Traditional Swahili Poetry
Author | : Jan Knappert |
Publisher | : Brill Archive |
Total Pages | : 290 |
Release | : 1967 |
Genre | : Islam |
ISBN | : |
Download Traditional Swahili Poetry full books in PDF, epub, and Kindle. Read online free Traditional Swahili Poetry ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Jan Knappert |
Publisher | : Brill Archive |
Total Pages | : 290 |
Release | : 1967 |
Genre | : Islam |
ISBN | : |
Author | : Annmarie Drury |
Publisher | : MSU Press |
Total Pages | : 172 |
Release | : 2015-11-01 |
Genre | : Literary Collections |
ISBN | : 1628952415 |
Stray Truths is a stirring introduction to the poetry of Euphrase Kezilahabi, one of Africa’s major living authors, published here for the first time in English. Born in 1944 on Ukerewe Island in Tanzania (then the Territory of Tanganyika), Kezilahabi came of age in the newly independent nation. His poetry confronts the task of postcolonial nation building and its conundrums, and explores personal loss in parallel with nationwide disappointments. Kezilahabi sparked controversy when he published his first poetry collection in 1974, introducing free verse into Swahili. His next two volumes of poetry (published in 1988 and 2008) confirmed his status as a pioneering and modernizing literary force. Stray Truths draws on each of those landmark collections, allowing readers to encounter the myriad forms and themes significant to this poet over a span of more than three decades. Even as these poems jettison the constraints of traditional Swahili forms, their use of metaphor connects them to traditional Swahili poetics, and their representational strategies link them to indigenous African arts more broadly. To date, translations of Swahili poetry have been focused on scholarly interpretations. This literary translation, in contrast, invites a wide audience of readers to appreciate the verbal art of this seminal modernist writer.
Author | : Lyndon Harries |
Publisher | : Oxford, Clarendon P |
Total Pages | : 350 |
Release | : 1962 |
Genre | : English poetry |
ISBN | : |
Author | : Jan Knappert |
Publisher | : Brill Archive |
Total Pages | : 168 |
Release | : 1971 |
Genre | : Swahili poetry |
ISBN | : |
Author | : Ruth Finnegan |
Publisher | : Open Book Publishers |
Total Pages | : 614 |
Release | : 2012-09 |
Genre | : Social Science |
ISBN | : 1906924708 |
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Author | : Kelly Askew |
Publisher | : University of Chicago Press |
Total Pages | : 436 |
Release | : 2002-07-28 |
Genre | : Art |
ISBN | : 0226029816 |
Since its founding in 1964, the United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new nation. Focusing on the politics surrounding Swahili musical performance, Kelly Askew demonstrates the crucial role of popular culture in Tanzania's colonial and postcolonial history. As Askew shows, the genres of ngoma (traditional dance), dansi (urban jazz), and taarab (sung Swahili poetry) have played prominent parts in official articulations of "Tanzanian National Culture" over the years. Drawing on over a decade of research, including extensive experience as a taarab and dansi performer, Askew explores the intimate relations among musical practice, political ideology, and economic change. She reveals the processes and agents involved in the creation of Tanzania's national culture, from government elites to local musicians, poets, wedding participants, and traffic police. Throughout, Askew focuses on performance itself—musical and otherwise—as key to understanding both nation-building and interpersonal power dynamics.
Author | : Kai Kresse |
Publisher | : Edinburgh University Press |
Total Pages | : 312 |
Release | : 2007 |
Genre | : History |
ISBN | : |
This is done from the perspective of an 'anthropology of philosophy', a project which is spelled out in the opening chapter."--BOOK JACKET.
Author | : Beck, Rose Marie |
Publisher | : Mkuki na Nyota Publishers |
Total Pages | : 156 |
Release | : 2015-11-03 |
Genre | : Literary Criticism |
ISBN | : 9987753388 |
Abdilatif Abdalla: Poet in Politics celebrates the work of Abdilatif Abdalla, one of Kenya’s most well-known poets and a committed political activist. It includes commentary essays on aspects of Abdilatif Abdalla’s work and life, through inter-weaving perspectives on poetry and politics, language and history; with contributions by East African writers and scholars of Swahili literature, including Ngugi wa Thiong’o, Said Khamis, Ken Walibora, Ahmed Rajab, Mohamed Bakari, and Sheikh Abdilahi Nassir, among others. Abdalla became famous in 1973, with the publication of Sauti ya Dhiki (Voice of Agony), a collection of poems written secretly in prison during three years of solitary confinement (1969-72). He was convicted of circulating pamphlets against Jomo Kenyatta’s KANU government, criticizing it as ‘dictatorial’ and calling for political resistance in the pamphlet, 'Kenya: Twendapi?' (Kenya: where are we heading?). His poetry epitomizes the ongoing currency of classic Swahili form and language, while his work overall, including translations and editorships, exemplifies a two-way mediation between ‘traditional’ and ‘modern’ perspectives. It makes old and new voices of Swahili poetry and African literature accessible to a wider readership in East Africa, and beyond. Abdalla has lived in exile since 1973, in Tanzania, London, and subsequently, until now, in Germany. Nevertheless, Swahili literature and Kenyan politics have remained central to his life.
Author | : Alamin Mazrui |
Publisher | : Ohio University Press |
Total Pages | : 217 |
Release | : 2007 |
Genre | : Literature and society |
ISBN | : 0896802523 |
Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa's lingua franca, and its cultures. Swahili Beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries. These momentous changes have generated much theoretical debate on several literary fronts, as Swahili literature continues to undergo transformation in the mill of human creativity. Swahili literature is a hybrid that is being reconfigured by a conjuncture of global and local forces. As the interweaving of elements of the colonizer and the colonized, this hybrid formation provides a representation of cultural difference that is said to constitute a "third space," blurring existing boundaries and calling into question established identitarian categorizations. This cultural dialectic is clearly evident in the Swahili literary experience as it has evolved in the crucible of the politics of African cultural production. However, Swahili Beyond the Boundaries demonstrates that, from the point of view of Swahili literature, while hybridity evokes endless openness on questions of home and identity, it can simultaneously put closure on specific forms of subjectivity. In the process of this contestation, a new synthesis may be emerging that is poised to subject Swahili literature to new kinds of challenges in the politics of identity, compounded by the dynamics and counterdynamics of post-Cold War globalization.