Transformations Of The German Novel
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| Author | : Monique Rinere |
| Publisher | : Peter Lang |
| Total Pages | : 280 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 9783039118960 |
At the beginning of the eighteenth century, the German literary establishment considered the novel the contemptible entertainment of the uneducated. By the end of the century, the novel had eclipsed the epic poem as the most appropriate genre for depicting humankind and its preoccupations. The story of the novel's emergence as a respected and productive artistic genre is intimately bound up with the vicissitudes of the most popular of all German baroque works, Hans Jacob Christoffel von Grimmelshausen's (1621/22-1676) Der abentheurliche Simplicissimus: Teutsch (1668/69). Between 1756 and 1785, Simplicissimus quietly found its way into bookshops three times in radically different forms, in adaptations that were not, as critics have asserted, arbitrary, but quite purposeful. This investigation discusses the ways in which this canonical text was reworked to reflect the thinking of leading - and warring - Enlightenment aestheticians. At the genre war's end, the novel emerged triumphant and Simplicissimus adaptations had been instrumental in securing the victory; the multi-faceted Simplicissimus had served as a vehicle for reifying theoretical positions in the conflicts. For, as the social and aesthetic climate shifted radically, Grimmelshausen's work not only survived, but took on new life in the most important literary campaign of the century.
| Author | : Jürgen Osterhammel |
| Publisher | : Princeton University Press |
| Total Pages | : 1192 |
| Release | : 2015-09-15 |
| Genre | : Business & Economics |
| ISBN | : 0691169802 |
A panoramic global history of the nineteenth century A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, an eminent scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking scope and towering erudition. He examines the powerful and complex forces that drove global change during the "long nineteenth century," taking readers from New York to New Delhi, from the Latin American revolutions to the Taiping Rebellion, from the perils and promise of Europe's transatlantic labor markets to the hardships endured by nomadic, tribal peoples across the planet. Osterhammel describes a world increasingly networked by the telegraph, the steamship, and the railways. He explores the changing relationship between human beings and nature, looks at the importance of cities, explains the role slavery and its abolition played in the emergence of new nations, challenges the widely held belief that the nineteenth century witnessed the triumph of the nation-state, and much more. This is the highly anticipated English edition of the spectacularly successful and critically acclaimed German book, which is also being translated into Chinese, Polish, Russian, and French. Indispensable for any historian, The Transformation of the World sheds important new light on this momentous epoch, showing how the nineteenth century paved the way for the global catastrophes of the twentieth century, yet how it also gave rise to pacifism, liberalism, the trade union, and a host of other crucial developments.
| Author | : Mark Charan Newton |
| Publisher | : Pan Macmillan |
| Total Pages | : 453 |
| Release | : 2011-06-03 |
| Genre | : Fiction |
| ISBN | : 0230760821 |
Corrupt politics and surprising superheroes, The Book of Transformations is the third book in Mark Charan Newton's Legends of the Red Sun fantasy series. A new and corrupt Emperor seeks to rebuild the ancient structures of Villjamur. But when the stranger Shalev arrives, empowering a militant underground movement, crime and terror become the rule. Emperor Urtica calls upon cultists to help construct a group to eliminate those involved with the uprising, and calm the populace. But there’s more to these Villjamur Knights than just phenomenal skills and abilities - each have a secret that, if exposed, could destroy everything they represent. Investigator Fulcrom of the Villjamur Inquisition is given the unenviable task of managing the Knights’, but his own skills are tested when a mysterious priest, who has travelled from beyond the Empire’s edge, seeks his help. The priest’s existence threatens the church, and his quest promises to unweave the fabric of the world. Then in a distant corner of the Empire, the enigmatic cultist Dartun Súr steps back into this world, having witnessed horrors beyond his imagination. Broken, altered, he and the remnants of his cultist order are heading back to Villjamur. All eyes turn to the Sanctuary City, for Villjamur’s ancient legends are about to be shattered.
| Author | : Heide Fehrenbach |
| Publisher | : Berghahn Books |
| Total Pages | : 310 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9781571811073 |
American culture has been one of the most controversial exports of the United States: greeted with enthusiasm by some, with hostility by others. Yet, few societies escape its influence. However, not all changes should be interpreted simply as "Americanization." The shaping of the postwar world has been much more complex than this term implies as is shown in this volume that explores the links between Americanization and modernity in Western Europe and Japan. In considering the impact of products and images ranging from movies and music to fashion and architecture, a multi-disciplinary group of contributors asks how American culture has been employed internationally in the articulation of postwar identities - be they national or subnational, socially sanctioned or socially transgressive. Their essays on France, Italy, Germany and Japan move beyond the simple paradigms of colonization and democratic modernization, yet retain a sensitivity to the asymmetries in the postwar power relationships between these countries and the United States. An extensive introduction historically locates changing interpretations of American influences abroad and suggests the problems and promises of "Americanization" as an analytical tool. Its comparative focus and interdisciplinary scope will appeal to a wide range of students and scholars of cold war and post-cold war history.
| Author | : Erik Butler |
| Publisher | : Camden House |
| Total Pages | : 240 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 1571134328 |
For the last three hundred years, fictions of the vampire have fed off anxieties about cultural continuity. Though commonly represented as a parasitic aggressor from without, the vampire is in fact a native of Europe, and its "metamorphoses," to quote Baudelaire, a distorted image of social transformation. Because the vampire grows strong whenever and wherever traditions weaken, its representations have multiplied with every political, economic, and technological revolution from the eighteenth century on. Today, in the age of globalization, vampire fictions are more virulent than ever, and the monster enjoys hunting grounds as vast as the international market. Metamorphoses of the Vampire explains why representations of vampirism began in the eighteenth century, flourished in the nineteenth, and came to eclipse nearly all other forms of monstrosity in the early twentieth century. Many of the works by French and German authors discussed here have never been presented to students and scholars in the English-speaking world. While there are many excellent studies that examine Victorian vampires, the undead in cinema, contemporary vampire fictions, and the vampire in folklore, until now no work has attempted to account for the unifying logic that underlies the vampire's many and often apparently contradictory forms. Erik Butler holds a PhD from Yale University and has taught at Emory University and Swarthmore College. His publications include The Bellum Gramaticale and the Rise of European Literature (2010) and a translation with commentary of Regrowth (Vidervuks) by the Soviet Jewish author Der Nister (2011).
| Author | : Katharina Gerstenberger |
| Publisher | : Berghahn Books |
| Total Pages | : 311 |
| Release | : 2012-07-15 |
| Genre | : History |
| ISBN | : 0857453882 |
While the first decade after the fall of the Berlin wall was marked by the challenges of unification and the often difficult process of reconciling East and West German experiences, many Germans expected that the “new century” would achieve “normalization.” The essays in this volume take a closer look at Germany’s new normalcy and argue for a more nuanced picture that considers the ruptures as well as the continuities. Germany’s new generation of writers is more diverse than ever before, and their texts often not only speak of a Germany that is multicultural but also take a more playful attitude toward notions of identity. Written with an eye toward similar and dissimilar developments and traditions on both sides of the Atlantic, this volume balances overviews of significant trends in present-day cultural life with illustrative analyses of individual writers and texts.
| Author | : David E. Wellbery |
| Publisher | : Harvard University Press |
| Total Pages | : 1038 |
| Release | : 2004 |
| Genre | : Education |
| ISBN | : 9780674015036 |
'A New History of German Literature' offers some 200 essays on events in German literary history.
| Author | : Jean E. Conacher |
| Publisher | : Camden House (NY) |
| Total Pages | : 310 |
| Release | : 2020 |
| Genre | : Education |
| ISBN | : 1571139559 |
This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic.
| Author | : Rebecca Schuman |
| Publisher | : Macmillan + ORM |
| Total Pages | : 244 |
| Release | : 2017-02-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1250077664 |
“A wild and wonderful ride” from a comic memoirist “who writes brilliantly about Germany and Germans . . . and being young and insane. . . . just read it, ok?” (Dave Barry, Pulitzer Prize–winning, New York Times–bestselling author of Best. State. Ever). You know that feeling you get watching the elevator doors slam shut just before your toxic coworker can step in? There’s a word for this mix of malice and joy, and the Germans invented it. It’s Schadenfreude, deriving pleasure from others’ misfortune. Misfortune happens to be a specialty of Rebecca Schuman—and this is great news for the Germans. For Rebecca adores the Vaterland with a single-minded passion. Let’s just say the affection isn’t mutual. Schadenfreude is the story of a teenage Jewish intellectual who falls in love—with a boy (who breaks her heart), a language (that’s nearly impossible to master), a culture (that’s nihilistic, but punctual), and a landscape (that’s breathtaking when there’s not a wall in the way). Rebecca is a misunderstood 90’s teenager with a passion for Pearl Jam and Ethan Hawke circa Reality Bites, until two men walk into her high school Civics class: Dylan Gellner, with deep brown eyes and an even deeper soul, and Franz Kafka, hitching a ride in Dylan’s backpack. These two men are the axe to the frozen sea that is Rebecca’s spirit, and what flows forth is a passion for all things German. At once a snapshot of a young woman finding herself, and a country starting to stitch itself back together after nearly a century of war, Schadenfreude, A Love Story is a hilarious and heartfelt memoir proving that sometimes the truest loves play hard to get. “Spit-out-your-schnitzel funny.” —Pamela Druckerman, New York Times–bestselling author of Bringing Up Bébé
| Author | : Catherine Chidgey |
| Publisher | : Henry Holt and Company |
| Total Pages | : 324 |
| Release | : 2013-12-31 |
| Genre | : Fiction |
| ISBN | : 1466861363 |
The lives of a French wig maker, a young American widow, and a Cuban cigar maker intersect to startling effect in this masterful, atmospheric novel from Catherine Chidgey Tampa, Florida, 1898: a hazy frontier where the Old World meets the New, where miracles of transformation are possible and the soil is so fertile that dry sticks take root and flower. Dominating the town is the new Tampa Bay Hotel, a fairy-tale castle that in the wintertime is a magnet for the finest sorts of people. During the off-season, the city is quiet, but a few residents remain. Among these is a most exotic creature by the name of Monsieur Lucien Goulet III, wig maker to the wealthy and glamorous-indeed to any resident of Tampa whose desire for his transformations is keen enough to meet his price. As winter nears its end, Goulet is entranced by a head of hair belonging to the young widow Marion Unger. But this material, without which he absolutely cannot form his greatest masterpiece, is hard to come by, being still attached to its owner. Determined to go forward with the project, Goulet drives his gifted night scavenger--a teenage cigar maker who is a refugee from the war in Cuba--to increasingly extreme efforts. As the lives of these three unlikely accomplices become ever more entwined, Goulet's true nature becomes disturbingly clear, leading to an electrifying conclusion.
