Three duos concertants for two violins, op. 57
Author | : Charles Bériot |
Publisher | : |
Total Pages | : 48 |
Release | : 1909 |
Genre | : Violin music (Violins (2)) |
ISBN | : |
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Author | : Charles Bériot |
Publisher | : |
Total Pages | : 48 |
Release | : 1909 |
Genre | : Violin music (Violins (2)) |
ISBN | : |
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 48 |
Release | : 1920 |
Genre | : Piano trios |
ISBN | : |
Author | : Jason Yust |
Publisher | : Oxford University Press |
Total Pages | : 441 |
Release | : 2018-05-15 |
Genre | : Music |
ISBN | : 0190696508 |
Organized Time is the first attempt to unite theories of harmony, rhythm and meter, and form under a common idea of structured time. Building off of recent advances in music theory in essential subfields-rhythmic theory, tonal structure, and the theory of musical form--author Jason Yust demonstrates that tonal music exhibits similar hierarchical organization in each of these dimensions. Yust develops a network model for temporal structure with an application of mathematical graph theory, which leads ultimately to musical applications of a multi-dimensional polytope called the associahedron. A wealth of analytical examples includes not only the familiar tonal canon-J.S. Bach, Mozart, Schumann--but also lesser known masters of the musical Enlightenment such as C.P.E. and J.C. Bach, Boccherini, and Johann Gottlieb Graun. Yust's approach has wide-ranging ramifications across music theory, enabling new approaches to musical closure, hypermeter, formal function, syncopation, and rhythmic dissonance, as well as historical observations about the development of sonata form and the innovations of Haydn and Beethoven. Making a forceful argument for the independence of musical modalities and for a multivalent approach to music analysis, Organized Time establishes the aesthetic importance of structural disjunction, the conflict of structure in different modalities, in numerous analytical contexts.
Author | : William E. Caplin |
Publisher | : Oxford University Press |
Total Pages | : 320 |
Release | : 2000-12-28 |
Genre | : Music |
ISBN | : 0199881758 |
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Author | : Bruno Monsaingeon |
Publisher | : Princeton University Press |
Total Pages | : 465 |
Release | : 2002-09-15 |
Genre | : Biography & Autobiography |
ISBN | : 0691095493 |
"Sviatoslav Richter was a dazzling performer but an intensely private man. Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately his friendship. This book is the product of that friendship. It offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture." -- Back cover
Author | : Scheurmann, G., firm, music publishers, London |
Publisher | : |
Total Pages | : 904 |
Release | : 1855 |
Genre | : Music |
ISBN | : |
Author | : John Alexander Fuller-Maitland |
Publisher | : |
Total Pages | : 784 |
Release | : 1900 |
Genre | : Biography & Autobiography |
ISBN | : |