Touch And Intimacy In First World War Literature
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Author | : Santanu Das |
Publisher | : Cambridge University Press |
Total Pages | : 27 |
Release | : 2005 |
Genre | : Literary Criticism |
ISBN | : 052184603X |
Santanu Das uncovers the intimate history of how war was experienced by the body.
Author | : Santanu Das |
Publisher | : Cambridge University Press |
Total Pages | : 27 |
Release | : 2006-04-06 |
Genre | : Literary Criticism |
ISBN | : 1139915657 |
The First World War ravaged the male body on an unprecedented scale, yet fostered moments of physical intimacy and tenderness among the soldiers in the trenches. Touch, the most elusive and private of the senses, became central to war experience. War writing is haunted by experiences of physical contact: from the muddy realities of the front to the emotional intensity of trench life, to the traumatic obsession with the wounded body in nurses' memoirs. Through extensive archival and historical research, analysing previously unknown letters and diaries alongside literary writings by figures such as Owen and Brittain, Santanu Das recovers the sensuous world of the First World War trenches and hospitals. This original and evocative study alters our understanding of the period as well as of the body at war, and illuminates the perilous intimacy between sense experience, emotion and language as we try to make meaning in times of crisis.
Author | : Santanu Das |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 2011-04-28 |
Genre | : History |
ISBN | : 052150984X |
Drawing upon fresh archival material this book recovers the experience of different ethnic groups during the First World War conflict.
Author | : Santanu Das |
Publisher | : Cambridge University Press |
Total Pages | : 495 |
Release | : 2018-09-13 |
Genre | : History |
ISBN | : 1107081580 |
This is the first cultural and literary history of India and the First World War, with archival research from Europe and South Asia.
Author | : Santanu Das |
Publisher | : Cambridge University Press |
Total Pages | : 345 |
Release | : 2013-11-18 |
Genre | : Literary Criticism |
ISBN | : 1107018234 |
This Companion offers a major re-examination of the poetry of the First World War at the start of the war's centennial commemoration.
Author | : Guy Cuthbertson |
Publisher | : Yale University Press |
Total Pages | : 289 |
Release | : 2018-11-06 |
Genre | : History |
ISBN | : 0300240651 |
A vivid, intimate hour-by-hour account of Armistice Day 1918, including photographs: “A pleasure to read . . . full of fascinating tidbits.” —The Wall Street Journal This is the first book to focus on the day the armistice was signed between the Allies and Germany, ending World War I. In this rich portrait of Armistice Day, which ranges from midnight to midnight, Guy Cuthbertson brings together news reports, photos, literature, memoirs, and letters to show how the people on the street, as well as soldiers and prominent figures like D. H. Lawrence and Lloyd George, experienced a strange, singular day of great joy, relief, and optimism—and examines how Britain and the wider world reacted to the news of peace. “[A] brilliant portrayal of Britain on the day that peace broke out; when people could believe there was an end to the war to end all wars. He weaves a wonderful tapestry of the mood and events across the country, drawing on a wide range of local and regional newspapers . . . accessible history at its best . . . outstanding.” —The Evening Standard
Author | : Randall Stevenson |
Publisher | : Oxford Textual Perspectives |
Total Pages | : 281 |
Release | : 2013-05-02 |
Genre | : History |
ISBN | : 0199596441 |
Literature and the Great War offers a fresh, challenging interpretation of the literature of the period, reappraising the settled assumptions through which war writing has come to be read in recent years.
Author | : Robert L. Nelson |
Publisher | : Cambridge University Press |
Total Pages | : 281 |
Release | : 2011-04-14 |
Genre | : Biography & Autobiography |
ISBN | : 0521192919 |
First systematic study of German soldier newspapers as a representation of daily life on the front during the Great War.
Author | : Christine Hallett |
Publisher | : Manchester University Press |
Total Pages | : 289 |
Release | : 2016-02-15 |
Genre | : Medical |
ISBN | : 1784996327 |
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The First World War was the first ‘total war’. Its industrial weaponry damaged millions of men and drove whole armies underground into dangerously unhealthy trenches. Many were killed. Many more suffered terrible, life-threatening injuries: wound infections such as gas gangrene and tetanus, exposure to extremes of temperature, emotional trauma and systemic disease. In an effort to alleviate this suffering, tens of thousands of women volunteered to serve as nurses. Of these, some were experienced professionals, while others had undergone only minimal training. But regardless of their preparation, they would all gain a unique understanding of the conditions of industrial warfare. Until recently their contributions, both to the saving of lives and to our understanding of warfare, have remained largely hidden from view. By combining biographical research with textual analysis, Nurse writers of the great war opens a window onto their insights into the nature of nursing and the impact of warfare.
Author | : Ralf Schneider |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 595 |
Release | : 2021-09-20 |
Genre | : Literary Criticism |
ISBN | : 3110422557 |
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.