Tribal Art Traffic

Tribal Art Traffic
Author: Raymond Corbey
Publisher: Kit Pub
Total Pages: 260
Release: 2000
Genre: Antiques & Collectibles
ISBN:
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This publication traces the movements of hundreds of thousands of masks, statues, amulets, shields etc. from overseas tribul cultures to and within North Atlantic societies, in colonial and post-colonial times. While the focus is on the Low Countries and their overseas territories, the Belgian Congo and the Netherlands East Indies, related developments in three adjacent colonial powers, Germany, France and the United Kingdom, are also covered, as are links to the United States. The milieus and locales through which tribal objects circulated and circulate are charted, like colonial trading posts, auction houses and museums, and dealers, collectors and curators relate their more recent experiences with objects-in-motion.

The Traffic in Culture

The Traffic in Culture
Author: George E. Marcus
Publisher: Univ of California Press
Total Pages: 396
Release: 1995-12-21
Genre: Art
ISBN: 9780520088474
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Article by Myers annotated separately.

Black Cultural Traffic

Black Cultural Traffic
Author: Harry Justin Elam
Publisher: University of Michigan Press
Total Pages: 408
Release: 2010-02-11
Genre: Social Science
ISBN: 0472025457
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"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice." --Kimberly Benston, author of Performing Blackness "Black Cultural Traffic is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!" --Dwight A. McBride, author of Why I Hate Abercrombie & Fitch "The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need." --Mark Anthony Neal, author of Songs in the Key of Black Life "A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussions of racial, ethnic, and national identity." --Horace Porter, author of The Making of a Black Scholar

The Lowland South American World

The Lowland South American World
Author: Casey High
Publisher: Taylor & Francis
Total Pages: 907
Release: 2024-12-12
Genre: Social Science
ISBN: 1040150527
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The Lowland South American World showcases cutting-edge research on the anthropology of Lowland South America, providing both an in-depth knowledge of Lowland South American life ways and engaging readers in urgent social, environmental, and political issues in the contemporary world. Covering the vast expanse of a region that includes all of South America except for the Andes, its 40 chapters engage with questions of what “Lowland South America” means as a geographical designation, both in studies of Indigenous Amazonian peoples and other lowland areas of the continent. They emphasize the multiple ways that local practices and cosmologies challenge conventional Western ideas about nature, culture, personhood, sociality, community, and Indigenous people. Some of the region’s well-known contributions to anthropology, such as animism, perspectivism, and novel approaches to the body are updated here with new ethnography and in light of the varying political situations in which the region’s peoples find themselves. With contributions by authors from 15 different countries, including a number of Indigenous anthropologists and activists, this book will set the agenda for future research in the continent. The Lowland South American World is a valuable resource for scholars and students of anthropology, Latin American studies and Indigenous studies, as well as history, geography and other social sciences.

Archaeological Ethics

Archaeological Ethics
Author: Karen D. Vitelli
Publisher: Rowman Altamira
Total Pages: 247
Release: 2006-02-09
Genre: Social Science
ISBN: 0759114439
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The second edition of Archaeological Ethics is an invitation to an ongoing and lively discussion on ethics. In addition to topics such as looting, reburial and repatriation, relations with native peoples, and professional conduct, Vitelli and Colwell-Chanthaphonh have responded to current events and news stories. Twenty-one new articles expand this ongoing discussion into the realm of intellectual property, public outreach, archaeotourism, academic freedom, archaeological concerns in times of war, and conflicting values. These compelling articles, from Archaeology Magazine, American Archaeology, and Expedition are written for a general audience and provide a fascinating introduction to the issues faced every day in archaeological practice. The article summaries, discussion and research questions, and suggestions for further reading_particularly helpful given the vast increase in related literature over the last decade_serve as excellent teaching aids and make this volume ideal for classroom use.

Weaving Europe, Crafting the Museum

Weaving Europe, Crafting the Museum
Author: Magdalena Buchczyk
Publisher: Bloomsbury Publishing
Total Pages: 225
Release: 2023-04-20
Genre: Design
ISBN: 1350226750
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Weaving Europe, Crafting the Museum delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum. Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects' fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future. Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

Eternal Sovereigns

Eternal Sovereigns
Author: Gloria Jane Bell
Publisher: Duke University Press
Total Pages: 185
Release: 2024-09-06
Genre: Art
ISBN: 1478059842
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In 1925, Pius XI staged the Vatican Missionary Exposition in Rome’s Vatican City. Offering a narrative of the Catholic Church’s beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities across Turtle Island, which were seen by one million pilgrims. Gloria Bell’s Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the “Indian Museum” of nineteenth-century sculptor Ferdinand Pettrich with the oeuvre of Indigenous artist Edmonia Lewis. Bell analyzes Indigenous cultural belongings made by artists from diverse nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien’kehá:ka, Wolastoqiyik, and Kwakwaka’wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church’s colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy’s staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums.

Museums and Biographies

Museums and Biographies
Author: Kate Hill
Publisher: Boydell & Brewer Ltd
Total Pages: 351
Release: 2014
Genre: Art
ISBN: 184383961X
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Exploring the relationship between museums and biographies, this collection of essays examines examples from the early 19th century to the present day.

Across Anthropology

Across Anthropology
Author: Margareta von Oswald
Publisher: Leuven University Press
Total Pages: 434
Release: 2020-06-15
Genre: Social Science
ISBN: 9462702187
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How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Authentically African

Authentically African
Author: Sarah Van Beurden
Publisher: Ohio University Press
Total Pages: 505
Release: 2015-11-25
Genre: History
ISBN: 0821445456
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Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.