Twenty Thematic Etudes for Orchestral Horn Playing
Author | : Matthew Mauro |
Publisher | : |
Total Pages | : |
Release | : 2020-09-26 |
Genre | : |
ISBN | : 9781792348921 |
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Author | : Matthew Mauro |
Publisher | : |
Total Pages | : |
Release | : 2020-09-26 |
Genre | : |
ISBN | : 9781792348921 |
Author | : Theodore Presser |
Publisher | : |
Total Pages | : 954 |
Release | : 1924 |
Genre | : Music |
ISBN | : |
Includes music.
Author | : A. Peter Brown |
Publisher | : Indiana University Press |
Total Pages | : 1050 |
Release | : 2003-08-07 |
Genre | : Music |
ISBN | : 9780253334886 |
This volume contains the symphonies of Brahms, Bruckner, Dvorák and Mahler, covering the period from roughly 1860 to 1930. Other contemporaries are discussed including Goldmark, Zemlinsky and Berg.
Author | : Philip Farkas |
Publisher | : Alfred Music |
Total Pages | : 100 |
Release | : 1999-10-19 |
Genre | : Music |
ISBN | : 9781457400094 |
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.
Author | : David Daniels |
Publisher | : Rowman & Littlefield |
Total Pages | : 1464 |
Release | : 2022-06-30 |
Genre | : Music |
ISBN | : 1442275219 |
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author | : Douglas Hill |
Publisher | : Alfred Music Publishing |
Total Pages | : 222 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780757906855 |
Douglas Hill is professor of music and horn at the University of Wisconsin at Madison as well as a past President of the International Horn Society, and a respected teacher and clinician. The 27 chapters of Collected Thoughts cover topics ranging from getting started to preparing for college and professional auditions, and include other subjects such as composing and improvising. There are seven chapters on repertoire that include reviews of music and texts that are the most comprehensive of any horn (or other instrumental) text to date. The process of learning and teaching is extremely insightful for everyone, from the serious student to the most experienced instructor. This book is a must for anyone interested in the horn. It is invaluable!!