 2018-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 1527521613 |
The shadow of Napoleon never left the nineteenth-century and continued to haunt the histories and wars that followed in curious and circuitous ways. The empires of Napoleon I and his nephew, Napoleon III, set the stage for the pendulum swing of time from revolution to its antithesis, empire. The Anglo-Italian style developed as a reaction to these empires, the widespread devastation caused by power, and the monuments it created. Lord Byron, Percy Bysshe Shelley, Margaret Fuller, Elizabeth Barrett Browning, Harriet Hosmer, William Wetmore Story, Nathaniel Hawthorne, Henry James and Vernon Lee responded to recurring themes in Italian Risorgimento politics and culture in the post-Napoleonic era and Second Empire periods. Many of them were ex-patriots, who adopted Italy as their new home. Their unique contribution aligns them with a style that is distinguished by the themes of national independence, feminism, the abolition of slavery and republicanism. They perceived their own time in terms of parallel dimensions in which the past and present converged in national histories at home, in America and England, and in Italy, their new ideal state. The language of their new nationalism evolved from the chronological study of Ancient Rome up to the Renaissance, and the style of both revolution and empire, neoclassicism, while their perspective was largely shaped by a reactionary contrast between the empires of Napoleon I and III, and an ideal state they envisioned for Italy.
| Author | : Deborah Amberson |
| Publisher | : Routledge |
| Total Pages | : 343 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351192612 |
"Writing in 1926, Carlo Emilio Gadda (1893-1973) acknowledges his peculiarity within the Italian literary field by describing himself as a giraffe or a kangaroo in Italy's beautiful garden of literature. Gadda's self-characterization as exotic and even ungainly animal applies in equal measure to Italo Svevo (1861-1928) and Federigo Tozzi (1883-1920), authors who, like Gadda, thwarted efforts at critical classification. Yet the ostensible strangeness of these three Italian authors is diminished when their writing is considered within the framework of modernism, a label traditionally avoided by the Italian critical establishment. Indeed, within a modernism preoccupied with human embodiment, these Italian literary giraffes find their kin. Here, the central nexus of body, subjectivity and style that informs and binds the writing of Svevo, Tozzi and Gadda resonates with a modernist renegotiation and revalorization of a human body whose dignity and epistemological authority have been contested by social and technological modernity."
| Author | : Ann Hallamore Caesar |
| Publisher | : Routledge |
| Total Pages | : 388 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351193570 |
"The Unification of Italy in 1870 heralded a period of unprecedented change. While successive Liberal governments pursued imperial ventures and took Italy into World War One on the Allied side, on the domestic front technological advance, the creation of a national transport network, the expansion of state education, internal migration to cities and the rise of political associations all contributed to the rapid expansion of the print industry and the development of new and highly diversified reading publics. Drawing on publishers'archives, letters, diaries, and printed material, this book provide the most up-to-date research into the printed media - books, magazines and journals - in Italy between 1870 and 1914. With essays on publishers and reading communities, the professionalization of the role of journalist and writer, children's literature, book illustrations, and printed media in colonial territories among others, this book is intended for those with interests in cultural production and consumption and questions of nation-formation and nationhood in and outside Italy. With the contributions: Ann Hallamore Caesar, Gabriella Romani- Introduction John Davis- Media, Markets and Modernity: The Italian Case, 1870-1915 Maria Grazia Lolla- Reader/Power: The Politics and Poetics of Reading in Post-Unification Italy Joseph Luzzi- Verga Economicus: Language, Money, and Identity in I Malavoglia and Mastro-don Gesualdo Olivia Santovetti- The Cliche of the Romantic Female Reader and the Paradox of Novelistic Illusion: Federico De Roberto's L'Illusione (1891) Francesca Billiani- Intellettuali militanti, funzionari e tecnologici, etica ed estetica in tre riviste fiorentine d'inizio secolo: Il Regno, La Voce, e Lacerba (1903-1914) Luca Somigli- Towards a Literary Modernity all'italiana: A Note on F. T. Marinetti's Poesia Silvia Valisa- Casa editrice Sonzogno. Mediazione culturale, circuiti del sapere ed innovazione tecnologica nell'Italia unificata (1861-1900) Matteo Salvadore- At the Borders of 'Dark Africa': Italian Expeditions to Ethiopia and the Bollettino della Societa Geografica Italiana, 1867-1887 Ombretta Frau- L'editore delle signore: Licinio Cappelli e la narrativa femminile fra Otto e Novecento Cristina Gragnani- Il lettore in copertina. Flirt rivista di splendore e declino (Primo tempo: 1897-1902) Fiorenza Weinapple- Abbiamo fatto l'Italia. Adesso si tratta di fare gli Italiani. Il Programma di educazione nazionale del Secolo XX Fabio Gadducci, Mirko Tavosanis- Printers, Poets, Publishers and Painters: The First Years of the Giornale per i bambini John P. Welle- The Magic Lantern, the Illustrated Book, and the Beginnings of the Culture Industry: Intermediality in Carlo Collodi's La lanterna magica di Giannettino"
| Author | : John Picchione |
| Publisher | : Routledge |
| Total Pages | : 452 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 135119173X |
"Poet, novelist, theorist, playwright, translator, politician, and teacher, Edoardo Sanguineti (1930-2010) is one of the most original and influential Italian intellectuals of the second post-war period. An ardent and unremitting historical materialist, he investigated the links between language and ideology, literature and the other arts, together with their functions within the logic of late capitalism. The extraordinary range of his creative work persistently defies conventional aesthetic notions. With their variety of topics and critical perspectives, the essays assembled in this volume explore both the relevance of his theoretical postures and the ideological and formal fabric of his literary production. They highlight his subversive objectives, the complexity of the language, the astonishing linguistic ingenuity, metaliterary significance, whimsical disposition, and provocative social critique. Testimonials by Sanguineti's colleagues and students, presented here in English translation, offer a portrait of the man, his temperament and his distinctiveness, and provide a personal view of the life and work of a brilliant intellectual."
| Author | : Edoardo Crisafulli |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 364 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9781899293094 |
The popular and critically acclaimed translation of Dante's Divine Comedy into English was carried out by the Anglican Reverend H. F. Cary. He has an honoured place in the rediscovery of Dante's masterpiece in Romantic Britain. Shelley, Byron, Wordsworth and Coleridge lavished praise upon his translation and it was through Cary's The Vision of Dante that the beauty and intricacies of the Italian poem. The book examines crucial aspects of British culture in the 19th Century and throws light on the manifold transformations of Dante's imagery into English poetry.
