Tv China
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| Author | : Ying Zhu |
| Publisher | : Indiana University Press |
| Total Pages | : 546 |
| Release | : 2009-01-28 |
| Genre | : History |
| ISBN | : 0253220262 |
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
| Author | : Jamie J. Zhao |
| Publisher | : Hong Kong University Press |
| Total Pages | : 253 |
| Release | : 2023-02-16 |
| Genre | : Social Science |
| ISBN | : 9888805614 |
The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests. Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of “queer/ing TV China” to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces. “This cornucopia of fresh and original essays opens our eyes to the burgeoning queer television culture thriving beneath official media crackdowns in China. As diverse as the phenomenon it analyses, Queer TV China is the spark that will ignite a prairie fire of future scholarship.” —Chris Berry, Professor of Film Studies, King’s College London “This timely volume explores the various possibilities and nuances of queerness in Chinese TV and fannish culture. Challenging the dichotomy of ‘positive’ and ‘negative’ representations of gender and sexual minorities, Queer TV China argues for a multilayered and queer-informed understanding of the production, consumption, censorship, and recreation of Chinese television today.” —Geng Song, Associate Professor and Director of Translation Program, University of Hong Kong
| Author | : Ying Zhu |
| Publisher | : Hong Kong University Press |
| Total Pages | : 289 |
| Release | : 2008-10-01 |
| Genre | : Social Science |
| ISBN | : 9622099408 |
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
| Author | : Brad Dukes |
| Publisher | : |
| Total Pages | : 340 |
| Release | : 2018-11-24 |
| Genre | : |
| ISBN | : 9780996820813 |
In 2018, big and small screens brim with re-makes, sequels, and tentpole franchises. And yet, China Beach remains a true original, over thirty years removed from its 1988 broadcast premiere on the ABC network. No other TV series or film has followed a female in the Army Nurse Corps through the Vietnam War, and until now, no other book has documented the show's harrowing reflections of the real world.Following his internationally published Reflections: An Oral History of Twin Peaks (2014), author Brad Dukes returns with China Beach: A Book About a TV Show About a War. The book accounts for Dukes's four-year journey documenting China Beach as he stands before the Vietnam War Veterans Memorial, interviews the cast, crew, and Vietnam veterans; then treks to Vietnam in search of what it all means.The book analyzes all four seasons of China Beach, and features interviews with series co- creators John Sacret Young and William Broyles Jr., along with nearly every cast member including Prime Time Emmy Award winners Dana Delany and Marg Helgenberger, Chloe Webb, Robert Picardo, Brian Wimmer, Michael Boatman, Nancy Giles, Concetta Tomei, Megan Gallagher, Christine Elise, Troy Evans, Jeff Kober, and Ricki Lake.A very special foreword begins the book, penned by writer and producer Carlton Cuse (Jack Ryan, Lost, Bates Motel, etc.)
| Author | : |
| Publisher | : |
| Total Pages | : 314 |
| Release | : 1924 |
| Genre | : China |
| ISBN | : |
| Author | : Geng Song |
| Publisher | : University of Michigan Press |
| Total Pages | : 253 |
| Release | : 2022-05-09 |
| Genre | : Social Science |
| ISBN | : 0472055291 |
Offers new understandings of gender construction and nation-building through the lens of recent Chinese television programs.
| Author | : T.V. Paul |
| Publisher | : Georgetown University Press |
| Total Pages | : 312 |
| Release | : 2018-09-03 |
| Genre | : Political Science |
| ISBN | : 1626166013 |
As the aspirations of the two rising Asian powers collide, the China-India rivalry is likely to shape twenty-first-century international politics in the region and far beyond. This volume by T.V. Paul and an international group of leading scholars examines whether the rivalry between the two countries that began in the 1950s will intensify or dissipate in the twenty-first century. The China-India relationship is important to analyze because past experience has shown that when two rising great powers share a border, the relationship is volatile and potentially dangerous. India and China’s relationship faces a number of challenges, including multiple border disputes that periodically flare up, division over the status of Tibet and the Dalai Lama, the strategic challenge to India posed by China's close relationship with Pakistan, the Chinese navy's greater presence in the Indian Ocean, and the two states’ competition for natural resources. Despite these irritants, however, both countries agree on issues such as global financial reforms and climate change and have much to gain from increasing trade and investment, so there are reasons for optimism as well as pessimism. The contributors to this volume answer the following questions: What explains the peculiar contours of this rivalry? What influence does accelerated globalization, especially increased trade and investment, have on this rivalry? What impact do US-China competition and China’s expanding navy have on this rivalry? Under what conditions will it escalate or end? The China-India Rivalry in the Globalization Era will be of great interest to students, scholars, and policymakers concerned with Indian and Chinese foreign policy and Asian security.
| Author | : Shenshen Cai |
| Publisher | : Taylor & Francis |
| Total Pages | : 152 |
| Release | : 2016-09-13 |
| Genre | : Political Science |
| ISBN | : 1317239520 |
Due to high audience numbers and the significant influence upon the opinions and values of viewers, the political leadership in China attributes great importance to the impact of television dramas. Many successful TV serials have served as useful conduits to disseminate official rhetoric and mainstream ideology, and they also offer a rich area of research by providing insight into the changing Chinese political, social and cultural context. This book examines a group of recently released TV drama serials in China which focus upon, and to various degrees represent, topical political, social and cultural phenomena. Some of the selected TV serials reflect the present ideological proclivities of the Chinese government, whilst others mirror social and cultural occurrences or provide coded and thought-provoking messages on China’s socio-economic and political reality. Through in-depth textual analysis of the plots, scenes and characters of these selected TV serials, the book provides timely interpretations of contemporary Chinese society, its political inclinations, social fashions and cultural tendencies. The book also demonstrates how popular media narratives of TV drama serials engage with sensitive civic issues and cultural phenomena of modern-day China, which in turn encourages a broader social imagination and potential for change. Advancing our understanding of contemporary China, this book will appeal to students and scholars of contemporary Chinese culture, society and politics, as well as those with research interests in television studies more generally.
| Author | : Rosswell Hobart Graves |
| Publisher | : |
| Total Pages | : 340 |
| Release | : 1895 |
| Genre | : China |
| ISBN | : |
| Author | : Shaopeng Chen |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 304 |
| Release | : 2021-09-23 |
| Genre | : Performing Arts |
| ISBN | : 1350118966 |
In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian Deng (1999) responded to competition from American imports such as The Lion King (1994), retaining Chinese iconography while at the same time adopting Hollywood aesthetics and techniques. Addressing the series Boonie Bears/Xiong Chumo (2014-5), Chen focuses on the films' adaptation from the original TV series, and how the films were promoted across generations and by means of both online and offline channels. Discussing the series Kuiba/Kui Ba (2011, 2013, 2014), Chen examines Vasoon Animation Studio's ambitious attempt to create the first Chinese-style high fantasy fictional universe, and considers why the first film was a critical success but a failure at the box-office. He also explores the relationship between Japanese anime and new generation Chinese animation. Finally, Chen considers how word-of-mouth social media engagement lay behind the success of Monkey King: Hero is Back (2015).
