Tongue Screws And Testimonies
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| Author | : Kirsten Eve Beachy |
| Publisher | : MennoMedia, Inc. |
| Total Pages | : 317 |
| Release | : 2010-11-01 |
| Genre | : Religion |
| ISBN | : 0836197461 |
From the publisher of Martyrs Mirror comes this refreshing, reflective, heartbreaking, humorous—and sometimes irreverent—anthology of poems, creative essays and fiction by new and noted authors with connections to the Anabaptist tradition. Featuring writers such as Rudy Wiebe, Di Brandt, Jeff Gundy, Jean Janzen, Julia Kasdorf, John Ruth, Rhoda Janzen and others, Tongue Screws and Testimonies shows how stories from Martyrs Mirror intersect with the lives of writers and their characters—and how these stories continue to have a powerful hold on faith, life and imagination today. Collected and edited by Kirsten Eve Beachy, who teaches writing at Eastern Mennonite University, Tongue Screws and Testimonies challenges readers to consider the implications of Martyrs Mirror in their own lives. “Tongue Screws and Testimonies is for the young woman who remembers hiding behind the couch at her grandparents’ house to look at Jan Luykens’ engravings, and who still gets chills thinking about it. It’s for the man who, drawn into a Mennonite congregation in middle age, is trying to get a grasp of Anabaptist history. It will serve as a conversation starter with theologians of many traditions who are concerned with the difficulties of living faithfully.“—Kirsten Eve Beachy
| Author | : Daniel Shank Cruz |
| Publisher | : Penn State Press |
| Total Pages | : 185 |
| Release | : 2019-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 0271084421 |
Though the terms “queer” and “Mennonite” rarely come into theoretical or cultural contact, over the last several decades writers and scholars in the United States and Canada have built a body of queer Mennonite literature that shifts these identities into conversation. In this volume, Daniel Shank Cruz brings this growing genre into a critical focus, bridging the gaps between queer theory, literary criticism, and Mennonite literature. Cruz focuses his analysis on recent Mennonite-authored literary texts that espouse queer theoretical principles, including Christina Penner’s Widows of Hamilton House, Wes Funk’s Wes Side Story, and Sofia Samatar’s Tender. These works argue for the existence of a “queer Mennonite” identity on the basis of shared values: a commitment to social justice, a rejection of binaries, the importance of creative approaches to conflict resolution, and the practice of mutual aid, especially in resisting oppression. Through his analysis, Cruz encourages those engaging with both Mennonite and queer literary criticism to explore the opportunity for conversation and overlap between the two fields. By arguing for engagement between these two identities and highlighting the aspects of Mennonitism that are inherently “queer,” Cruz gives much-needed attention to an emerging subfield of Mennonite literature. This volume makes a new and important intervention into the fields of queer theory, literary studies, Mennonite studies, and religious studies.
| Author | : Diane Apostolos-Cappadona |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 393 |
| Release | : 2024-01-25 |
| Genre | : Art |
| ISBN | : 0567698130 |
The artistic traditions of four major Christian denominations are examined and outlined in detail in this groundbreaking volume that presents the first synthesis of the artistic contributions of those traditions. Diane Apostolos-Cappadona has curated a volume that presents four single-authored contributions in one place, broadening the study of Christian art beyond Roman Catholic, Orthodox and 'protestant' traditions to consider these more recent Christian approaches in close and expert detail. Rachel Epp Buller examines art in the Mennonite tradition, Mormon art is considered by Heather Belnap, Quaker contributions by Rowena Loverance and Swedenborgian art by Diane Apostolos-Cappadona. Each writer presents elements of the theology of their chosen tradition through the prism of the artists and artistic works that they have selected. Alongside mainstream artistic figures such as William Blake less known figures come to the fore and the volume features color illustrations that support and underline the theological and artistic themes presented in each section of the book. Together these studies of artistic presentations in these four traditions will be a much need means of filling a gap in the study of Christian art.
| Author | : Magdalene Redekop |
| Publisher | : Univ. of Manitoba Press |
| Total Pages | : 524 |
| Release | : 2020-04-10 |
| Genre | : Literary Criticism |
| ISBN | : 0887558585 |
Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.
| Author | : Buller Rachel Epp |
| Publisher | : Demeter Press |
| Total Pages | : 363 |
| Release | : 2013-05-01 |
| Genre | : Social Science |
| ISBN | : 1927335868 |
Mothering Mennonite marks the first scholarly attempt to incorporate religious groundings in interpretations of motherhood. The essays included here broaden our understanding of maternal identity as something not only constructed within the family and by society at large, but also influenced significantly by historical traditions and contemporary belief systems of religious communities. A multidisciplinary compilation of essays, this volume joins narrative and scholarly voices to address both the roles of mothering in Mennonite contexts and the ways in which Mennonite mothering intersects with and is shaped by the world at large. Contributors address cultural constructions of motherhood within ethnoreligious Mennonite communities, examining mother-daughter relationships and intergenerational influences, analyzing visual and literary representations of Mennonite mothers, challenging cultural constructions and expectations of motherhood, and tracing the effects of specific religious and cultural contexts on mothering in North and South America.’
| Author | : Katsumi Fukasawa |
| Publisher | : Routledge |
| Total Pages | : 353 |
| Release | : 2017-07-14 |
| Genre | : Religion |
| ISBN | : 1351722166 |
The religious histories of Christian and Muslim countries in Europe and Western Asia are often treated in isolation from one another. This can lead to a limited and simplistic understanding of the international and interreligious interactions currently taking place. This edited collection brings these national and religious narratives into conversation with each other, helping readers to formulate a more sophisticated comprehension of the social and cultural factors involved in the tolerance and intolerance that has taken place in these areas, and continues today. Part One of this volume examines the history of relations between people of different Christian confessions in western and central Europe. Part Two then looks at the relations between Western and Eastern Orthodox Christianity, Islam and Judaism in the vast area that extends around the Mediterranean from the Iberian Peninsula to western Asia. Each Part ends with a Conclusion that considers the wider implications of the preceding essays and points the way toward future research. Bringing together scholars from Asia, the Middle East, Europe, and America this volume embodies an international collaboration of unusual range. Its comparative approach will be of interest to scholars of Religion and History, particularly those with an emphasis on interreligious relations and religious tolerance.
| Author | : Robert Zacharias |
| Publisher | : Univ. of Manitoba Press |
| Total Pages | : 305 |
| Release | : 2013-10-26 |
| Genre | : Literary Criticism |
| ISBN | : 0887554504 |
Despite the fact that Russian Mennonites began arriving in Canada en masse in the 1870s, Mennonite Canadian literature has been marked by a compulsive retelling of the mass migration of some 20,000 Russian Mennonites to Canada following the collapse of the “Mennonite Commonwealth” in the 1920s. This privileging of a seminal dispersal within the community’s broader history reveals the ways in which the 1920s narrative has come to function as an origin story, or “break event,” for the Russian Mennonites in Canada, serving to affirm a communal identity across national and generational boundaries. Drawing on recent work in diaspora studies, Rewriting the Break Event offers a historicization of Mennonite literary studies in Canada, followed by close readings of five novels that rewrite the Mennonite break event through specific strains of emphasis, including a religious narrative, ethnic narrative, trauma narrative, and meta-narrative. The result is thoughtful and engaging exploration of the shifting contours of Mennonite collective identity, and an exciting new methodology that promises to resituate the discourse of migrant writing in Canada.
| Author | : Sofia Samatar |
| Publisher | : Hurst Publishers |
| Total Pages | : 373 |
| Release | : 2022-10-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 1787389790 |
In the late 1800s, a group of German-speaking Mennonites fled Russia for Muslim Central Asia, to await Christ’s return. Over a century later, Sofia Samatar traces their gruelling journey across desert and mountains, and its improbable fruit: a small Christian settlement inside the Khanate of Khiva. Named ‘The White Mosque’ after the Mennonites’ whitewashed church, the village—a community of peace, prophecy, music and martyrs—lasted fifty years. Within this curious tale, Sofia discovers a tapestry of characters connected by the ancient Silk Road: a fifteenth-century astronomer-king; an intrepid Swiss woman traveller; the first Uzbek photographer; a free spirit of the Harlem Renaissance. Along the way, in a voice both warm and wise, she explores her own complex upbringing as an American Mennonite of colour, the daughter of a Swiss-American Christian and a Somali Muslim. On this pilgrimage to a lost village and a near-forgotten history, Samatar traces the porous borders of identity and narrative. When you leave your tribe, what remains? How do we enter the stories of others? And how, out of life’s buried archives and startling connections, does a person construct a self?
| Author | : Todd Davis |
| Publisher | : MSU Press |
| Total Pages | : 134 |
| Release | : 2013-06-01 |
| Genre | : Poetry |
| ISBN | : 1609173562 |
In poetry that is at once accessible and finely crafted, Todd Davis maps the mysterious arc between birth and death, celebrating the beauty and pain of our varied entrances and exits, while taking his readers into the deep forests and waterways of the northeastern United States. With an acute sensibility for language unlike any other working poet, Davis captures the smallest nuances in the flowers, trees, and animals he encounters through a daily life spent in the field. Davis draws upon stories and myths from Christian, Transcendental, and Buddhist traditions to explore the intricacies of the spiritual and physical world we too often overlook. In celebrating the abundant life he finds in a ditch—replete with Queen Anne’s lace and milkweed, raspberries and blackberries, goldenrod and daisies—Davis suggests that life is consistently transformed, resurrected by what grows out of the fecundity of our dying bodies. In his fourth collection the poet, praised by The Bloomsbury Review, Arts & Letters, and many others, provides not only a taxonomy of the flora and fauna of his native Pennsylvania but also a new way of speaking about the sacred walk we make with those we love toward the ultimate mystery of death.
| Author | : Robert Zacharias |
| Publisher | : Penn State Press |
| Total Pages | : 256 |
| Release | : 2016-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 0271076585 |
For decades, the field of Mennonite literature has been dominated by the question of Mennonite identity. After Identity interrogates this prolonged preoccupation and explores the potential to move beyond it to a truly post-identity Mennonite literature. The twelve essays collected here view Mennonite writing as transitioning beyond a tradition concerned primarily with defining itself and its cultural milieu. What this means for the future of Mennonite literature and its attendant criticism is the question at the heart of this volume. Contributors explore the histories and contexts—as well as the gaps—that have informed and diverted the perennial focus on identity in Mennonite literature, even as that identity is reread, reframed, and expanded. After Identity is a timely reappraisal of the Mennonite literature of Canada and the United States at the very moment when that literature seems ready to progress into a new era. In addition to the editor, the contributors are Ervin Beck, Di Brandt, Daniel Shank Cruz, Jeff Gundy, Ann Hostetler, Julia Spicher Kasdorf, Royden Loewen, Jesse Nathan, Magdalene Redekop, Hildi Froese Tiessen, and Paul Tiessen.
