Serenade in D major, opus 25, for flute, violin and viola
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 36 |
Release | : 1945 |
Genre | : Suites (Flute, violin, viola) |
ISBN | : |
Download Trio No1 In D Major For Flute Or Violin Viola Or Clarinet And Piano full books in PDF, epub, and Kindle. Read online free Trio No1 In D Major For Flute Or Violin Viola Or Clarinet And Piano ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 36 |
Release | : 1945 |
Genre | : Suites (Flute, violin, viola) |
ISBN | : |
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 36 |
Release | : 1945 |
Genre | : Trios (Flute, violin, viola) |
ISBN | : |
Author | : Oxford University Musical Union |
Publisher | : |
Total Pages | : 242 |
Release | : 1894 |
Genre | : Music |
ISBN | : |
Author | : William Kinderman |
Publisher | : Oxford University Press |
Total Pages | : 445 |
Release | : 2009-04-10 |
Genre | : Music |
ISBN | : 0198043953 |
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Author | : Mark A. Radice |
Publisher | : University of Michigan Press |
Total Pages | : 384 |
Release | : 2012-01-19 |
Genre | : Music |
ISBN | : 0472051652 |
A thorough overview and history of chamber music
Author | : James M. Keller |
Publisher | : Oxford University Press |
Total Pages | : 517 |
Release | : 2011 |
Genre | : Music |
ISBN | : 019020639X |
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Author | : David Daniels |
Publisher | : Rowman & Littlefield |
Total Pages | : 1464 |
Release | : 2022-06-30 |
Genre | : Music |
ISBN | : 1442275219 |
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.