Tolstoy And The Religious Culture Of His Time
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| Author | : Inessa Medzhibovskaya |
| Publisher | : Lexington Books |
| Total Pages | : 451 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 0739125338 |
The first book-length study on the subject in any language, Tolstoy and the Religious Culture of His Time treats Tolstoy's experience as a massive philosophical and religious project rather than a crisis-laden tragedy. Inessa Medzhibovskaya explains the evolution of Tolstoy's religious outlook based on his ongoing dialogue with the tradition of conversion in Europe and Russia, as well as on the demands of his own heart, mind, and spirit. The author contextualizes Tolstoy's conversion, comparing his pattern of religious conversion with that of other notable religious converts-Saint Paul, Saint Augustine, Luther, Pascal, Rousseau-as well with that of Tolstoy's countrymen-Pushkin, Gogol, Chaadaev, Stankevich, Belinsky, Herzen, and Dostoevsky. Stressing the importance of the religious culture of his time for Tolstoy, this study investigates the nineteenth century debates that inspired and repelled Tolstoy as he weighed arguments for or against faith in his dialogues with the culture of his time, covering widely differing fields and disciplines of experimental knowledge. The author considers German Romantic philosophy, the natural sciences, pragmatist religious solutions, theories of social progress and evolution, and the historical school of Christianity. Medzhibovskaya stresses the fact that influential intellectual currents were as important to Tolstoy as believers and nonbelievers were from and beyond his immediate environment. The author argues that, in this sense, Tolstoy's conversion emerges as deeply intertextual, and this surprising discovery should not diminish our trust in Tolstoy's sincerity during his religious evolution, which occurred both spontaneously as well as deliberately. The polyphony of discreet spiritual moments that Tolstoy created by fusing in his narratives of conversion religious and artistic realms is arguably his greatest contribution to spiritual autobiography.
| Author | : Inessa Medzhibovskaya |
| Publisher | : Lexington Books |
| Total Pages | : 451 |
| Release | : 2009-07-15 |
| Genre | : Literary Criticism |
| ISBN | : 0739140760 |
The first book-length study on the subject in any language, Tolstoy and the Religious Culture of His Time treats Tolstoy's experience as a massive philosophical and religious project rather than a crisis-laden tragedy. Inessa Medzhibovskaya explains the evolution of Tolstoy's religious outlook based on his ongoing dialogue with the tradition of conversion in Europe and Russia, as well as on the demands of his own heart, mind, and spirit. The author contextualizes Tolstoy's conversion, comparing his pattern of religious conversion with that of other notable religious converts-Saint Paul, Saint Augustine, Luther, Pascal, Rousseau-as well with that of Tolstoy's countrymen-Pushkin, Gogol, Chaadaev, Stankevich, Belinsky, Herzen, and Dostoevsky. Stressing the importance of the religious culture of his time for Tolstoy, this study investigates the nineteenth century debates that inspired and repelled Tolstoy as he weighed arguments for or against faith in his dialogues with the culture of his time, covering widely differing fields and disciplines of experimental knowledge. The author considers German Romantic philosophy, the natural sciences, pragmatist religious solutions, theories of social progress and evolution, and the historical school of Christianity. Medzhibovskaya stresses the fact that influential intellectual currents were as important to Tolstoy as believers and nonbelievers were from and beyond his immediate environment. The author argues that, in this sense, Tolstoy's conversion emerges as deeply intertextual, and this surprising discovery should not diminish our trust in Tolstoy's sincerity during his religious evolution, which occurred both spontaneously as well as deliberately. The polyphony of discreet spiritual moments that Tolstoy created by fusing in his narratives of conversion religious and artistic realms is arguably his greatest contribution to spiritual autobiography.
| Author | : Donna Tussing Orwin |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2010-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 1139486209 |
A century after Leo Tolstoy's death, the author of War and Peace is widely admired but too often thought of only with reference to his realism and moral sense. The many sides of Tolstoy revealed in these essays speak to readers with astonishing force, relevance, and complexity. In a lively, challenging style, leading scholars range over his long life, from his first work Childhood to the works of his old age like Hadji Murat, and the many genres in which he worked, from the major novels to aphorisms and short stories. The essays present fresh approaches to his central themes: love, death, religious faith and doubt, violence, the animal kingdom, and war. They also assess his reception both in his lifetime and subsequently. Setting new agendas for the study of this classic author, this volume provides a snapshot of more current scholarship on Tolstoy.
| Author | : Rosamund Bartlett |
| Publisher | : HMH |
| Total Pages | : 581 |
| Release | : 2011-11-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 0547545878 |
This biography of the brilliant author of War and Peace and Anna Karenina “should become the first resort for everyone drawn to its titanic subject” (Booklist, starred review). In November 1910, Count Lev Tolstoy died at a remote Russian railway station. At the time of his death, he was the most famous man in Russia, more revered than the tsar, with a growing international following. Born into an aristocratic family, Tolstoy spent his existence rebelling against not only conventional ideas about literature and art but also traditional education, family life, organized religion, and the state. In “an epic biography that does justice to an epic figure,” Rosamund Bartlett draws extensively on key Russian sources, including fascinating material that has only become available since the collapse of the Soviet Union (Library Journal, starred review). She sheds light on Tolstoy’s remarkable journey from callow youth to writer to prophet; discusses his troubled relationship with his wife, Sonya; and vividly evokes the Russian landscapes Tolstoy so loved and the turbulent times in which he lived.
| Author | : Teresa Obolevitch |
| Publisher | : |
| Total Pages | : 235 |
| Release | : 2019 |
| Genre | : Philosophy |
| ISBN | : 0198838174 |
Faith and Science in Russian Religious Thought provides a comprehensive analysis of the relationship between science and faith in Russian religious thought. Teresa Obolevitch offers a synthetic approach on the development of the problem throughout the whole history of Russian thought, starting from the medieval period and arriving in contemporary times. She considers the relationship between science and religion in the eighteenth century, the so-called academic philosophy of the 19th and 20th century, the thought of Peter Chaadaev, the Slavophiles, and in the most influential literature figures, such as Fedor Dostoevsky and Lev Tolstoy. The volume also analyses two channels of the formation of philosophy in the context of the relationship between theology and science in Russia. The first is connected with the attempt to rationalize the truths of faith and is exemplified by Vladimir Soloviev and Nikolai Lossky; the second wtih the apophatic tradition is presented by Pavel Florensky and Semen Frank. The book then describes the relation to scientific knowledge in the thought of Lev Shestov, Nikolai Berdyaev, Sergius Bulgakov, and Alexei Losev as well as the original project of Russian Cosmism (on the examples of Nikolai Fedorov, Konstantin Tsiolkovsky, and Vladimir Vernadsky). Obolevitch presents the current state of the discussion on this topic by paying attention to the Neopatristic synthesis (Fr Georges Florovsky and his followers) and offers the brief comparative analyse of the relationship between science and religion from the Western and Russian perspectives.
| Author | : Caryl Emerson |
| Publisher | : Oxford University Press |
| Total Pages | : 753 |
| Release | : 2020-09-04 |
| Genre | : Religion |
| ISBN | : 019251640X |
The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.
| Author | : Solomon Volkov |
| Publisher | : Vintage |
| Total Pages | : 368 |
| Release | : 2008-03-04 |
| Genre | : History |
| ISBN | : 0307268772 |
From the reign of Tsar Nicholas II to the brutal cult of Stalin to the ebullient, uncertain days of perestroika, nowhere has the inextricable relationship between politics and culture been more starkly illustrated than in twentieth-century Russia. In the first book to fully examine the intricate and often deadly interconnection between Russian rulers and Russian artists, cultural historian Solomon Volkov brings to life the experiences that inspired artists like Tolstoy, Stravinsky, Akhmatova, Nijinsky, Nabokov, and Eisenstein to create some of the greatest masterpieces of our time. Epic in scope and intimate in detail, The Magical Chorus is the definitive account of a remarkable era in Russia's complex cultural life.
| Author | : Irina Paperno |
| Publisher | : Cornell University Press |
| Total Pages | : 242 |
| Release | : 2015-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 0801454956 |
"God only knows how many diverse, captivating impressions and thoughts evoked by these impressions... pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I do..." Such was the desire of the young Tolstoy. Although he knew that this narrative utopia—turning the totality of his life into a book—would remain unfulfilled, Tolstoy would spend the rest of his life attempting to achieve it. "Who, What Am I?" is an account of Tolstoy's lifelong attempt to find adequate ways to represent the self, to probe its limits and, ultimately, to arrive at an identity not based on the bodily self and its accumulated life experience.This book guides readers through the voluminous, highly personal nonfiction writings that Tolstoy produced from the 1850s until his death in 1910. The variety of these texts is enormous, including diaries, religious tracts, personal confessions, letters, autobiographical fragments, and the meticulous accounts of dreams. For Tolstoy, inherent in the structure of the narrative form was a conception of life that accorded linear temporal order a predominant role, and this implied finitude. He refused to accept that human life stopped with death and that the self was limited to what could be remembered and told. In short, his was a philosophical and religious quest, and he followed in the footsteps of many, from Plato and Augustine to Rousseau and Schopenhauer. In reconstructing Tolstoy's struggles, this book reflects on the problems of self and narrative as well as provides an intellectual and psychological biography of the writer.
| Author | : James Cracraft |
| Publisher | : Lexington Books |
| Total Pages | : 195 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 0739174509 |
In Two Shining Souls, Cracraft explores the decades-long encounter of Jane Addams (1860-1935), the famous American social reformer and peace activist, with Leo Tolstoy (1828-1910), the acclaimed Russian writer and sage. This hitherto untold story highlights the crisis in global pacifism precipitated by World War I. Never before had the quest for international peace seemed more promising; never since, in the wake of World War II, the Cold War, and the "War on Terror", has it seemed more impossible. Yet perhaps the story of these two shining souls has never needed to be told more.
| Author | : Charlotte Alston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 322 |
| Release | : 2013-12-16 |
| Genre | : History |
| ISBN | : 0857724789 |
In the last thirty years of his life, Leo Tolstoy developed a moral philosophy that embraced pacifism, vegetarianism, the renunciation of private property, and a refusal to comply with the state. The transformation in his outlook led to his excommunication by the Orthodox Church, and the breakdown of his family life. Internationally, he inspired a legion of followers who formed communities and publishing houses devoted to living and promoting the Tolstoyan life. These enterprises flourished across Europe and the United States in the late nineteenth and early twentieth century, and Tolstoyism influenced individuals as diverse as William Jennings Bryan and Mohandas Gandhi. In this book, Charlotte Alston provides the first in-depth historical account of this remarkable phenomenon, and provides an important re-assessment of Tolstoy's impact on the political life of the late nineteenth and early twentieth century. The book is unique in its treatment of Tolstoyism as an international phenomenon: it explores both the connections between these Tolstoyan groups, and their relationships with other related reform movements.
