Titian To Delacroix
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Author | : Maria H. Loh |
Publisher | : Getty Publications |
Total Pages | : 218 |
Release | : 2007 |
Genre | : Imitation in art |
ISBN | : 089236873X |
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author | : Titian |
Publisher | : Marsilio |
Total Pages | : 352 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
In the mid-sixteenth century, at almost 60 years of age, Titian invented a new way of painting: the paint was applied to the canvas rapidly and freely and overlaid with brushstrokes that were both light and dense: the forms broke up and a great sensuality and profound spirituality became evident. Titian used an extraordinarily prescient technique to create engaging, stirring painting that in some ways seems to relate to the literary work of the poet Torquato Tasso and even take up the imaginary writings of Ludovico Ariosto published in Venice in the 1530s. Such a painting style had never previously been imagined and was so revolutionary that it was to influence many artists of subsequent centuries through to the modern age. Late Titian became the yardstick not only for younger contemporary painters like Tintoretto, Veronese and Bassano, but also great artists of subseqent cewnturies like Rubens, Rembandt, Velazquez, Gericault and Delacroix and on to the Expressionists.
Author | : Sébastien Allard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 331 |
Release | : 2018-09-12 |
Genre | : Art |
ISBN | : 1588396517 |
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
Author | : Angelle M Vinet |
Publisher | : Lulu.com |
Total Pages | : 260 |
Release | : 2017-07-12 |
Genre | : Art |
ISBN | : 1483471233 |
The discovery of this masterpiece Whistler's "Portrait of William Merritt Chase," along with another important Whistler painting, "Harmony in Black, No10," reveals exciting new discoveries on Whistler's artistic methods, from the Old Masters and the artistic truisms of the Renaissance. Documented analysis including x-ray examination, forensics and recognized paintings by Whistler's followers will confirm this portrait and "Harmony in Black, No10," with x-ray revealing two lost paintings. These Whistler paintings connect scholarship and identify paintings worthy of merit and what makes a masterpiece a masterpiece.
Author | : Gillian McIver |
Publisher | : Bloomsbury Publishing |
Total Pages | : 647 |
Release | : 2017-03-23 |
Genre | : Art |
ISBN | : 1474246206 |
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
Author | : Cecil Gould |
Publisher | : Oxford University Press |
Total Pages | : 63 |
Release | : 2016-04-01 |
Genre | : Art |
ISBN | : 0190297964 |
Tiziano Vecellio, or Titian, the Italian painter, draughtsman and printmaker, was not only immensely successful in his lifetime but since his death has always been considered the greatest painter of the Venetian school. Equally pre-eminent in all the branches of painting practised in the 16th century - from religious subjects and portraits to allegories, scenes from Classical mythology, and history - his work illuminates more clearly than that of any other painter the fundamental transition from the 15th- to 16th-century traditions. This fully illustrated Grove Art Essentials title follows Titian's life from his early training through his many commissions for royal and noble patrons and details the artist's formative influence on the major European painters of the 17th century, later critical reception, and posthumous reputation.
Author | : Jack J. Spector |
Publisher | : |
Total Pages | : 190 |
Release | : 1967 |
Genre | : Mural painting and decoration, French |
ISBN | : |
Author | : Rose-Marie Hagen |
Publisher | : Taschen |
Total Pages | : 514 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9783822821008 |
These are the kinds of question Rose-Marie and Rainer Hagen ask when faced with world-famous masterpieces. In the language of today they comment on the fashions and attitudes, trends and intrigues, love, vice and lifestyles of past times. Book jacket.
Author | : Eugène Delacroix |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 215 |
Release | : 1991 |
Genre | : Drawing, French |
ISBN | : 0810964031 |
"Issued in conjunction with the exhibition ... held at the Metropolitan Museum of Art, New York, from April 10, 1991, through June 16, 1991"--T.p. verso.
Author | : Rona Goffen |
Publisher | : Cambridge University Press |
Total Pages | : 184 |
Release | : 1997-02-28 |
Genre | : Art |
ISBN | : 9780521444484 |
Arguably the quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies; or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century 'translation' of the work, their observations begin and end with the painting itself, and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.